Gids voor studentenkunst
Copyright Dit werk bevindt zich in het publiek domein. Moritz Michael Daffinger overleed in 1849; het auteursrecht blijft 70 jaar na de dood van de kunstenaar van kracht, waardoor dit in 1919 is verlopen.
In context
Wilhelm Tell — Moritz Michael Daffinger
Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 59 bij het overlijden.
Shaded: het leven van Moritz Michael Daffinger (1790–1849) elk gedateerd schilderij, decennium voor decennium
Voor deze opname is geen exacte datum bekend — uitgaande van de levensloop van de artiest en de stijl van het werk, in welk decennium zou u dit plaatsen?
Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.
Meer werken om naast dit werk te plaatsen: wahooart.com/nl/art/similar/moritz-michael-daffinger-wilhelm-tell-9CVVR3-en/
Gemeten op basis van de afbeelding
Hoofdkleur
Putty #ded3c6
Gecatalogiseerd palet
Deze kleuren binnen het volledige palet van de kunstenaar Zoek andere schilderijen op kleur
De tien belangrijkste landen
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Samen maken deze werken 100,0% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 15 werken van deze kunstenaar, waarvan 2 minstens één keer zijn bekeken. Dit schilderij heeft in die periode nog geen weergaven — het sluit de lijst af zonder rangorde. Hetzelfde geldt voor elke maand
Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.
Kunstenaar en museum
Geboren in Lichtenstein, Austria
Moritz Michael Daffinger, a name synonymous with the delicate grace of Biedermeier portraiture, was born into an artistic lineage in Vienna in 1790. His father, Johann Leopold Daffinger, a painter at the esteemed Imperial Porcelain Manufactory, laid the foundation for Moritz’s early immersion in the world of art. Even as a young boy, displaying remarkable talent, he contributed designs to his mother's glove-making business, foreshadowing the meticulous detail that would define his later work. At just eleven years old, Daffinger formally entered the porcelain manufactory as an apprentice, honing his skills under the guidance of both his father and Michael Weixlbaum. This formative period instilled in him a precision and refinement that would become hallmarks of his style. He continued his artistic education at the Academy of Fine Arts Vienna, studying painting with Heinrich Füger, further solidifying his technical foundation. Returning to the manufactory, he quickly ascended through the ranks, establishing himself as one of its leading painters before embarking on an independent career focused on portraiture.
From 1809 onward, Daffinger dedicated himself almost exclusively to capturing the likenesses of his contemporaries, specializing in miniature painting on ivory and small gouaches on paper. This was a period where portraiture wasn’t merely about representation; it was about conveying status, personality, and belonging within a rapidly changing society. He quickly gained recognition for his ability to imbue each subject with a unique character, moving beyond mere physical resemblance to capture an inner essence. The influence of prominent artists began to shape his evolving style. Initially inspired by Jean-Baptiste Isabey, Daffinger’s work underwent a significant transformation following the visit of English portrait painter Thomas Lawrence to Vienna in 1819. Lawrence's mastery of light, composition, and psychological insight profoundly impacted Daffinger, leading him to adopt a more dynamic and expressive approach. This influence is evident in his portraits, which began to exhibit a newfound elegance and sophistication. His talent did not go unnoticed by the Austrian elite; in 1812, he was appointed as a portraitist to Klemens von Metternich, the influential Austrian Foreign Minister. This appointment wasn’t simply a commission—it was an immersion into the heart of power and aristocracy.
Daffinger's role extended beyond painting portraits for Metternich; he also became curator of the Foreign Minister’s extensive portrait collection, belonging to Princess Melanie. This position granted him access to a wealth of artistic treasures and placed him at the center of Viennese high society. He painted numerous members of the Austrian nobility and European royalty, solidifying his reputation as a premier portraitist. Over the course of his career, Daffinger created over a thousand portraits, many of which remained within the collections of the Habsburg-Lorraine imperial house—a testament to his skill and the esteem in which he was held. His studio became a hub for Vienna’s elite, eager to have their likenesses preserved by this master of miniature painting. He wasn't merely documenting faces; he was crafting enduring symbols of status and identity within the Biedermeier era. As he matured as an artist, Daffinger also demonstrated versatility, increasingly concentrating on flower paintings in his later years, showcasing a different facet of his artistic talent.
Moritz Michael Daffinger’s legacy extends far beyond the exquisite portraits he created. He is remembered as one of Austria's most accomplished miniature painters, capturing the spirit of Biedermeier society with unparalleled skill and sensitivity. His work embodies the era’s emphasis on intimacy, domesticity, and refined elegance. In a remarkable display of national recognition, his portrait was featured on the obverse of the Austrian 20-Schilling banknote until the introduction of the Euro in 1999—a powerful symbol of his cultural importance and enduring appeal. This honor speaks volumes about the lasting impact he had on Austrian identity. Further solidifying his place in history, Daffinger’s remains were transferred to an honorary grave (Ehrengrab) in Vienna's Zentralfriedhof in 1912, a fitting tribute to a master artist. Though he passed away during the cholera epidemic of 1849, initially buried in St. Marx Cemetery before his reinterment with honors, Daffinger’s influence continued to resonate through subsequent generations of Austrian portrait painters. His technical skill and refined style served as an inspiration for artists seeking to capture the essence of their own subjects. Today, his works are held in various museums and private collections around the world, continuing to be admired for their beauty, historical significance, and the enduring legacy of a life etched in ivory.
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Bekijk het van dichtbij
Wilhelm Tell — Moritz Michael Daffinger
Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.
Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.
Om een print van "Wilhelm Tell" door Moritz Michael Daffinger te bestellen, kunt u terecht op de Fine Art Print pagina: een fine art print op katoenen canvas of archiefwaardig canvaspapier.
Over het algemeen wordt "Wilhelm Tell" geregistreerd als brilliant. De waargenomen helderheid beschrijft hoe licht of donker het werk oogt.
De kleur van "Wilhelm Tell" heeft een verzadiging van Muted en een intensiteit van Balanced.