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Self Portrait

Naam Groep Datum

John King, Self Portrait (1839). Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende. Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

Kerngegevens

Kunstenaar
John King wahooart.com/nl/artists/john-king/
Levensdata kunstenaar
1929 – 2014
Geschilderd
1839
Afmetingen origineel werk
61 x 51 cm

In context

Self Portrait — John King

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 61 × 51 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1820
  2. 1840
  3. 1860
  4. 1880
  5. 1900
  6. 1920
  7. 1940
  8. 1960
  9. 1980
  10. 2000

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 85 bij het overlijden.

Shaded: het leven van John King (1929–2014) ▲ dit werk, 1839 elk gedateerd schilderij, decennium voor decennium

Vergelijk met

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: wahooart.com/nl/art/similar/john-king-self-portrait-AQU6RN-en/

Kleuren

Gemeten op basis van de afbeelding

    Hoofdkleur

    Espresso #3c2e20

    Gecatalogiseerd palet

    • #3C2E20
    • #1B1916
    • #B5825D
    • #81553C

    Deze kleuren binnen het volledige palet van de kunstenaar Zoek andere schilderijen op kleur

    Palet
    Earthy De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Espresso
    Intensiteit
    Monochromatic De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Serene De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Strong Color Unity De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Deep_shadow Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Muted Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van John King over de afgelopen twaalf maanden — in totaal 1 landen. Bron van deze cijfers

    De tien belangrijkste landen

    1. 1 China 100,0%

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 3 meest bekeken werken van John King

    1. 1 Sir John Bowring, 1826 50,0%
    2. 2 Raja Ram Roy, Son of Raja Ram Mohan Roy, 1833 50,0%
    3. — Self Portrait, 1839 dit schilderij 0,0%

    Samen maken deze werken 100,0% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 11 werken van deze kunstenaar, waarvan 2 minstens één keer zijn bekeken. Dit schilderij heeft in die periode nog geen weergaven — het sluit de lijst af zonder rangorde. Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Over dit kunstwerk

    Self Portrait — John King

    The Self Portrait by John King is a captivating oil on canvas painting that has left art enthusiasts and critics alike in awe. Created in 1839, this masterpiece is currently housed at the Brixham Heritage Museum in the United Kingdom. Measuring 61 x 51 cm, the painting is a remarkable example of 19th-century art, showcasing the artist's exceptional skill and attention to detail.

    Delving into the Artist's Background

    While information about John King is limited, his work speaks volumes about his talent and dedication to his craft. The Self Portrait is a testament to his ability to capture the essence of his subject, in this case, himself. The painting features the artist with brown hair and a beard, dressed in a black suit and tie, holding a brush in his hand as he gazes directly at the viewer.

    The use of oil on canvas allows for a depth and richness that is characteristic of this medium.

    The artist's attention to detail is evident in the intricate folds of his clothing and the subtle expression on his face.

    The overall effect is one of quiet contemplation, inviting the viewer to reflect on the artist's inner world.

    Discover more about the artworks at /art/list/?Filter=A@D3C9GK-Discovering-the-Artworks-of-University-of-Chichester-Chichester-United-King.. View John King's painting at /art/list/?Filter=AQU6RN-John-King-Self-Portrait. Other notable self-portraits can be found at https://AllPaintingsStore.com, including works by Johannes Daniël Susan and John Kelso Hunter.

    The Self Portrait by John King is a significant addition to the world of art, offering a glimpse into the life and mind of a talented artist. As we continue to appreciate and learn from this masterpiece, we are reminded of the power of art to transcend time and touch our lives in profound ways.

    Kunstenaar en museum

    Kunstenaar

    John King

    John King: A Sporting Legacy Forged in Observation

    Born on April 16, 1929, in West Tytherley, Hampshire, John Gregory King’s artistic journey was deeply intertwined with the rhythms of rural life and a profound appreciation for the equestrian world. His early training at Cranford and Salisbury School of Art laid the foundation for his distinctive style – one characterized by meticulous detail, vibrant colors, and an almost palpable sense of movement captured within each canvas. From a young age, King’s passion lay in depicting the grace and power of horses, a fascination that would define his career and cement his place as a leading British sporting artist.

    King's artistic development was significantly influenced by Lionel Edwards, a contemporary sporting artist whose dynamic compositions and keen observation served as a crucial model. Edwards’ ability to capture the spirit of the hunt – the anticipation, the pursuit, the camaraderie – resonated deeply with King, shaping his own approach to portraying these exhilarating scenes. He wasn't merely rendering horses; he was conveying their essence, their relationship with humans, and the very soul of the sporting tradition.

    The Rise of a Sporting Master

    King’s career truly blossomed in the mid-20th century, coinciding with a resurgence of interest in traditional British sports. He quickly gained recognition for his watercolor and oil paintings, initially focusing on hunting scenes – fox hunts, deer hunts, and steeplechases – but expanding his repertoire to include racing, polo, and even military subjects reflecting the era’s social fabric. His work appeared regularly in prestigious publications like Horse & Hound, reaching a vast audience of enthusiasts and solidifying his reputation.

    A pivotal moment arrived with a monumental commission in 2013: The Queen’s Horses. This expansive painting, measuring an impressive size, depicted the British Royal Family engaged in equestrian pursuits – Princess Elizabeth riding with George VI at Sandringham, the Queen seated side-saddle on her favorite trooping horse, Burmese, and scenes of royal processions. The sheer scale of the work demonstrated King's technical prowess and his ability to capture a significant historical moment with remarkable detail and emotional resonance. The painting’s creation involved logistical challenges – transporting the canvas to Dubai for a special exhibition – highlighting King’s dedication and professionalism.

    Technique and Style: A Painterly Approach

    King's artistic technique was characterized by a meticulous attention to detail, achieved through numerous layers of thin washes and careful blending. He employed a vibrant palette, often utilizing rich blues, greens, and reds to capture the intensity of light and shadow within his scenes. His compositions were typically dynamic, incorporating elements of movement and perspective to create a sense of immediacy and excitement. Unlike some sporting artists who relied on simplified forms, King’s figures – both human and equine – possessed a remarkable degree of realism, reflecting his deep understanding of anatomy and behavior.

    He was known for his ability to capture the subtle nuances of horse movement—the flick of an ear, the shift in weight, the powerful stride. This wasn't simply about depicting a horse; it was about conveying its spirit, its energy, and its connection to its rider. His work is often described as “painterly,” emphasizing the texture and quality of the paint itself, rather than striving for photographic realism.

    Legacy and Influence

    John King’s influence extends far beyond his own paintings. He played a significant role in establishing The Society of Equestrian Artists, fostering a community dedicated to celebrating the art of sporting subjects. His work continues to be exhibited and collected worldwide, demonstrating enduring appeal among both equestrian enthusiasts and art collectors. King's legacy lies not only in his stunning visual representations of the sporting world but also in his commitment to preserving and promoting this rich tradition.

    He passed away on September 8, 2014, leaving behind a substantial body of work that stands as a testament to his skill, dedication, and profound appreciation for the beauty and excitement of equestrian life. His paintings offer a captivating glimpse into a bygone era, reminding us of the enduring connection between humans and horses – a bond celebrated by John King through his masterful artistry.

    Waar u meer kunt lezen

    Online te vinden

    QR-code die linkt naar de downloadpagina van Self Portrait

    wahooart.com/nl/art/download/john-king-self-portrait-AQU6RN-en/

    Citeer dit kunstwerk

    MLA
    King, John. Self Portrait. 1839, https://wahooart.com/nl/art/john-king-self-portrait-AQU6RN-en/
    APA
    King, John (1839). Self Portrait [Painting]. https://wahooart.com/nl/art/john-king-self-portrait-AQU6RN-en/
    Chicago
    John King. Self Portrait. 1839. https://wahooart.com/nl/art/john-king-self-portrait-AQU6RN-en/
    Harvard
    King, John (1839) Self Portrait. Available at: https://wahooart.com/nl/art/john-king-self-portrait-AQU6RN-en/

    Bekijk het van dichtbij

    Self Portrait — John King

    Kijk eens goed naar de details

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar Dr Henry Beeke (1834), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. Wat zou de kunstenaar u willen laten voelen?
    5. Als u de kunstenaar één vraag over dit werk zou kunnen stellen, wat zou dat dan zijn?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Veelgestelde vragen

    Wat is de dominante kleur van "Self Portrait" door John King?

    De dominante kleur van "Self Portrait" door John King is Espresso (#3c2e20).

    Kan ik "Self Portrait" door John King onder ander licht bekijken?

    De röntgenweergave van "Self Portrait" door John King is te vinden op de Röntgenanalyse-pagina van het kunstwerk: een interactieve verkenning van het beeld door middel van elf optische lagen.

    Zijn de kleuren van "Self Portrait" door John King verzadigd of gedempt?

    "Self Portrait" door John King heeft een Muted verzadiging.