Papierformaat

Gids voor studentenkunst

Consequence Joke

Naam Klas Datum

matilda tumim, Consequence Joke (2006), Papdale Primary School. Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende.

De feiten

Kunstenaar
matilda tumim wahooart.com/nl/artists/matilda-tumim/
Geboortedatum en -overlijden kunstenaar
1963 – ?
Geschilderd
2006
Afmetingen origineel werk
243 x 167 cm
Gehouden in
Papdale Primary School wahooart.com/nl/museums/papdale-primary-school-kirkwall/

In context

Consequence Joke — matilda tumim

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 243 × 167 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte. Het is te groot om op schaal weer te geven op deze pagina.

Wanneer is dit geschilderd?

  1. 1960
  2. 1970
  3. 1980
  4. 1990
  5. 2000

Shaded: het leven van matilda tumim (1963–?) ▲ dit werk, 2006

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: wahooart.com/nl/art/similar/matilda-tumim-consequence-joke-AQUKZU-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Espresso #3e4834

    Gecatalogiseerd palet

    • #3E4834
    • #FDFDFD
    • #DE753D
    • #C5B495
    Palet
    Pastels De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Espresso
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Softly Mixed Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Brilliant Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Muted Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Kunstenaar en museum

    Kunstenaar

    matilda tumim

    Matilda Tumim: Weaver of Memory and Dream

    Born in 1963, Matilda Tumim’s artistic journey is one deeply intertwined with the landscapes and communities of northern Scotland – Orkney, particularly – a region that profoundly shaped her vision and continues to resonate within her evocative paintings. Her work isn't merely representation; it’s an exploration of memory, identity, and the quiet power of human connection, rendered through a distinctive style characterized by dreamlike atmospheres, subtle color palettes, and a captivating blend of figurative and landscape elements. Tumim’s art invites viewers into intimate spaces, both internal and external, prompting reflection on the complexities of experience.

    Early influences were diverse, beginning with a Fine Art degree at Falmouth School of Art in 1985, followed by postgraduate studies at the Royal College of Art in London. This foundation provided her with technical skills alongside exposure to various artistic movements. However, it was her relocation to Orkney in the late 1980s that proved transformative. The stark beauty of the islands – their windswept coastlines, dramatic skies, and rich cultural heritage – became the bedrock of her creative practice. The isolation and unique character of Orkney fostered a contemplative approach to artmaking, encouraging introspection and a deep engagement with the natural world.

    A Palette of Memory: Style and Technique

    Tumim’s artistic style is immediately recognizable for its atmospheric quality and delicate execution. She frequently employs muted color palettes – often dominated by blues, greens, and greys – to create a sense of melancholy and introspection. Her brushwork is loose and expressive, layering colors and textures to build depth and suggest movement within the landscapes. Figures are typically rendered with a gentle softness, appearing almost as if emerging from the surrounding environment. This technique seamlessly blends the human form with the natural world, blurring the boundaries between interior and exterior space.

    A key element of her work is the incorporation of symbolic imagery – recurring motifs such as ‘consequence’ (as seen in “Consequence Monster Girls” and “Consequence Jellyfish”), often representing the weight of past experiences and their lingering effects. These symbols, combined with her masterful use of light and shadow, create a powerful sense of narrative within each painting. Her work is frequently described as surrealist, yet grounded in a deeply rooted realism, capturing not just what is but also what feels.

    Key Works and Recognition

    Throughout her career, Tumim has produced a significant body of work that has garnered critical acclaim and recognition. Notable pieces include “Consequence Monster Girls” (2007), a hauntingly beautiful depiction of fantastical creatures grappling with their own burdens; "Consequence Jellyfish" (2006), a collage evoking childhood memories and the fluidity of time; and “Small Volumes” (2011), an installation exploring themes of community and connection. Her work has been exhibited in numerous galleries across the UK, including The Loft Gallery, St. Margaret’s Hope, Orkney, and Piccadilly Gallery, London.

    Her commitment to public art is also noteworthy. She created a permanent installation at the Royal Aberdeen Children's Hospital (RACH) in 2008, reflecting her dedication to using art as a means of healing and connection. Furthermore, she was selected as a Public Partner for Healthcare Improvement Scotland from 2014 to present, demonstrating her ongoing engagement with social issues through artistic expression.

    Legacy and Continuing Influence

    Matilda Tumim’s work transcends simple categorization; it occupies a unique space within contemporary art. Her deeply personal connection to the landscapes of Orkney, combined with her distinctive visual language, has established her as a significant voice in British painting. She continues to create compelling works that explore universal themes of memory, identity, and the human condition, ensuring her legacy will endure for years to come. Her work is featured on Axisweb here, and can be found at WahooArt here.

    Her dedication to community engagement and her willingness to use art as a tool for social change further solidify her position as an artist deeply rooted in her surroundings and committed to making a positive impact on the world.

    Museum

    Papdale Primary School

    Te zien in Kirkwall, United Kingdom

    A Sanctuary of Creativity Amidst the Orkney Winds

    Nestled within the windswept beauty of Kirkwall, where the rugged coastline of the Orkney Islands meets the enduring spirit of Scotland, lies a museum that defies traditional boundaries. The Papdale Primary School Museum is not merely a repository for artifacts but a living, breathing window into the region's artistic soul. Housed within a beautifully preserved exemplar of traditional Scottish school architecture, the museum offers a sanctuary of light and contemplation. Its spacious interiors, bathed in the soft, natural radiance characteristic of the northern Isles, invite visitors to wander through a space where history and contemporary vision coalesce seamlessly.

    A Tapestry of Local Vision and Artistic Mastery

    The collection within these walls is a remarkable assemblage that celebrates both the burgeoning talent of local students and the seasoned hands of accomplished regional artists. To walk through the galleries is to experience a profound dialogue between different stages of artistic development. One might find themselves captivated by delicate watercolor landscapes that mirror the dramatic, shifting moods of Orkney’s coastline, or perhaps drawn to the intricate pencil sketches where primary school pupils have meticulously documented the botanical wonders of their surroundings. This collection reaches beyond the youthful to include striking portraits, such as Stanley Cursiter’s evocative oil on canvas depicting John McEwen, the Rector of Kirkwall Grammar School. Through these diverse mediums—from the raw honesty of a child's sketch to the sophisticated realism of professional portraiture—the museum captures the very essence of the Orcadian character.

    Where Education Meets Cultural Preservation

    What truly distinguishes this institution is its profound fusion of educational mission and cultural stewardship. It serves as a vital bridge between generations, where recurring exhibitions delve into themes of rural life and the deep-seated artistic traditions of the North. The museum’s curators meticulously select works that resonate with themes of observation and imaginative interpretation, ensuring that every piece acts as a conduit for Orkney's heritage. Even through the lens of pioneering photography, such as Frances Benjamin Johnston’s documentation of young students studying plants, the museum highlights a continuous cycle of learning and creation. For the art lover or the designer seeking authentic regional inspiration, Papdale Primary School Museum offers an unparalleled glimpse into a landscape where art breathes life into the very process of learning, fostering an appreciation for the enduring values of the Kirkwall community.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Consequence Joke

    wahooart.com/nl/art/download/matilda-tumim-consequence-joke-AQUKZU-en/

    Bronvermelding voor dit kunstwerk

    MLA
    tumim, matilda. Consequence Joke. 2006, Papdale Primary School. https://wahooart.com/nl/art/matilda-tumim-consequence-joke-AQUKZU-en/
    APA
    tumim, matilda (2006). Consequence Joke [Painting]. Papdale Primary School. https://wahooart.com/nl/art/matilda-tumim-consequence-joke-AQUKZU-en/
    Chicago
    matilda tumim. Consequence Joke. 2006. Papdale Primary School. https://wahooart.com/nl/art/matilda-tumim-consequence-joke-AQUKZU-en/
    Harvard
    tumim, matilda (2006) Consequence Joke. Papdale Primary School. Available at: https://wahooart.com/nl/art/matilda-tumim-consequence-joke-AQUKZU-en/

    Kijk goed naar

    Consequence Joke — matilda tumim

    Kijk goed naar

    Beantwoord in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Hoeveel gezichten kun je vinden? ____ (onze catalogus telt 1 — ben je het ermee eens?)
    4. Kijk nog eens naar Passiflora (triptych, right wing) (2001), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. matilda tumim was ongeveer 43 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk. Gebruik hiervoor de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.