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Gids voor studentenkunst

September Morn

Naam Klas Datum

paul émile chabas, September Morn (1912). Publiek domein

De feiten

Kunstenaar
paul émile chabas wahooart.com/nl/artists/paul-emile-chabas/
Geboortedatum en -overlijden kunstenaar
1869 – 1937
Geschilderd
1912
Afmetingen origineel werk
164 x 217 cm

In context

September Morn — paul émile chabas

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 164 × 217 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930

Shaded: het leven van paul émile chabas (1869–1937) ▲ dit werk, 1912

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: wahooart.com/nl/art/similar/paul-emile-chabas-september-morn-D2VLDW-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Rosy Brown #bc9a70

    Gecatalogiseerd palet

    • #BC9A70
    • #694425
    • #9D764D
    • #CCAE84
    Palet
    Earthy De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Rosy Brown
    Intensiteit
    Vivid De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Serene De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Unified Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Brilliant Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Balanced Soft Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Kunstenaar en museum

    Kunstenaar

    paul émile chabas

    Henri Matisse: A Revolutionary of Color

    Henri Matisse, born December 31st, 1869, in Le Cateau, France, wasn’t initially destined for a life immersed in art. His early years were marked by a pragmatic upbringing within a grain-producing family, and he pursued legal studies before discovering his true calling amidst the vibrant artistic currents of Paris. This unexpected shift—from law to brushstrokes—would irrevocably alter the course of 20th-century art, establishing Matisse as one of its most influential figures alongside Pablo Picasso. His legacy isn’t simply defined by a collection of beautiful paintings; it resides in his radical exploration of color and form, pushing boundaries and inspiring generations of artists.

    Early Influences and Artistic Beginnings

    Matisse's artistic journey began with a cautious foray into drawing classes during the late 1880s. Initially, he sought acceptance within the established academic framework of the École des Beaux-Arts in Paris, studying under Gustave Moreau, a Symbolist painter known for his opulent and often unsettling imagery. However, Matisse quickly found himself dissatisfied with the rigid conventions of this traditional approach. He experimented with various styles – Neoclassicism, Impressionism, and even Neo-Impressionism – absorbing influences from masters like Manet and Cézanne while simultaneously seeking a more personal expression. This period was characterized by a deliberate attempt to master technique, but it also revealed a growing desire to break free from the constraints of traditional representation.

    The Fauvist Revolution: A Bold Embrace of Color

    Around 1900, Matisse’s artistic trajectory took a dramatic turn. Inspired by Paul Gauguin and Vincent van Gogh, he began to prioritize color above all else, rejecting the muted tones and realistic depictions favored by his contemporaries. This marked the birth of Fauvism – “wild beast” in French – a movement characterized by intense, non-naturalistic colors applied with broad, arbitrary brushstrokes. Works like Woman with a Hat (1905) and The Red Studio (1911) exemplify this revolutionary approach, showcasing vibrant reds, blues, yellows, and greens used not to represent reality but to evoke emotion and create visual impact. The Salon des Indépendants in Paris provided a crucial platform for these daring works, attracting both critical acclaim and considerable controversy.

    Matisse’s Evolution: From Boldness to Restraint

    Following the initial fervor of Fauvism, Matisse continued to experiment with color and form. He spent time in Collioure, France, collaborating with André Derain, further refining his expressive palette and exploring new compositional techniques. In 1917, he relocated to Nice, on the French Riviera, where a shift occurred – a move towards greater simplification and a more classical sensibility. This period saw him embracing flatter forms, decorative patterns, and a sense of balance reminiscent of Renaissance masters. Despite this apparent return to tradition, Matisse never abandoned his core principles; instead, he integrated them into a uniquely personal style.

    Late Works and Legacy: Cutouts and Beyond

    As age progressed, Matisse’s artistic practice underwent another transformation. Following a debilitating illness in 1942, he largely ceased painting, turning his attention to the medium of paper cutouts. These intricate compositions, created by cutting shapes from colored paper and arranging them on canvases, represent a remarkable testament to his enduring creativity and visual acuity. The Tahitian Faggots (1937) series, produced during his final years in Corsica, are particularly poignant examples of this late-period work. Henri Matisse died November 3rd, 1954, leaving behind an unparalleled body of work that continues to captivate and inspire audiences worldwide. His influence extends far beyond the realm of painting, shaping modern design, graphic arts, and our very perception of color itself. He remains a pivotal figure in the history of art, a revolutionary who dared to prioritize feeling over representation and forever changed the way we see the world.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van September Morn

    wahooart.com/nl/art/download/paul-emile-chabas-september-morn-D2VLDW-en/

    Bronvermelding voor dit kunstwerk

    MLA
    chabas, paul émile. September Morn. 1912, https://wahooart.com/nl/art/paul-emile-chabas-september-morn-D2VLDW-en/
    APA
    chabas, paul émile (1912). September Morn [Painting]. https://wahooart.com/nl/art/paul-emile-chabas-september-morn-D2VLDW-en/
    Chicago
    paul émile chabas. September Morn. 1912. https://wahooart.com/nl/art/paul-emile-chabas-september-morn-D2VLDW-en/
    Harvard
    chabas, paul émile (1912) September Morn. Available at: https://wahooart.com/nl/art/paul-emile-chabas-september-morn-D2VLDW-en/

    Kijk goed naar

    September Morn — paul émile chabas

    Kijk goed naar

    Beantwoord in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar Joyous Frolics (1899), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. paul émile chabas was ongeveer 43 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?
    5. Wat zou de kunstenaar u willen laten voelen?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk. Gebruik hiervoor de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.