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Gids voor studentenkunst

Three Sisters (color variant)

Naam Klas Datum

matt phillips, Three Sisters (color variant) (1978). Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende.

De feiten

Kunstenaar
matt phillips wahooart.com/nl/artists/matt-phillips/
Geboortedatum en -overlijden kunstenaar
1927 – 2017
Geschilderd
1978
Afmetingen origineel werk
23 x 15 cm

In context

Three Sisters (color variant) — matt phillips

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 23 × 15 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000
  10. 2010

Shaded: het leven van matt phillips (1927–2017) ▲ dit werk, 1978

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: wahooart.com/nl/art/similar/matt-phillips-three-sisters-color-variant-AR254C-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Bronze #aa8228

    Gecatalogiseerd palet

    • #AA8228
    • #BAA792
    • #346F83
    • #2A241D
    Naam hoofdkleur
    Bronze
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Gentle De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Discordant Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Bright Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Balanced Soft Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Kunstenaar en museum

    Kunstenaar

    matt phillips

    The Poetic Resonance of Matt Phillips

    Born in the vibrant landscape of New York City on March 13, 1928, Matt Phillips embarked on a life journey that would eventually weave together the threads of literature, music, and visual art into a singular, expressive tapestry. His early years were marked by a significant transition when his family moved to Leesburg, Georgia, during his childhood—an experience that planted the seeds for his deep connection to the American landscape. Before he became a master of the printed page, Phillips was a man of melody; his youthful passion for the guitar, nurtured by close friends, instilled in him a rhythmic sensibility that would later manifest in the fluid lines and balanced compositions of his artwork. This intersection of lyrical thought and visual form defines much of his enduring legacy.

    Phillips’s intellectual evolution was as profound as his artistic one. With a Master’s degree in Literature from the University of any Chicago and further studies at Stanford University, he approached the canvas with the soul of a poet. This literary foundation allowed him to view printmaking not merely as a technical process, but as a medium for storytelling and emotional exploration. His early career saw him delving into poetry, yet it was through his time at the Barnes Foundation in Merion, Pennsylvania, that his visual language truly began to coalesce. Immersed in the rich traditions of modernism, he learned to appreciate the delicate interplay between shape, space, and color, preparing him for a transformative period in Paris during the 1960s, where European artistic movements further refined his aesthetic vision.

    A Revival of the Monotype

    The true hallmark of Phillips’s contribution to the art world lies in his courageous rediscovery and revival of the monotype technique. While many of his contemporaries were moving toward more industrial or mass-reproducible methods, Phillips looked backward to the late nineteenth century, drawing inspiration from masters such as Edgar Degas, Paul Gauguin, and Maurice Prendergast. He saw in the monotype a unique opportunity to capture the ephemeral—the fleeting light of a landscape or the transient emotion of a human gesture. By painting directly onto glass or metal plates and transferring those images to paper through pressure, he created works that possessed a singular, unrepeatable soul.

    His mastery of this medium allowed him to oscillate between various thematic realms:

    Atmospheric Landscapes: Works like "Along the Quay" demonstrate his ability to use the monotype process to evoke serenity and order, using light and shadow to create a sense of timelessness.

    Intimate Human Connections: In pieces such as "Serenade," Phillips utilized soft lines and gentle curves to depict scenes of quiet companionship, turning a simple riverside setting into a profound meditation on peace.

    Graphic Simplicity: His drawings, including the evocative "Three Sisters," showcase a capacity for intense emotional depth through stark, powerful compositions that rely on the strength of a single line.

    Legacy and Academic Influence

    Beyond the studio, Matt Phillips was a dedicated educator who believed in the transformative power of creativity. His tenure as a professor at Bard College in Annandale-on-Hudson, New York, allowed him to pass his reverence for experimentation onto a new generation of artists. Even after his formal retirement from academia in 1987, his spirit of exploration never waned; he continued to travel and exhibit, treating the world itself as an ever-changing gallery. His work remains a vital part of the American canon, with significant pieces held in prestigious institutions such as the Smithsonian American Art Museum.

    Today, Phillips is remembered not just as a printmaker, but as a bridge between eras. He successfully bridged the gap between the classical techniques of the past and the expressive freedoms of the modern age. Through his revival of the monotype, he ensured that the delicate, hand-crafted intimacy of the medium would continue to resonate, offering viewers a window into a world where color, shape, and spirit exist in perfect, poetic harmony.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Three Sisters (color variant)

    wahooart.com/nl/art/download/matt-phillips-three-sisters-color-variant-AR254C-en/

    Bronvermelding voor dit kunstwerk

    MLA
    phillips, matt. Three Sisters (color variant). 1978, https://wahooart.com/nl/art/matt-phillips-three-sisters-color-variant-AR254C-en/
    APA
    phillips, matt (1978). Three Sisters (color variant) [Painting]. https://wahooart.com/nl/art/matt-phillips-three-sisters-color-variant-AR254C-en/
    Chicago
    matt phillips. Three Sisters (color variant). 1978. https://wahooart.com/nl/art/matt-phillips-three-sisters-color-variant-AR254C-en/
    Harvard
    phillips, matt (1978) Three Sisters (color variant). Available at: https://wahooart.com/nl/art/matt-phillips-three-sisters-color-variant-AR254C-en/

    Bekijk het van dichtbij

    Three Sisters (color variant) — matt phillips

    Kijk eens goed

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar Three Sisters (1978), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. matt phillips was ongeveer 51 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?
    5. Wat zou de kunstenaar u willen laten voelen?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.