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Gids voor studentenkunst

King Karl XIV Johan

Naam Klas Datum

olof johan södermark, King Karl XIV Johan (1831). Publiek domein

De feiten

Kunstenaar
olof johan södermark wahooart.com/nl/artists/olof-johan-sodermark/
Geboortedatum en -overlijden kunstenaar
1790 – 1848
Geschilderd
1831
Beweging
Neoclassicism A deliberate return to the calm balance and clear outlines of ancient Greek and Roman art.

In context

King Karl XIV Johan — olof johan södermark

Wanneer is dit geschilderd?

  1. 1790
  2. 1800
  3. 1810
  4. 1820
  5. 1830
  6. 1840

Shaded: het leven van olof johan södermark (1790–1848) ▲ dit werk, 1831

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Black #141511

    Gecatalogiseerd palet

    • #141511
    • #68461C
    • #2B2619
    • #A06A27
    Naam hoofdkleur
    Black
    Intensiteit
    Monochromatic De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Serene De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Balanced Harmony De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Deep_shadow Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Muted Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Kunstenaar en museum

    Kunstenaar

    olof johan södermark

    Geboren in Landskrona, Sweden

    The Precision of the Cartographer’s Eye

    Olof Johan Södermark was a man whose life was defined by the striking duality of the sword and the brush. Born in Landskrona, Sweden, in 1790, his early years were shaped by the rigorous discipline of military service, a path that began when he entered the fortification corps at the tender age of thirteen. This formative period as a cadet instilled in him a profound respect for accuracy and observation—traits that would later become the hallmark of his artistic style. As he ascended through the ranks to become a lieutenant within the Field Measurement Corps, Södermark dedicated himself to the science of cartography. The meticulous nature of mapping landscapes and recording topographical details provided him with a unique visual vocabulary; the same eye that traced the contours of the Swedish terrain would eventually be used to trace the delicate nuances of the human face.

    From the Battlefield to the Roman Studio

    The trajectory of Södermark’s life was irrevocably altered by the tremors of the Napoleonic Wars. His service took him to the heart of Europe's most pivotal conflicts, including the intense battles of Grossbeeren and Leipzig in 1813. These experiences of chaos and courage, alongside his time serving as an adjutant to Lieutenant General Sixtance David Sparre, infused his character with a certain Romanticist intensity. However, it was his transition from the battlefield to the artistic studio that would define his historical significance. Seeking to expand his creative horizons, Södermark traveled to Rome, where he immersed himself in the classical traditions of the era. Under the guidance of renowned sculptors such as Johan Niclas Byström and Bengt Erland Fogelberg, he initially sought to master the permanence of stone. Yet, as his travels took him through the cultural epicenters of Paris, Munich, and London, he found that his true passion lay not in the static weight of sculpture, but in the fluid, expressive potential of portrait painting.

    A Legacy of Neoclassical Grandeur

    As Södermark matured as an artist, his work became a sophisticated bridge between Neoclassical discipline and the burgeoning emotional depth of Romanticism. His ability to marry scientific precision with an evocative sense of character allowed him to ascend to the highest levels of Swedish society. By the early 1830s, he had earned the prestigious opportunity to paint members of the Royal Family, creating portraits that captured both their sovereign authority and their individual humanity. One of his most notable achievements remains his depiction of King Karl XIV Johan, a work that exemplifies his ability to render texture, light, and royal dignity with unparalleled clarity. Though his life was cut short in 1848, Södermark left behind a legacy of profound influence, passing his artistic torch to his son, Per Södermark, and ensuring that the meticulous, soulful vision of the soldier-artist would endure within the annals of Swedish art history.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van King Karl XIV Johan

    wahooart.com/nl/art/download/olof-johan-sodermark-king-karl-xiv-johan-DD26UN-en/

    Bronvermelding voor dit kunstwerk

    MLA
    södermark, olof johan. King Karl XIV Johan. 1831, https://wahooart.com/nl/art/olof-johan-sodermark-king-karl-xiv-johan-DD26UN-en/
    APA
    södermark, olof johan (1831). King Karl XIV Johan [Painting]. https://wahooart.com/nl/art/olof-johan-sodermark-king-karl-xiv-johan-DD26UN-en/
    Chicago
    olof johan södermark. King Karl XIV Johan. 1831. https://wahooart.com/nl/art/olof-johan-sodermark-king-karl-xiv-johan-DD26UN-en/
    Harvard
    södermark, olof johan (1831) King Karl XIV Johan. Available at: https://wahooart.com/nl/art/olof-johan-sodermark-king-karl-xiv-johan-DD26UN-en/

    Bekijk het van dichtbij

    King Karl XIV Johan — olof johan södermark

    Kijk eens goed

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Hoeveel gezichten kun je vinden? ____ (onze catalogus telt 1 — ben je het ermee eens?)
    4. In onze catalogus is dit werk geclassificeerd onder: portrait, royalty, military. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    5. Neoclassicism: A deliberate return to the calm balance and clear outlines of ancient Greek and Roman art. Waar is dat in dit werk te zien?

    Uw reactie

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