Gids voor studentenkunst
Copyright Dit werk bevindt zich in het publiek domein. Kerr Eby overleed in 1946; het auteursrecht blijft 70 jaar na de dood van de kunstenaar van kracht, waardoor dit in 2016 is verlopen.
In context
A Summer Day — Kerr Eby
Het origineel heeft de afmetingen 14 × 24 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.
Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 57 bij het overlijden.
Geschilderd toen de kunstenaar 51 jaar oud was. De kunstenaar werd 57 jaar oud. 101 van de 116 gedateerde werken van deze kunstenaar in onze catalogus zijn eerder gemaakt.
Shaded: het leven van Kerr Eby (1889–1946) ▲ dit werk, 1940 elk gedateerd schilderij, decennium voor decennium
Eerste werken: tot 1922 Belangrijkste werkjaren: 1922–1932 Late werken: vanaf 1932
Deze drie periodes verdelen de werken waarvoor in deze catalogus een datum bekend is in een eerste kwart, een middelste helft en een laatste kwart. Ze vormen niet het volledige oeuvre van de kunstenaar: een dunne periode kan duiden op een hiaat in de verslaglegging in plaats van op een rustige fase. Dezelfde jaren, waarin het leven van de kunstenaar is verweven
Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.
Meer werken om naast dit werk te plaatsen: wahooart.com/nl/art/similar/kerr-eby-a-summer-day-AQTFVF-en/
Gemeten op basis van de afbeelding
Hoofdkleur
Rosy Brown #b9a78b
Gecatalogiseerd palet
Deze kleuren binnen het volledige palet van de kunstenaar Zoek andere schilderijen op kleur
De tien belangrijkste landen
Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.
Samen maken deze werken 45,0% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 117 werken van deze kunstenaar, waarvan 66 minstens één keer zijn bekeken. Dit schilderij heeft in die periode nog geen weergaven — het sluit de lijst af zonder rangorde. Hetzelfde geldt voor elke maand
Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.
Over dit kunstwerk
A Summer Day — Kerr Eby
Kerr Eby was a Canadian illustrator and artist, best known for his works depicting soldiers in combat during World War I and II. One of his notable pieces is A Summer Day, a black and white artwork created in 1940. This painting is part of the collection at the Smithsonian American Art Museum in the United States.
The painting features a man sitting under a tree next to a body of water, with two birds in the scene. A boat is visible in the middle of the image, adding to the serene atmosphere of the piece. The overall mood of A Summer Day is one of peace and tranquility, a stark contrast to the war-themed works that Kerr Eby was known for.
Kerr Eby was born in Tokyo, Japan in 1889 to Canadian Methodist missionary parents. He received formal art training at Pratt Institute and the Art Students League of New York. During World War I, Eby served in an ambulance crew and later as a camoufleur, creating many memorable images of soldiers in combat.
Some of Kerr Eby's other notable works include Clam Digger's Return, Evening, and Driftway, Evening. These pieces showcase his skill in capturing the human experience during times of war and peace. You can find more information about these paintings on AllPaintingsStore.com and learn about the artist's life and work on Wikipedia.
Medium: Paper
Size: 14 x 24 cm
Date: 1940
Museum: Smithsonian American Art Museum
AllPaintingsStore.com offers handmade oil painting reproductions of Kerr Eby's works, including A Summer Day. These reproductions are created by skilled artists and are available for purchase on the website.
For art enthusiasts and collectors, A Summer Day is a must-see piece that showcases Kerr Eby's skill in capturing the human experience during times of peace.
Kunstenaar en museum
Born in the bustling metropolis of Tokyo in 1889, Kerr Eby’s artistic journey began far from the familiar landscapes of his Canadian heritage. His parents, devout Methodist missionaries, instilled within him a deep appreciation for observation and a keen eye for detail – qualities that would prove instrumental in shaping his distinctive style. Early life in Canada provided a grounding in traditional art training, but it was his relocation to New York City in 1907 that truly ignited his artistic ambitions. He enrolled at Pratt Institute and later honed his skills at the prestigious Art Students League, immersing himself in the vibrant artistic community of the city.
Eby’s formative years were marked by a fascination with printmaking, an art form he mastered through apprenticeships and hands-on experience. He secured a position at the American Lithographic Company, gaining invaluable insight into the technical intricacies of etching and lithography – skills that would later become central to his artistic practice. Crucially, he benefited from the influence of his uncle, Frederick Keppel Sr., a prominent art dealer who championed the recognition of prints as a legitimate form of fine art within America. This support, combined with his own dedication, allowed Eby to develop a remarkable technical proficiency and a unique visual language.
World War I marked a pivotal moment in Kerr Eby’s career, transforming him from a promising artist into a chronicler of war. Enlisting in the U.S. Army in 1917, he initially served as an ambulance driver and later as a camoufleur – a vital role that demanded both artistic skill and an intimate understanding of military strategy. It was during this period that Eby began to document the realities of combat through sketches and drawings, capturing not just the grand sweep of battles but also the quiet moments of human experience amidst the chaos. Unlike many official war artists who focused on heroic depictions, Eby sought to portray the war with unflinching honesty, revealing both its brutality and its profound impact on the lives of ordinary soldiers.
His early sketches, initially intended for personal records, were eventually compiled into a powerful collection titled War, published in 1936. This book, a testament to Eby’s artistic vision and his commitment to bearing witness, became an immediate sensation, capturing the attention of critics and collectors alike. It established him as one of the foremost illustrators of the war, alongside figures like Harvey Dunn, and cemented his reputation for portraying the horrors and humanity of conflict with remarkable sensitivity.
Following the First World War, Eby experienced a period of reflection and artistic evolution. While he continued to occasionally revisit themes related to war, he increasingly turned his attention to landscapes and equestrian portraits – subjects that offered a respite from the grim realities of combat. His landscape paintings, characterized by their luminous quality and evocative atmosphere, drew inspiration from the Luminist movement, emphasizing light, color, and the beauty of nature. Simultaneously, he returned to his earlier passion for portraiture, producing stunning depictions of horses and riders – works that showcased his exceptional technical skill and his ability to capture the essence of his subjects.
This shift in focus did not diminish Eby’s artistic integrity; rather, it allowed him to explore new avenues of expression while retaining the core values that had defined his work throughout his career. His equestrian portraits, for example, often carried a subtle undercurrent of melancholy, reflecting his experiences during the war and his deep understanding of human suffering.
Kerr Eby’s life was tragically cut short in 1946, succumbing to complications from a tropical disease contracted while documenting the fighting in Bougainville. Despite his untimely death, his artistic legacy endures as a powerful testament to the role of art in bearing witness to historical events. His illustrations from World War I and II remain invaluable documents, offering a rare glimpse into the experiences of soldiers on the front lines. His work is held in numerous museums across America, including the Smithsonian American Art Museum, a testament to its enduring artistic merit and historical significance.
Eby’s ability to capture both the physical realities of war and the emotional toll it exacted on individuals has cemented his place as one of the most important illustrators of the 20th century. His art serves not only as a record of history but also as a poignant reminder of the human cost of conflict – a message that remains profoundly relevant today.
wahooart.com/nl/art/download/kerr-eby-a-summer-day-AQTFVF-en/
Bekijk het van dichtbij
A Summer Day — Kerr Eby
Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.
Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.
De diaporama van "A Summer Day" is te bekijken op de Diavoorstelling-pagina van het kunstwerk.
"A Summer Day" door Kerr Eby werd gemaakt in 1940.
De vastgestelde luminantie voor "A Summer Day" door Kerr Eby is Bright Balance.