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Childs with rabbits

Naam Klas Datum

Lembesis Polychronis, Childs with rabbits (1879). Publiek domein

De feiten

Kunstenaar
Lembesis Polychronis wahooart.com/nl/artists/lembesis-polychronis_nl/
Geboortedatum en -overlijden kunstenaar
1848 – 1913
Geschilderd
1879

In context

Childs with rabbits — Lembesis Polychronis

Wanneer is dit geschilderd?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910

Shaded: het leven van Lembesis Polychronis (1848–1913) ▲ dit werk, 1879

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: wahooart.com/nl/art/similar/lembesis-polychronis-childs-with-rabbits-8XYFAW-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Phthalo Green #2d2022

    Gecatalogiseerd palet

    • #2D2022
    • #C59A72
    • #F9EECD
    • #72503A
    Palet
    Earthy De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Phthalo Green
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Balanced Harmony De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Deep_shadow Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Subtle Color Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Kunstenaar en museum

    Kunstenaar

    Lembesis Polychronis

    Geboren in Salamis, Griekenland

    Lembesis Polychronis: Echoes of Salamis Island

    Polychronis Lembesis, (Greek Πολυχρόνης Λεμπέσης) (c. 1848, Salamis Island - 1913, Athens), stands as a quietly significant figure within the Munich School of Greek artists – a group often overshadowed by its more celebrated members like Nikolaos Gysis but possessing a unique and deeply personal artistic voice. His story is inextricably linked to his childhood on the small island of Salamis, an experience that would profoundly shape his subject matter, palette, and ultimately, his enduring appeal. Born into a family with roots tracing back to Boeotia, Lembesis’s early life amidst the rugged beauty of the Aegean Sea instilled in him a profound connection to the Greek landscape – a connection he relentlessly pursued through his art. The memories of this island haven, its simple rhythms, and the stark contrasts of light and shadow became the bedrock of his artistic vision, informing every brushstroke with an intimate understanding of his homeland.

    Early Life and Artistic Training

    Lembesis’s formal training began at the Athens School of Fine Arts, where he initially studied under Nikiforos Lytras, a prominent figure in Greek art during that period. However, it was his relocation to Munich in 1875 – facilitated by a scholarship granted by the politically influential Dimitrios Voulgaris (“Tsoumpes”) – that truly propelled his artistic development. Munich, with its rich artistic heritage and access to renowned museums, proved to be an ideal environment for him to hone his skills under the tutelage of esteemed masters like Wilhelm Lindenschmidt and Ludwig von Löfftz. He quickly immersed himself in the works of German artists, particularly those who employed a masterful use of light and color – influences that would subtly shape his own distinctive style. Crucially, it was in Munich that he forged a lasting friendship with Nikolaos Gysis, a fellow Greek artist already established within the Munich School, providing him with invaluable guidance and exposure to the broader artistic community.

    A Portraitist of His Time

    Returning to Athens in 1880, Lembesis established his own atelier in the Thission district – a vibrant hub of artistic activity at the time. While he possessed considerable skill in landscape painting, it was primarily through portraiture that he gained recognition and built his reputation. He meticulously captured the likenesses of prominent figures from Athenian society: aristocrats like Kapsalis and Santarozas, politicians such as Serpieris and Levidis, and even the influential Stephanos Dragoumis, whose family would become a lifelong patron of the artist. These portraits weren’t merely exercises in likeness; they were imbued with a sensitivity to character and an ability to convey subtle nuances of personality – a testament to Lembesis's keen observational skills and his understanding of human nature. His teaching role further solidified his position within Athenian artistic circles, mentoring aspiring artists and contributing to the development of future generations of Greek painters.

    Style and Themes: Romanticism Rooted in Reality

    Lembesis’s artistic style is often described as romantic, yet grounded in a deep appreciation for the realities of the Greek landscape and its people. He was particularly influenced by Murillo, adopting his characteristic use of dramatic lighting and rich color palettes to create scenes that were both emotionally evocative and visually stunning. His paintings frequently juxtaposed vivid light with deep shadows, enhancing the sense of drama and creating a powerful emotional impact. Recurring themes in his work include depictions of rural life – shepherds tending their flocks, farmers working the land, and children playing amidst the natural beauty of Greece. These scenes were not simply picturesque; they were imbued with a nostalgic longing for a simpler time, reflecting Lembesis’s own memories of his childhood on Salamis Island. His religious works, particularly those created after 1883, further explored themes of faith, morality, and human compassion.

    Legacy and Recognition

    Despite his considerable talent and the support of influential patrons like the Dragoumis family, Lembesis’s artistic legacy remained largely unrecognized during his lifetime. A shift in Athenian artistic tastes – a move away from the Munich School towards more modern, Parisian-influenced movements – contributed to his fading into obscurity. He died in 1913, impoverished and largely unknown, with only a single obituary offering a brief glimpse into his life and work. However, in recent decades, Lembesis’s art has experienced a resurgence of interest, with scholars and collectors recognizing the depth and originality of his vision. Today, his paintings are housed in prominent museums across Greece, including the National Gallery of Athens and the Averoff Gallery, ensuring that this quiet but compelling artist will finally receive the recognition he deserves – as one of the most important representatives of the Munich School movement and a master of evocative Greek landscape and portraiture.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Childs with rabbits

    wahooart.com/nl/art/download/lembesis-polychronis-childs-with-rabbits-8XYFAW-en/

    Bronvermelding voor dit kunstwerk

    MLA
    Polychronis, Lembesis. Childs with rabbits. 1879, https://wahooart.com/nl/art/lembesis-polychronis-childs-with-rabbits-8XYFAW-en/
    APA
    Polychronis, Lembesis (1879). Childs with rabbits [Painting]. https://wahooart.com/nl/art/lembesis-polychronis-childs-with-rabbits-8XYFAW-en/
    Chicago
    Lembesis Polychronis. Childs with rabbits. 1879. https://wahooart.com/nl/art/lembesis-polychronis-childs-with-rabbits-8XYFAW-en/
    Harvard
    Polychronis, Lembesis (1879) Childs with rabbits. Available at: https://wahooart.com/nl/art/lembesis-polychronis-childs-with-rabbits-8XYFAW-en/

    Kijk goed naar

    Childs with rabbits — Lembesis Polychronis

    Kijk goed naar

    Beantwoord in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar Portrait of lady wearing white cap, eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. Lembesis Polychronis was ongeveer 31 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?
    5. Wat zou de kunstenaar u willen laten voelen?

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