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Field Hands

Naam Groep Datum

Jonathan Greening, Field Hands (1988), The Kinsey African American Art - History Collection. Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende. Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

Kerngegevens

Kunstenaar
Jonathan Greening wahooart.com/nl/artists/jonathan-greening/
Levensdata kunstenaar
1955 –
Geschilderd
1988
Medium
Painting
Beweging
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Periode
Contemporary
Gehouden in
The Kinsey African American Art - History Collection wahooart.com/nl/museums/the-kinsey-african-american-art-history-collection-los-angeles/
Artistic style
Narrative Realism
Influences
Gullah culture and Southern heritage
Notable elements or techniques
Vibrant colors and narrative realism
Subject or theme
Gullah life and Southern experience

In context

Field Hands — Jonathan Greening

Wanneer is dit geschilderd?

  1. 1950
  2. 1960
  3. 1970
  4. 1980

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode, waarbij het geboortejaar als jaar 0 wordt geteld.

Geschilderd toen de kunstenaar 33 jaar oud was. 0 van de 2 gedateerde werken van deze kunstenaar in onze catalogus zijn eerder gemaakt.

▲ dit werk, 1988 elk gedateerd schilderij, decennium voor decennium

Vergelijk met

  • Easter, 1989 wahooart.com/nl/art/jonathan-greening-easter-D8K5X2-en/

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: wahooart.com/nl/art/similar/jonathan-greening-field-hands-D4N8YL-en/

Kleuren

Gemeten op basis van de afbeelding

    Hoofdkleur

    Putty #c2b8b1

    Gecatalogiseerd palet

    • #C2B8B1
    • #84512D
    • #48576A
    • #283029

    Deze kleuren binnen het volledige palet van de kunstenaar Zoek andere schilderijen op kleur

    Palet
    Earthy De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Putty
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Balanced De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Discordant Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Shadow Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Balanced Soft Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    De 1 meest bekeken werken van Jonathan Greening

    1. 1 Field Hands, 1988 dit schilderij 100,0%100 weergaven

    Samen maken deze werken 100,0% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 2 werken van deze kunstenaar, waarvan 1 minstens één keer zijn bekeken. Dit schilderij staat op de 1-plaats van alle werken, met 100,0% van die aandacht (100 bezoeken). Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Over dit kunstwerk

    Field Hands — Jonathan Greening

    Painter and printmaker Jonathan Green is considered one of the most important contemporary painters of the Southern experience. Born on August 9, 1955, in Gardens Corner, South Carolina, Green was the second of seven children. He was raised in the home of his maternal grandmother, Eloise Stewart Johnson, where he learned the Gullah dialect and culture of the coastal Southeast.Green’s interest in the arts was first nurtured as a student at Beaufort High School. After graduation, Green joined the U.S. Air Force in order to travel and obtain an education. He then attended the School of the Art Institute of Chicago, receiving a B.F.A. degree in 1982, making him the first known artist of Gullah heritage to receive formal artistic training at a professional art school. The artwork of Green is heavily influenced by his Gullah heritage with vividly colored paintings and prints documenting everyday chores, in addition to celebrating Gullah life’s rites of passage. By returning his art to his childhood upbringing, Green has created an autobiographical body of work in addition to documenting a vanishing way of life. Since 1982, Green has participated in four traveling exhibitions throughout the United States and forty-eight solo exhibitions. His work is in the permanent collections of numerous museums, including The Morris Museum (Augusta, Georgia), The Afro-American Museum of Philadelphia, The Naples Museum of Art (Naples, Florida) and The IFCC Cultural Center (Portland, Oregon). Green has received awards recognizing both his work and his civic contributions. In 1996, Green received an honorary doctorate from the University of South Carolina, the same year a book, Gullah Images: The Art of Jonathan Green, reproducing a large number of his pieces was published. In 2009, Green received the Key of Life Award for his contributions and achievements in the visual fine arts from the NAACP at the organization’s fortieth Image Awards.

    Kunstenaar en museum

    Kunstenaar

    Jonathan Greening

    Geboren in Gardners, United States of America

    Jonathan Greening: A Life in Southern Narrative

    Born on August 9, 1955, in Gardners Corner, South Carolina, Jonathan Greening is a celebrated American painter and printmaker. He stands as one of the most important contemporary artists capturing the essence of the Southern experience.

    Early Life and Influences

    Greening was raised amidst a large family – the second of seven children – and profoundly shaped by his grandmother, who instilled in him a deep understanding of the Gullah dialect. This creole language, spoken in the coastal regions of the South, became a cornerstone of his artistic vision. His upbringing immersed him in the rich cultural heritage of the Lowcountry, providing a wellspring of inspiration for his future work.

    Education and Military Service

    Following high school, Greening served in the United States Air Force before pursuing formal art training. He attended the School of the Art Institute of Chicago, earning a Bachelor of Fine Arts degree in 1982. This period broadened his artistic horizons while solidifying his commitment to representing his Southern roots.

    Artistic Development and Style

    Described as a narrative realist, Greening’s paintings are characterized by their vibrant colors and compelling storytelling. His work doesn't merely depict scenes; it narrates the lives, traditions, and spirit of the Gullah community. He masterfully blends realism with a touch of folklore, creating images that are both visually striking and emotionally resonant.

    Key Themes and Subjects

    Gullah Life: Central to Greening’s oeuvre is his portrayal of everyday life within the Gullah culture – fishing, farming, religious gatherings, family moments.

    Southern Landscapes: The landscapes of South Carolina's Lowcountry frequently serve as backdrops for his narratives, imbued with a sense of place and history.

    Preservation of Culture: His work acts as a visual record, preserving the traditions and stories of a community facing cultural shifts.

    Major Achievements and Recognition

    Greening’s contributions to the art world have been widely recognized. His works are included in the permanent collections of numerous prestigious museums, including:

    The Morris Museum (Augusta, GA)

    The Afro-American Historical and Cultural Museum (Philadelphia, PA)

    The Naples Museum of Art (Naples, FL)

    The IFCC Cultural Center (Portland, OR)

    He has also received significant accolades, including an honorary doctorate from the University of South Carolina and a Key of Life Award from the NAACP for his contributions to visual fine arts.

    Historical Significance

    Jonathan Greening’s work is vital in its documentation and celebration of Gullah culture. He provides a powerful voice for a community often marginalized or overlooked, ensuring their stories are told with dignity and authenticity. His art serves as a bridge between cultures, fostering understanding and appreciation for the rich tapestry of Southern history.

    Present Day

    Currently, Jonathan Greening lives and works on Daniel Island in Charleston, South Carolina, continuing to create compelling narratives that resonate with audiences worldwide.

    Museum

    The Kinsey African American Art - History Collection

    Te zien in Los Angeles, United States of America

    A Sanctuary of Resilience: Unveiling The Kinsey African American Art – History Collection

    Nestled in the vibrant heart of Los Angeles, The Kinsey African American Art – History Collection stands as a profoundly moving testament to the enduring spirit and extraordinary creativity of Black Americans. More than simply a museum space, it’s a meticulously curated chronicle—a living narrative woven from artistry, historical artifacts, and deeply personal stories. Founded on the lifelong dedication of Bernard and Shirley Kinsey, this remarkable collection isn't merely displayed; it’s unveiled as a journey of discovery, transforming visitors into active participants in a conversation spanning centuries.

    The story begins with a simple curiosity, blossoming into an unparalleled passion for understanding and celebrating African American heritage. What started as a personal collecting endeavor quickly evolved into one of the most significant private collections globally, encompassing over 10,000 objects and fine arts dating back to the 16th century. The Kinseys weren’t passive collectors; they were seekers—actively searching for the tangible echoes of resilience, innovation, and cultural brilliance that define the African American experience. Their quest unearthed a breathtaking diversity: from rare historical documents – poignant letters penned by enslaved individuals detailing their hopes and fears, early abolitionist publications igniting calls for justice, and powerful photographs capturing moments of both struggle and triumphant victory – to vibrant paintings bursting with color and emotion, intricate sculptures commanding attention with their form and texture, and thought-provoking mixed media pieces that challenge conventional perspectives. The collection’s breadth reflects the multifaceted nature of Black artistic expression, showcasing not only renowned figures but also the voices of lesser-known artists who nonetheless contributed significantly to the movement.

    Echoes of the Past, Visions of the Future

    Stepping into The Kinsey Collection is akin to entering a carefully orchestrated dialogue between eras. The museum’s layout deliberately encourages contemplation and connection. Spacious galleries, bathed in natural light, provide an ideal environment for immersing oneself in these powerful works. The design isn't merely functional; it’s thoughtfully constructed to facilitate a personal journey through African American history and culture. Visitors are invited to trace the evolution of artistic expression over time, connecting with each piece on a deeply emotional level. The collection’s diverse holdings include significant pieces by James Amos Porter, a pivotal figure in establishing Black art history, Allan Randall Freelon, an influential Harlem Renaissance painter, and Mary Frances Pratt, whose photo-realist depictions offer intimate glimpses into domestic life. The Kinsey Collection also features works by Faith Willi Jones, as seen in her quilt-style painting “American Collection #4,” a vibrant celebration of jazz musicians and dancers.

    A Legacy of Education and Empowerment

    At its core, The Kinsey Collection is deeply committed to fostering understanding and appreciation through education. The museum actively partners with educational institutions at all levels – from elementary schools to universities – providing resources and opportunities for students and scholars alike. This commitment extends far beyond the walls of the museum itself; the collection frequently travels to other venues, bringing its message of empowerment and cultural pride to a wider audience. The Kinsey Foundation’s work is exemplified by their ongoing exhibitions, such as “Black History Month | The Kinsey African American Art & History Collection at So-Fi Stadium,” which brought this extraordinary collection to a massive public audience in 2023.

    More Than a Collection: A Cultural Beacon

    The impact of The Kinsey African American Art – History Collection extends far beyond its artistic merit. It serves as a vital cultural beacon, illuminating untold stories and challenging conventional narratives surrounding the American experience. It’s a space where art becomes a catalyst for dialogue, fostering empathy and understanding across communities. The collection's comprehensive approach—a holistic exploration of identity, struggle, and triumph—offers a unique perspective on history, acknowledging the significant contributions and persistent challenges faced by African Americans throughout their journey. The Kinseys’ vision has created a space where visitors can connect with their own heritage, learn from the past, and envision a more equitable future.

    A Treasure for Collectors and Designers

    For collectors seeking pieces imbued with profound historical significance, The Kinsey Collection offers an unparalleled opportunity. Its diverse holdings provide a window into pivotal moments in African American history, offering tangible connections to the lives and experiences of those who shaped our nation. Similarly, interior designers can draw inspiration from the collection’s rich aesthetic and powerful narratives, incorporating its spirit into spaces to create environments that are both beautiful and meaningful. The Kinsey Collection is more than just a museum; it's a testament to the enduring power of art to inspire, educate, and connect us all.

    Waar u meer kunt lezen

    Online te vinden

    QR-code die linkt naar de downloadpagina van Field Hands

    wahooart.com/nl/art/download/jonathan-greening-field-hands-D4N8YL-en/

    Citeer dit kunstwerk

    MLA
    Greening, Jonathan. Field Hands. 1988, The Kinsey African American Art - History Collection. https://wahooart.com/nl/art/jonathan-greening-field-hands-D4N8YL-en/
    APA
    Greening, Jonathan (1988). Field Hands [Painting]. The Kinsey African American Art - History Collection. https://wahooart.com/nl/art/jonathan-greening-field-hands-D4N8YL-en/
    Chicago
    Jonathan Greening. Field Hands. 1988. The Kinsey African American Art - History Collection. https://wahooart.com/nl/art/jonathan-greening-field-hands-D4N8YL-en/
    Harvard
    Greening, Jonathan (1988) Field Hands. The Kinsey African American Art - History Collection. Available at: https://wahooart.com/nl/art/jonathan-greening-field-hands-D4N8YL-en/

    Bekijk het van dichtbij

    Field Hands — Jonathan Greening

    Kijk eens goed naar de details

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. In onze catalogus is dit werk geclassificeerd onder: gullah culture, southern life, people walking. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    4. Kijk nog eens naar Easter (1989), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Waar is dat in dit werk te zien?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

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    Wat stelt "Field Hands" door Jonathan Greening voor, en welke stemming straalt het uit?

    "Field Hands" door Jonathan Greening verbeeldt gullah culture, southern life, people walking, daily life, narrative realism, vibrant colors, bus, handbags in een Nostalgic stemming. Het onderwerp en de atmosfeer beschrijven samen het werk.

    Wat stelt "Field Hands" voor?

    De onderwerpen van "Field Hands" zijn gullah culture, southern life, people walking, daily life, narrative realism, vibrant colors, bus, handbags.