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Gids voor studentenkunst

Pryor Smallwood

Naam Klas Datum

James Peale, Pryor Smallwood (1798). Publiek domein

De feiten

Kunstenaar
James Peale wahooart.com/nl/artists/james-peale_nl/
Geboortedatum en -overlijden kunstenaar
1749 – 1831
Geschilderd
1798
Afmetingen origineel werk
7 x 5 cm
Beweging
Neoclassicism A deliberate return to the calm balance and clear outlines of ancient Greek and Roman art.

In context

Pryor Smallwood — James Peale

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 7 × 5 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1740
  2. 1750
  3. 1760
  4. 1770
  5. 1780
  6. 1790
  7. 1800
  8. 1810
  9. 1820
  10. 1830

Shaded: het leven van James Peale (1749–1831) ▲ dit werk, 1798

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: wahooart.com/nl/art/similar/james-peale-pryor-smallwood-D2ZT6J-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    White #f3f2e9

    Gecatalogiseerd palet

    • #F3F2E9
    • #34332D
    • #958C6E
    • #CECDB9
    Palet
    Pastels De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    White
    Intensiteit
    Monochromatic De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Strong Color Unity De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Brilliant Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Muted Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Over dit kunstwerk

    Pryor Smallwood — James Peale

    The sitter and his brother (2006.235.135) were the sons of Lydia Hutchinson and Benjamin Smallwood of Washington.

    Kunstenaar en museum

    Kunstenaar

    James Peale

    Geboren in Chestertown, Verenigde Staten

    James Peale (1749–1831): The Quiet Master of Miniature and Still Life

    James Peale, born in Chestertown, Maryland, in 1749, stands as a testament to understated artistic brilliance within the formative years of American art history. Often overshadowed by his more flamboyant brother, Charles Willson Peale—a pivotal figure in establishing an authentically American visual identity—James nonetheless carved out a distinguished career marked by exquisite miniature portraits and luminous still lifes that captured the essence of his era with remarkable grace and precision. His life story is interwoven with familial legacy, military service, and a persistent pursuit of artistic refinement, resulting in a body of work that continues to resonate with collectors and scholars alike.

    Early Life and Apprenticeships

    Military Service and Revolutionary Experience

    Collaboration with Charles Willson Peale: A Familial Artistic Partnership

    The Art of Miniature Painting

    Still Life Composition and Technical Mastery

    Early Life and Apprenticeships

    James Peale’s formative years were shaped by the untimely death of his father, Charles Peale Sr., propelling the family to Annapolis where young James initially apprenticed in saddlery and cabinetmaking. These practical experiences instilled within him not only a meticulous attention to detail—a quality that would become central to his artistic approach—but also an appreciation for craftsmanship honed through hands-on labor. This grounding in artisanal skills undoubtedly influenced his later work, informing his understanding of material properties and textural nuances. His brother Charles’s return from London, having studied under Benjamin West, provided James with invaluable exposure to European artistic conventions and techniques, fostering a broader intellectual horizon.

    Military Service and Revolutionary Experience

    The burgeoning fervor for independence dramatically altered the trajectory of Peale's life. In 1776, he traded brush for musket, accepting a commission as an ensign in William Smallwood’s regiment within the Continental Army. This wasn’t merely a patriotic gesture; it was a period of intense experience that subtly informed his later artistic sensibilities. He rose quickly through the ranks to captain, participating in pivotal battles—Long Island, White Plains, Trenton, Brandywine, Germantown, Princeton, and Monmouth—witnessing firsthand the hardships and heroism of the American Revolution. The pressures of wartime demanded unwavering focus and observation skills, qualities that would serve him well in his subsequent portraiture endeavors.

    Collaboration with Charles Willson Peale: A Familial Artistic Partnership

    Peale’s artistic development was significantly influenced by his brother’s decision to relinquish his miniature portrait practice, allowing James to fully dedicate himself to this demanding art form. Together they established a studio in Philadelphia where Charles taught James how to paint from life—a crucial step in developing Peale's distinctive style. Their collaborative spirit extended beyond the artistic realm; they shared a commitment to civic engagement and intellectual curiosity, fostering an environment that nurtured creativity within their family. Notably, they designed floats for Philadelphia’s Federal Procession of 1788 celebrating the ratification of the Constitution—a testament to their shared vision for the nation's future.

    The Art of Miniature Painting

    Throughout the 1790s and early 1800s, Peale became a master of watercolor on ivory, creating exquisitely detailed portraits that captured not just likeness but also a sense of personality and social standing. These miniatures were highly sought after, reflecting the growing demand for intimate representations of individuals within American society. His technique involved layering translucent washes of color to achieve subtle gradations of tone and luminosity—a hallmark of his artistic style—resulting in images imbued with remarkable atmospheric depth.

    Still Life Composition and Technical Mastery

    Peale excelled in still life compositions, particularly those featuring fruit, demonstrating an exceptional ability to render textures, light, and form with unparalleled realism. He meticulously studied the effects of illumination on surfaces—the way sunlight refracted through translucent peels or reflected off polished apples—capturing these nuances with astonishing accuracy. His masterful handling of color—particularly his use of muted hues—created paintings that conveyed a sense of quiet contemplation and understated beauty. Peale’s legacy resides not only in the exquisite beauty of his artworks but also in his contribution to establishing American artistic identity during a period of profound transformation.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Pryor Smallwood

    wahooart.com/nl/art/download/james-peale-pryor-smallwood-D2ZT6J-en/

    Bronvermelding voor dit kunstwerk

    MLA
    Peale, James. Pryor Smallwood. 1798, https://wahooart.com/nl/art/james-peale-pryor-smallwood-D2ZT6J-en/
    APA
    Peale, James (1798). Pryor Smallwood [Painting]. https://wahooart.com/nl/art/james-peale-pryor-smallwood-D2ZT6J-en/
    Chicago
    James Peale. Pryor Smallwood. 1798. https://wahooart.com/nl/art/james-peale-pryor-smallwood-D2ZT6J-en/
    Harvard
    Peale, James (1798) Pryor Smallwood. Available at: https://wahooart.com/nl/art/james-peale-pryor-smallwood-D2ZT6J-en/

    Kijk goed naar

    Pryor Smallwood — James Peale

    Kijk goed naar

    Beantwoord in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Hoeveel gezichten kun je vinden? ____ (onze catalogus telt 1 — ben je het ermee eens?)
    4. In onze catalogus is dit werk geclassificeerd onder: portrait, miniature, colonial. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    5. Kijk nog eens naar George Washington (1782), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk. Gebruik hiervoor de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.