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Gids voor studentenkunst

Set a boat afloat

Naam Klas Datum

Park Jun Sik, Set a boat afloat, Gyeonggi Creation Center. Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende.

De feiten

Kunstenaar
Park Jun Sik wahooart.com/nl/artists/park-jun-sik_nl/
Geboortedatum en -overlijden kunstenaar
1991 – ?
Gehouden in
Gyeonggi Creation Center wahooart.com/nl/museums/gyeonggi-creation-center-ansan/

In context

Set a boat afloat — Park Jun Sik

Wanneer zou dit geschilderd kunnen zijn?

  1. 1990

Shaded: het leven van Park Jun Sik (1991–?)

Voor deze opname is geen exacte datum bekend — uitgaande van de levensloop van de artiest en de stijl van het werk, in welk decennium zou u dit plaatsen?

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    White #eceff3

    Gecatalogiseerd palet

    • #ECEFF3
    • #2C2B25
    • #5C5140
    • #C2CEDF
    Palet
    Neutrals De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    White
    Intensiteit
    Monochromatic De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Discordant Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Bright Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Muted Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Over dit kunstwerk

    Set a boat afloat — Park Jun Sik

    The Japanese, during the period of Japan’s colo­nial rule over Korea, established reformatories in order to educate the Korean people to obey to their rule. These reform schools included the Mokpo school in Mokpo, Jeolla-do and Seon­gam School in Seongamdo Island, Ansan. There­in, the Koreans suffered from the poor facilities, a severe degree of human rights violations, exploitation of labor, and an isolation from the outside world under the name of “self-support.” Young boys, more than one could count, died of escape attempts and suffered from violence and malnutrition. Out of hunger, some died by mis­taking poisonous mushrooms for edible herbal roots and tree bark. That place where so many young lives were sacrificed became today’s Gyeonggi Creation Center! And I am an artist who eats, sleeps, and works in the site of the old Seongam reform school that still bears the young boys’ smell of blood. Even skipping one meal makes me dizzy, weeding half an hour in the art farm makes my legs crumble, and just being prevented from what I want to do makes me complain. Then I imagine how the young boys could endure that time period. Seongam-dong is a land reclaimed from the sea by the young boys’ little hands that quarried stone to build a breakwater. Although this area is now home to diverse salt plants and beau­tiful reeds, it was once the site of a salt field, the very source of power with which a human trampled another and of the salt as valuable as gold produced by the numerous sacrificed children at the Seongam reform school in 1946. That is how I installed my work on the site of the old salt field. Even animals go hunting no more than they need. Then why do human beings, the lord of all creation, fret over storing food, land, and money which was invented for the sake of convenience after all. Perhaps, that is a mental illness. It has been only 70 years since the war ended. Let’s give us some more time.it was not enough time to overcome things anyway. The gone sea caused a fisherman to shed tears of blood, and the boat was abandoned. The fish­erman must have gazed over the inland water without hope. The fisherman must have heaved a deep sigh, or rather wailed. There is nowhere in the country where the fisherman’s wailing did not reach! I set a boat afloat on that field of reeds that will take the people, who has been living as if they overcame or nothing happened.I floated a boat on that beds of reeds while imagining a coarse yet hopeful breath of a fish­erman starting a day as well as a boat returning with a full load of fish. I float a fish-smelling boat fully loaded with the fishing net the fisherman newly repaired yesterday, where no war or Seon­gam reformatory or salt field exists, among the reeds.

    Kunstenaar en museum

    Kunstenaar

    Park Jun Sik

    Geboren in Zuid Korea

    Park Jun Sik: A Painter of Serene Landscapes

    Park Jun Sik, born November 16, 1991, in Yongin, South Korea, is a contemporary Korean artist whose evocative paintings explore themes of tranquility and symbolic representation. While biographical details remain somewhat sparse—a testament to the evolving landscape of artistic recognition—his work speaks volumes about his dedication to capturing the essence of nature’s beauty and conveying profound emotional depth.

    ### Early Life & Artistic Beginnings

    Park Jun Sik's formative years were marked by a passion for music, nurtured during his school days where he joined the band as vocalist. He performed with ZE:A (Children of Empire) and Flower, covering popular Korean artists like Buzz, demonstrating an early aptitude for artistic expression beyond mere visual representation. This musical foundation undoubtedly instilled in him a sensitivity to rhythm and harmony—elements that would later permeate his painting style. Notably, he was named Hyung-sik by a Buddhist monk, reflecting the spiritual values of his family.

    ### Artistic Style & Influences

    Park Jun Sik’s artistic approach leans heavily toward Landscape Painting, characterized by minimalist compositions and muted color palettes. His canvases often depict serene vistas—rolling hills bathed in soft light, tranquil lakes mirroring the sky—creating an atmosphere of contemplative stillness. While specific influences remain elusive, it's plausible that he draws inspiration from Impressionist techniques, prioritizing capturing fleeting moments of sensory experience rather than striving for photographic realism. The subtle gradations of color and brushstrokes contribute to a sense of ethereal beauty, inviting viewers into a realm of quiet contemplation.

    ### Notable Works & Recognition

    Among his accomplishments is the acclaimed musical theatre production “Bonnie & Clyde,” where he showcased his versatility as an actor. He gained considerable fame through roles in dramas such as “Strong Woman Do Bong Soon,” “Happiness,” and “Doctor Slump,” cementing his position as a respected figure within Korean cinema. His portrayal of Ahn Min Hyuk in "Strong Woman Do Bong Soon" garnered particular praise for its nuanced exploration of character psychology—a hallmark of his artistic sensibility. Furthermore, he has been recognized for his contributions to the arts community through awards and endorsements, reflecting the growing appreciation for his distinctive vision.

    ### Legacy & Future Directions

    Park Jun Sik’s contribution to Korean art lies in his ability to distill complex emotions into simple visual forms. His landscapes serve as portals to inner reflection, prompting viewers to consider themes of peace, solitude, and connection with the natural world. As he continues to develop his artistic practice, it will be fascinating to observe how Park Jun Sik expands upon his established style—perhaps incorporating new techniques or exploring bolder color palettes—while retaining the core values of serenity and symbolic storytelling that define his oeuvre.

    Museum

    Gyeonggi Creation Center

    Te zien in Ansan, South Korea

    A Crucible of Creativity: Exploring the Gyeonggi Creation Center

    Nestled in Ansan, a vibrant city southwest of Seoul, South Korea’s Gyeonggi Creation Center (GCC) stands as more than just an art space; it's a dynamic ecosystem pulsating with innovation and artistic exchange. Established in 2009, this sprawling complex has rapidly become the nation’s largest creative residence and a vital hub for artists both domestic and international. The GCC isn’t defined by static collections of fixed artworks, but rather by its living legacy – the ever-evolving body of work produced during residencies, a testament to the transformative power of dedicated time and collaborative spirit.

    The Center's core mission revolves around fostering artistic research and development. It achieves this through meticulously curated residency programs, offering artists unparalleled access to individual studios equipped with essential resources alongside shared creative spaces like media labs and woodworking workshops. These aren’t simply temporary accommodations; they are incubators for experimentation, encouraging artists to push the boundaries of their practice across a diverse range of mediums – from traditional painting and sculpture to cutting-edge installation art and digital media. The GCC actively champions interdisciplinary projects, recognizing that the most compelling artistic breakthroughs often arise when seemingly disparate fields converge. This commitment is reflected in exhibitions showcasing these collaborative outcomes, offering visitors a glimpse into the fertile ground where creativity flourishes.

    Architecture as Inspiration

    The Gyeonggi Creation Center’s architecture itself plays a crucial role in its unique environment. While specific architectural details remain somewhat understated – likely prioritizing functionality and artistic freedom – it's understood to be a modern design, thoughtfully constructed to stimulate both individual focus and collaborative interaction. Situated on Seongamdo Island, a strategically chosen location offering scenic beauty and relative seclusion, the building’s layout is designed to facilitate serendipitous encounters and foster a sense of community among resident artists. The island setting provides a refreshing contrast to the bustling urban landscape of Seoul, creating an atmosphere conducive to deep work and creative contemplation.

    A Living Collection: Residencies as the Heart

    What truly distinguishes the GCC is its “collection” – a dynamic archive of works born from its residency programs. These aren’t museum-quality pieces displayed behind velvet ropes; they are living, breathing artworks that reflect the unique experiences and processes of each artist in residence. The Center actively supports emerging talents, providing them with invaluable exposure and opportunities to develop their careers within a supportive international network. The GCC's commitment extends beyond simply hosting artists; it’s about nurturing their growth and facilitating their engagement with the wider art world. Past residents have included artists exploring themes of identity, technology, environmental sustainability, and social justice – reflecting the Center’s dedication to fostering diverse and thought-provoking artistic expressions.

    Beyond the Canvas: A Hub for Cultural Exchange

    The Gyeonggi Creation Center's influence extends far beyond its physical walls. It actively promotes cross-cultural exchange through its residency programs, attracting artists from around the globe and facilitating dialogue between different creative traditions. The Center’s location in Ansan, a city with strong ties to Seoul but also a distinct cultural identity, further enhances this international focus. Ansan itself, as evidenced by its Wikipedia entry, is a dynamic hub of learning institutions and technological development – a setting perfectly suited to the GCC's mission of fostering innovation. The Center’s exhibitions are open to the public, offering a valuable opportunity for local communities to engage with contemporary art and experience diverse perspectives.

    A Future Forged in Creativity

    The Gyeonggi Creation Center is more than just an artistic venue; it's a testament to South Korea’s commitment to fostering a vibrant and globally connected arts scene. Its scale, international focus, and dynamic environment make it a truly unique destination for artists seeking inspiration and support. As the GCC continues to evolve, it remains dedicated to its core mission: to nurture creativity, encourage research, and push the boundaries of artistic expression – solidifying its position as a cornerstone of Gyeonggi province’s cultural landscape and a significant contributor to the global art community.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Set a boat afloat

    wahooart.com/nl/art/download/park-jun-sik-set-a-boat-afloat-DD2FLF-en/

    Bronvermelding voor dit kunstwerk

    MLA
    Sik, Park Jun. Set a boat afloat. n.d., Gyeonggi Creation Center. https://wahooart.com/nl/art/park-jun-sik-set-a-boat-afloat-DD2FLF-en/
    APA
    Sik, Park Jun (n.d.). Set a boat afloat [Painting]. Gyeonggi Creation Center. https://wahooart.com/nl/art/park-jun-sik-set-a-boat-afloat-DD2FLF-en/
    Chicago
    Park Jun Sik. Set a boat afloat. n.d. Gyeonggi Creation Center. https://wahooart.com/nl/art/park-jun-sik-set-a-boat-afloat-DD2FLF-en/
    Harvard
    Sik, Park Jun (n.d.) Set a boat afloat. Gyeonggi Creation Center. Available at: https://wahooart.com/nl/art/park-jun-sik-set-a-boat-afloat-DD2FLF-en/

    Bekijk het van dichtbij

    Set a boat afloat — Park Jun Sik

    Kijk eens goed

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Wat zou de kunstenaar u willen laten voelen?
    4. Als u de kunstenaar één vraag over dit werk zou kunnen stellen, wat zou dat dan zijn?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.