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Untitled (248)

Naam Klas Datum

oyvind fahlstrom, Untitled (248). Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende.

De feiten

Kunstenaar
oyvind fahlstrom wahooart.com/nl/artists/oyvind-fahlstrom/
Geboortedatum en -overlijden kunstenaar
1982 – 1976
Beweging
Other

In context

Untitled (248) — oyvind fahlstrom

Wanneer zou dit geschilderd kunnen zijn?

  1. 1970
  2. 1980

Shaded: het leven van oyvind fahlstrom (1982–1976)

Voor deze opname is geen exacte datum bekend — uitgaande van de levensloop van de artiest en de stijl van het werk, in welk decennium zou u dit plaatsen?

Vergelijkbare werken

  • Gorilla wahooart.com/nl/art/oyvind-fahlstrom-gorilla-A25VQN-en/
  • Untitled (833) wahooart.com/nl/art/oyvind-fahlstrom-untitled-833-A25VQJ-en/
  • Untitled (787) wahooart.com/nl/art/oyvind-fahlstrom-untitled-787-A25VQS-en/

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: wahooart.com/nl/art/similar/oyvind-fahlstrom-untitled-248-A25VQL-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Mahogany #bd6115

    Gecatalogiseerd palet

    • #BD6115
    • #ABA29E
    • #38567C
    • #F3ECE0
    Palet
    Neutrals De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Mahogany
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Bold De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Discordant Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Brilliant Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Balanced Soft Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Kunstenaar en museum

    Kunstenaar

    oyvind fahlstrom

    Geboren in São Paulo, Brazil

    Jean-Michel Basquiat: A Voice From the Streets

    Born in Brooklyn, New York, in 1960 to Haitian and Puerto Rican parents, Jean-Michel Basquiat’s life was a collision of cultures and experiences that profoundly shaped his artistic vision. His early years were marked by movement – leaving home at fifteen to live in Lower Manhattan, immersing himself in the vibrant, often chaotic, world of New York City's downtown art scene. He honed his skills as a street artist, adopting the moniker “SAMO,” short for “same old, same old,” and tagging walls with cryptic statements alongside fellow graffiti artists. This period wasn’t simply about vandalism; it was an exploration of identity, social commentary, and a rejection of the established order – a foundation that would later inform his powerful paintings.

    Basquiat's artistic journey began in earnest during the late 1970s and early 1980s. Initially working with Al Diaz, they created a series of collaborative pieces known as “SAMO,” incorporating poetry and social critiques onto subway cars and walls. However, their partnership dissolved abruptly in 1981, leaving Basquiat to forge his own distinct path. This pivotal moment allowed him to fully develop his unique style – a complex blend of graffiti aesthetics, Neo-Expressionist techniques, and deeply personal symbolism.

    The Rise of a Star: From Subway Cars to Galleries

    The turning point in Basquiat’s career arrived with the “Times Square Show” in 1980. This audacious event, organized by a group of underground artists, brought his work – primarily large-scale paintings and drawings – into the public eye for the first time. The show garnered significant attention from critics and collectors alike, catapulting Basquiat to instant fame. A key article in “The Radiant Child” published in 1981 by Rene Ricard solidified this ascent, framing Basquiat not just as an artist but as a figure representing the anxieties and contradictions of the era – a commentary on market forces, racial dynamics, and the commodification of art.

    Critics recognized his work as a potent response to the culture wars raging at the time. Basquiat’s paintings directly confronted issues of racism, social injustice, and the hypocrisy inherent in an art world that simultaneously celebrated and marginalized artists from marginalized communities. He wasn't simply creating beautiful images; he was engaging in a critical dialogue with the institutions and assumptions surrounding art.

    A Visual Language: Style and Symbolism

    Basquiat’s artistic style is instantly recognizable, characterized by a frenetic energy and layered complexity. His paintings often combine elements of graffiti, Neo-Expressionism, and Pop Art, creating a visually arresting and intellectually stimulating experience. He frequently incorporated text – words, phrases, names, and inventories – directly onto the canvas alongside images of skulls, crowns, anatomical diagrams, maps, and African symbols. These seemingly disparate elements were interwoven to create complex narratives that explored themes of identity, power, and mortality.

    His use of color was often bold and contrasting, reflecting the intensity of his subject matter. He favored a palette of black, white, red, and blue – colors associated with mourning, rebellion, and spiritual awakening. Many of his works are described as improvisational, resembling the expansive compositions of jazz music—a reflection of the spontaneous energy he sought to capture on canvas. The layers of meaning within each piece often remain open to interpretation, inviting viewers to engage in a dialogue with the artist’s intentions.

    Legacy and Value: A Market Phenomenon

    Basquiat's career was tragically cut short at the age of 27 when he died of a heroin overdose in 1988. Despite his brief but intense period of artistic activity, he produced approximately one thousand paintings and two thousand drawings, leaving behind a remarkably rich body of work. In recent decades, Basquiat’s art has experienced a dramatic surge in value, becoming one of the most sought-after and expensive works by any artist of his generation.

    A pivotal year for his market recognition was 1982, as documented by Artsy.com, where several key paintings sold for significant sums – including an untitled skull painting that later fetched $110.5 million at Sotheby’s in 2017. This remarkable appreciation reflects not only the quality of his work but also the broader cultural significance he has achieved. His art continues to resonate with audiences today, offering a powerful commentary on race, identity, and the complexities of the modern world. Sotheby's data indicates that Basquiat’s works have consistently shown strong returns over time, cementing his place as a major force in contemporary art history.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Untitled (248)

    wahooart.com/nl/art/download/oyvind-fahlstrom-untitled-248-A25VQL-en/

    Bronvermelding voor dit kunstwerk

    MLA
    fahlstrom, oyvind. Untitled (248). n.d., https://wahooart.com/nl/art/oyvind-fahlstrom-untitled-248-A25VQL-en/
    APA
    fahlstrom, oyvind (n.d.). Untitled (248) [Painting]. https://wahooart.com/nl/art/oyvind-fahlstrom-untitled-248-A25VQL-en/
    Chicago
    oyvind fahlstrom. Untitled (248). n.d. https://wahooart.com/nl/art/oyvind-fahlstrom-untitled-248-A25VQL-en/
    Harvard
    fahlstrom, oyvind (n.d.) Untitled (248). Available at: https://wahooart.com/nl/art/oyvind-fahlstrom-untitled-248-A25VQL-en/

    Kijk goed naar

    Untitled (248) — oyvind fahlstrom

    Kijk goed naar

    Beantwoord in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. In onze catalogus is dit werk geclassificeerd onder: surreal creatures, fantasy figures, vibrant colors. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    4. Kijk nog eens naar Gorilla, eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. Thema's die terugkeren in het werk van oyvind fahlstrom: surrealist dreamscape, fahlström's playful chaos, social commentary art. Welke daarvan ziet u hier?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk. Gebruik hiervoor de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.