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Orchard Oriole

Naam Klas Datum

Joseph Bartholomew Kidd, Orchard Oriole (1832). Publiek domein

De feiten

Kunstenaar
Joseph Bartholomew Kidd wahooart.com/nl/artists/joseph-bartholomew-kidd/
Geboortedatum en -overlijden kunstenaar
1808 – 1889
Geschilderd
1832
Afmetingen origineel werk
78 x 65 cm

In context

Orchard Oriole — Joseph Bartholomew Kidd

How big is it?

The original measures 78 × 65 cm (height × width), drawn here beside an adult of average height.

Wanneer is dit geschilderd?

  1. 1800
  2. 1810
  3. 1820
  4. 1830
  5. 1840
  6. 1850
  7. 1860
  8. 1870
  9. 1880

Shaded: het leven van Joseph Bartholomew Kidd (1808–1889) ▲ dit werk, 1832

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: wahooart.com/nl/art/similar/joseph-bartholomew-kidd-orchard-oriole-D38JCP-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Espresso #533f1a

    Gecatalogiseerd palet

    • #533F1A
    • #D3BB91
    • #AF965D
    • #836E2E
    Palet
    Earthy De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Espresso
    Intensiteit
    Vivid De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Gentle De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Unified Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Brilliant Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Clear Color Presence Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Kunstenaar en museum

    Kunstenaar

    Joseph Bartholomew Kidd

    Born in Edinburgh, United Kingdom

    The Master of Highland Light and Avian Grace

    Born in the historic heart of Edinburgh around 1808, Joseph Bartholomew Kidd emerged as a vital voice within the vibrant Scottish artistic landscape of the Victorian era. His early years were defined by a profound connection to the rugged, sublime beauty of his native Highlands, a passion nurtured under the expert tutelage of the renowned painter John Thomson of Duddingston. This formative mentorship instilled in Kidd a deep reverence for the natural world and provided him with the technical foundation necessary to master the delicate nuances of watercolor. As a young artist, he possessed an uncanny ability to translate the atmospheric shifts of the Scottish landscape onto paper, capturing not just the physical geography of his homeland, but its very soul.

    Kidd’s meteoric rise within the academic circles of Scotland remains one of the most impressive chapters of his career. His dedication to the craft and his burgeoning reputation led to his election as one of the original associates of the Royal Scottish Academy in 1826. This prestigious recognition placed him at the epicenter of Edinburgh's intellectual and creative community, a position he solidified when he achieved full academician status in 1829. During this period, his work served as a bridge between traditional landscape painting and the burgeoning Romantic movement, where the wild, untamed elements of nature were celebrated with both scientific precision and emotional depth.

    A Journey from Landscapes to the Naturalist’s Lens

    The trajectory of Kidd’s life took a dramatic turn around 1836 when he relocated to London. This migration marked a significant stylistic evolution, as he moved away from the sweeping vistas of the Highlands toward the more intimate and meticulous realms of portraiture and instructional drawing. Settling in Greenwich, where he served as a teacher of drawing at the Naval College, Kidd’s focus shifted toward the minute details of life. It was during this era that his artistic legacy became inextricably linked with one of the most monumental scientific endeavors of the nineteenth century: the reproduction of the avian illustrations of John James Audubon.

    Tasked with recreating Audubon's breathtaking watercolor studies, Kidd demonstrated a level of technical virtuosity that transcended mere copying. He did not simply replicate the forms of North American birds; he breathed life into them. In works such as his depictions of the Ivory-billed Woodpeckers, Kidd utilized his mastery of watercolor to render the texture of plumage, the ruggedness of bark, and the subtle play of light with extraordinary accuracy. He often went beyond the original compositions by integrating rich, evocative landscape backgrounds, effectively transforming scientific illustrations into narrative scenes that told stories of a vanishing wilderness. This period of his work represents a beautiful intersection of art and ornithology, where the precision of a naturalist meets the soul of a Romantic painter.

    A Lasting Legacy of Observation and Artistry

    Though Kidd eventually resigned his membership in the Royal Scottish Academy to pursue his life in England, his influence continued to resonate through his commitment to meticulous observation. His later years were characterized by a quiet dedication to teaching and the refinement of his illustrative skills, leaving behind a body of work that serves as both a historical record and an aesthetic triumph. Whether capturing the dramatic etchings of Highland scenery or the delicate features of a Yellow Warbler, Kidd’s oeuvre remains a testament to the power of the observant eye.

    The significance of Joseph Bartholomew Kidd lies in his ability to navigate different artistic worlds—from the academic prestige of Edinburgh to the scientific frontiers of American naturalism. His work continues to captivate modern audiences, offering a window into a period when art and science were deeply intertwined. Through his brushes, we are invited to witness:

    The Sublime Highlands: A nostalgic look at the untamed Scottish landscapes of the early 19th century.

    The Audubon Connection: A masterful contribution to the visual documentation of North American wildlife.

    Technical Mastery: An enduring example of how watercolor can capture both scientific detail and emotional atmosphere.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Orchard Oriole

    wahooart.com/nl/art/download/joseph-bartholomew-kidd-orchard-oriole-D38JCP-en/

    Bronvermelding voor dit kunstwerk

    MLA
    Kidd, Joseph Bartholomew. Orchard Oriole. 1832, https://wahooart.com/nl/art/joseph-bartholomew-kidd-orchard-oriole-D38JCP-en/
    APA
    Kidd, Joseph Bartholomew (1832). Orchard Oriole [Painting]. https://wahooart.com/nl/art/joseph-bartholomew-kidd-orchard-oriole-D38JCP-en/
    Chicago
    Joseph Bartholomew Kidd. Orchard Oriole. 1832. https://wahooart.com/nl/art/joseph-bartholomew-kidd-orchard-oriole-D38JCP-en/
    Harvard
    Kidd, Joseph Bartholomew (1832) Orchard Oriole. Available at: https://wahooart.com/nl/art/joseph-bartholomew-kidd-orchard-oriole-D38JCP-en/

    Look closely

    Orchard Oriole — Joseph Bartholomew Kidd

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Ivory-billed Woodpeckers (1830), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Joseph Bartholomew Kidd was about 24 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.