Papierformaat

Gids voor studentenkunst

Groundswell

Naam Klas Datum

maya ying lin, Groundswell (1993). Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende.

De feiten

Kunstenaar
maya ying lin wahooart.com/nl/artists/maya-ying-lin/
Geboortedatum en -overlijden kunstenaar
1959 – ?
Geschilderd
1993
Beweging
Post Minimalism

In context

Groundswell — maya ying lin

Wanneer is dit geschilderd?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990

Shaded: het leven van maya ying lin (1959–?) ▲ dit werk, 1993

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: wahooart.com/nl/art/similar/maya-ying-lin-groundswell-D6K6BD-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Phthalo Green #1a1918

    Gecatalogiseerd palet

    • #1A1918
    • #9BC7D7
    • #4C5F57
    • #75999A
    Naam hoofdkleur
    Phthalo Green
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Softly Mixed Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Balanced Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Muted Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Kunstenaar en museum

    Kunstenaar

    maya ying lin

    Geboren in Athens, United States of America

    The Architecture of Memory and Earth

    Maya Ying Lin, a name synonymous with the profound intersection of landscape and legacy, possesses the rare ability to make the inanimate speak. Born in 1959 in Athens, Ohio, to Chinese immigrant parents who were both scholars at Ohio University, her early life was steeped in an atmosphere where art and intellect converged. Her father, a renowned ceramist, and her mother, a poet, provided a foundation of creative curiosity that would later manifest in Lin’s ability to weave geological precision with deep emotional resonance. From her childhood fascination with the intricate patterns of natural formations to her formal training at Yale University, Lin has consistently sought to bridge the gap between the physical earth and the human spirit.

    The trajectory of her career was irrevocably altered in 1981 when, as an undergraduate student, she won the national design competition for the Vietnam Veterans Memorial. This achievement brought with it both instant international acclaim and intense public scrutiny. Her design—a minimalist, V-shaped wedge of polished black granite—rejected the traditional, heroic monuments of the past in favor of a reflective surface that literally and figuratively integrated the viewer into the memorial itself. By inscribing the names of the fallen upon a wall that seems to emerge from and descend back into the earth, Lin created a space where the living could confront the heavy reality of loss through a quiet, introspective dialogue with the landscape.

    A Dialogue with the Living Landscape

    Beyond the granite walls of Washington, D.C., Lin’s artistic evolution has been characterized by an expanding dialogue with the environment. Her work often transcends the boundaries of traditional sculpture, moving into the realm of land art and ecological installation. She views the earth not merely as a canvas, but as a collaborator. This perspective is evident in her ability to manipulate topography and texture to evoke themes of time, erosion, and biological interconnectedness. Her practice is deeply rooted in the scientific—drawing from geology and biology—yet it remains profoundly poetic, using the language of the natural world to address contemporary ecological crises.

    In her later works, the focus often shifts toward the concept of "what is lost" in the face of environmental change. Her installations frequently invite the viewer to consider the fragility of our ecosystems and our responsibility as stewards of the planet. Through a masterful use of materials—ranging from stone and metal to water and light—she creates immersive environments that demand presence. This commitment to eco-art has solidified her role not just as an architect or sculptor, but as a visual philosopher of the Anthropocene, prompting us to reconsider our place within the larger, often overlooked, rhythms of the natural world.

    Legacy and Enduring Impact

    The historical significance of Maya Lin lies in her refusal to accept rigid boundaries between disciplines. She has successfully navigated the complexities of being an architect, a designer, and a fine artist, creating a body of work that resists easy categorization. Her achievements have been recognized with the highest honors, including the National Medal of Arts and the Presidential Medal of Freedom, yet her true impact is felt in the quiet moments of reflection her monuments inspire.

    Her enduring legacy can be summarized through several key contributions to contemporary art:

    Redefining Memorialization: She transformed the concept of public monuments from static objects of glorification into interactive spaces of mourning and healing.

    Integration of Science and Art: Her ability to utilize geological and biological concepts to inform sculptural form has enriched the discourse of environmental art.

    Minimalist Poetics: Through a stripped-back aesthetic, she proved that profound emotional depth can be achieved through simplicity and the strategic use of negative space.

    Ecological Advocacy: Her work serves as a vital bridge between artistic expression and the urgent global conversation regarding climate change and environmental preservation.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Groundswell

    wahooart.com/nl/art/download/maya-ying-lin-groundswell-D6K6BD-en/

    Bronvermelding voor dit kunstwerk

    MLA
    lin, maya ying. Groundswell. 1993, https://wahooart.com/nl/art/maya-ying-lin-groundswell-D6K6BD-en/
    APA
    lin, maya ying (1993). Groundswell [Painting]. https://wahooart.com/nl/art/maya-ying-lin-groundswell-D6K6BD-en/
    Chicago
    maya ying lin. Groundswell. 1993. https://wahooart.com/nl/art/maya-ying-lin-groundswell-D6K6BD-en/
    Harvard
    lin, maya ying (1993) Groundswell. Available at: https://wahooart.com/nl/art/maya-ying-lin-groundswell-D6K6BD-en/

    Kijk goed naar

    Groundswell — maya ying lin

    Kijk goed naar

    Beantwoord in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar Aligning Reeds (1985), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. maya ying lin was ongeveer 34 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?
    5. Wat zou de kunstenaar u willen laten voelen?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk. Gebruik hiervoor de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.