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'Devon County' LT526

Naam Groep Datum

George Race, 'Devon County' LT526 (1921), Lowestoft And East Suffolk Maritime Museum. Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende. Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

Kerngegevens

Kunstenaar
George Race wahooart.com/nl/artists/george-race/
Levensdata kunstenaar
1872 – 1957
Geschilderd
1921
Medium
Oil
Afmetingen origineel werk
24 x 24 cm
Beweging
Maritime Art
Periode
19th Century
Gehouden in
Lowestoft And East Suffolk Maritime Museum wahooart.com/nl/museums/lowestoft-and-east-suffolk-maritime-museum-lowestoft/
Artistic style
Maritime art, Realism
Notable elements or techniques
Detailed realism, circular composition
Subject or theme
Steamship S.S. Devon County at sea

In context

'Devon County' LT526 — George Race

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 24 × 24 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940
  9. 1950

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 85 bij het overlijden.

Geschilderd toen de kunstenaar 49 jaar oud was. De kunstenaar werd 85 jaar oud. 31 van de 46 gedateerde werken van deze kunstenaar in onze catalogus zijn eerder gemaakt.

Shaded: het leven van George Race (1872–1957) ▲ dit werk, 1921 elk gedateerd schilderij, decennium voor decennium

Eerste werken: tot 1905 Belangrijkste werkjaren: 1905–1921 Late werken: vanaf 1921

Deze drie periodes verdelen de werken waarvoor in deze catalogus een datum bekend is in een eerste kwart, een middelste helft en een laatste kwart. Ze vormen niet het volledige oeuvre van de kunstenaar: een dunne periode kan duiden op een hiaat in de verslaglegging in plaats van op een rustige fase. Dezelfde jaren, waarin het leven van de kunstenaar is verweven

Vergelijk met

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: wahooart.com/nl/art/similar/george-race-devon-county-lt526-AQUHUT-en/

Kleuren

Gemeten op basis van de afbeelding

    Hoofdkleur

    Driftwood #cda35e

    Gecatalogiseerd palet

    • #CDA35E
    • #323118
    • #FDFDFC
    • #93773B

    Deze kleuren binnen het volledige palet van de kunstenaar Zoek andere schilderijen op kleur

    Palet
    Neutrals De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Driftwood
    Intensiteit
    Vivid De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Strong Color Unity De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Brilliant Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Balanced Soft Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van George Race over de afgelopen twaalf maanden — in totaal 2 landen. Bron van deze cijfers

    De tien belangrijkste landen

    1. 1 China 75,0%
    2. 2 Verenigd Koninkrijk 25,0%

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 11 meest bekeken werken van George Race

    1. 1 'Request' LT629, 1906 15,4%
    2. 2 'John and Norah' LT203, 1924 15,4%
    3. 3 'Devon County' LT526, 1921 dit schilderij 7,7%
    4. 4 'Smilax' LT594, 1911 7,7%
    5. 5 'East Briton' LT447, 1921 7,7%
    6. 6 'Shipmates' LT1134, 1925 7,7%
    7. 7 'Renovate' LT307, 1910 7,7%
    8. 8 The Lowestoft Trawler 'Fearless', 1911 7,7%
    9. 9 The 'Diamond', GY603, 1899 7,7%
    10. 10 The 'Dominican', GY406, 1899 7,7%
    11. 11 The 'Bermuda', GY56, 1905 7,7%

    Samen maken deze werken 100,0% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 48 werken van deze kunstenaar, waarvan 11 minstens één keer zijn bekeken. Dit schilderij staat op de 3 plaats, met 7,7% van die aandacht. Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Over dit kunstwerk

    'Devon County' LT526 — George Race

    A Maritime Masterpiece in Miniature

    In the quiet intimacy of this circular wooden plaque, we encounter a moment frozen in time from 1921. The painting, titled 'Devon County' LT526, serves as a breathtaking window into the golden age of maritime travel. At its heart lies the steamship S.S. Devon County, navigating through a textured, churning sea under a heavy, atmospheric sky. George Race, a master of British sporting and maritime art, utilizes the unique circular format to create a sense of focused intensity, as if we are peering through a porthole directly into the heart of the Atlantic. The composition is anchored by the vessel's sturdy silhouette, which cuts through the waves with a palpable sense of purpose and strength.

    The technique employed by Race is a testament to his formal training at the Norwich School of Art and Design. Through meticulous oil painting, he builds layers of color that breathe life into the turbulent waters and the soft, brooding clouds above. There is a wonderful tactile quality to the work; the visible brushstrokes capture the spray of the salt air and the rhythmic movement of the ocean swells. The muted, realistic palette—rich with deep blues, greys, and earthy tones—evokes a profound sense of nostalgia and authenticity, making the piece feel less like a mere depiction and more like a rediscovered relic from a bygone era of exploration.

    Symbolism and the Spirit of Adventure

    Beyond its technical brilliance, 'Devon County' carries a deep symbolic weight. During the early 20th century, steamships were not merely modes of transport; they were the lifeblood of global trade, representing the interconnectedness of empires and the relentless human drive toward discovery. The ship itself stands as a symbol of industrial progress and resilience against the unpredictable forces of nature. The inclusion of the vessel's name and identification number encircling the scene adds a layer of historical documentation, transforming the artwork into a commemorative tribute to maritime prosperity.

    For the discerning collector or interior designer, this piece offers more than just aesthetic beauty; it provides an emotional anchor. It evokes feelings of wanderlust, stability, and the romanticism of the high seas. Whether placed in a study filled with leather-bound books or as a focal point in a coastal-themed living space, the painting invites contemplation. Its circular form breaks the traditional linear boundaries of framing, offering a unique sculptural quality that commands attention. As a high-quality reproduction, it brings the prestige of George Race’s legacy into the modern home, allowing anyone to possess a fragment of maritime history that celebrates the enduring spirit of the sea.

    Kunstenaar en museum

    Kunstenaar

    George Race

    The Maritime Soul of George Race

    Born amidst the salt-sprayed winds of Lowestoft, Suffolk, in 1872, George Race emerged as a profound voice within the tradition of British Sporting Art. His life and work were inextricably linked to the coastal rhythms of his birthplace, an environment that instilled in him a lifelong reverence for the sea and its enduring mysteries. As a painter, Race did not merely observe the maritime world; he sought to capture its very pulse, translating the turbulent energy of the North Sea and the quiet dignity of seafaring life onto canvas with unparalleled sensitivity.

    His artistic journey began with formal training at the Norwich School of Art and Design, where he mastered the delicate nuances of watercolor before transitioning into the more robust medium of oil. This technical foundation allowed him to navigate between two worlds: the meticulous precision required for realistic maritime documentation and the expressive, atmospheric freedom found in Impressionistic light. His development as an artist was marked by a growing ability to manipulate color and brushwork to convey not just the physical presence of a vessel, but the weight of the atmosphere surrounding it—the heavy mist of a morning departure or the dramatic, frothing crest of a storm-tossed wave.

    Mastery of Motion and Light

    The brilliance of Race’s oeuvre lies in his ability to breathe life into static scenes through a masterful command of movement. Whether depicting the rhythmic struggle of fishing boats against an encroaching gale or the serene, sun-drenched glide of a yacht across tranquil waters, his work possesses a kinetic vitality. He possessed a rare talent for capturing fleeting moments—the precise second a sail catches the wind or the way light refracts through a breaking wave—making his paintings feel less like portraits of objects and more like lived experiences.

    His technical approach often blended a rigorous realism with an emotive, painterly touch. In his most celebrated works, such as 'Shipmates' and 'Vigilant', one can observe a sophisticated use of luminous color palettes that elevate the subject matter beyond mere genre painting. He utilized light not just as a tool for visibility, but as a narrative element capable of evoking mood, solitude, or triumph. This duality—the precision of a chronicler and the soul of a poet—is what defines his contribution to the British sporting and maritime canon.

    Legacy and Artistic Significance

    Beyond his individual canvases, George Race holds a significant place in art history as a practitioner who bridged the gap between traditional maritime realism and the burgeoning influences of modernism. His work serves as a vital historical record of British seafaring culture during a transformative era, preserving the essence of coastal life through a lens of high artistry. His dedication to excellence earned him lasting respect within the artistic community and ensured that his depictions of the sea would endure as much more than mere illustrations.

    The enduring impact of his career can be summarized through several key pillars of his legacy:

    Technical Versatility: His seamless integration of realistic detail with Impressionistic atmospheric effects.

    Cultural Preservation: The documentation of maritime traditions and the spirit of the English coast.

    Emotional Resonance: An ability to use light and color to communicate the profound relationship between man and the sea.

    Today, the works of George Race continue to captivate collectors and historians alike, standing as testament to a life spent observing the eternal dance of the tides and the brave souls who navigate them.

    Museum

    Lowestoft And East Suffolk Maritime Museum

    Te zien in Lowestoft, United Kingdom

    A Voyage Through Time: The Soul of the Suffolk Coast

    Nestled along the windswept coastline of the United Kingdom, where the North Sea meets the rugged charm of the Suffolk shore, lies a sanctuary dedicated to the salt-sprayed chronicles of human endurance. The

    Lowestoft And East Suffolk Maritime Museum

    serves as more than just a repository for relics; it is a living, breathing narrative of a community forged by the tides. To step through its doors is to leave the modern world behind and enter an era defined by the rhythmic creak of timber, the snap of canvas sails, and the indomitable spirit of the mariners who once commanded these waters. For the art lover and the historian alike, the museum offers a profound sensory journey into the heart of maritime heritage.

    The soul of the collection resides in its ability to evoke the visceral atmosphere of life at sea. Visitors are greeted by an array of artifacts that transcend mere objects, becoming symbols of survival and exploration. The curation highlights the evolution of seafaring technology, allowing collectors and enthusiasts to trace the transition from traditional wooden vessels to the industrial era. There is a poetic melancholy found in the preserved maritime charts and the heavy, salt-encrusted nets, reminding us of the delicate balance between man and the unpredictable ocean.

    Treasures of the Tides and Maritime Craftsmanship

    The museum’s collection is a masterclass in texture and historical depth, offering immense inspiration for those drawn to the rugged aesthetics of coastal life. The exhibits are meticulously curated to showcase both the grandeur and the grit of maritime existence through various mediums:

    Intricately carved ship models

    that showcase the pinnacle of craftsmanship and the precision of naval architecture.

    Weathered tools of the fishing trade

    , which serve as tactile connections to the daily toil of East Suffolk's ancestors.

    Maritime artifacts and medals

    awarded to Royal Navy and RNLI personnel, honoring the bravery of those who faced the North Sea.

    Historical workshops

    , including a display dedicated to the workshop of Christopher Cockerell, the inventor of the hovercraft, bridging the gap between traditional seafaring and modern innovation.

    For the interior designer or collector, the museum provides a window into an era of

    textures of antiquity

    . The heavy fabrics, aged wood, and metallic relics found within the collection offer a palette of historical authenticity that resonates with a sense of timelessness and strength.

    A Living Legacy in Lowestoft

    Beyond its physical artifacts, the museum’s role within the Lowestoft landscape provides a unique context for contemplation. The exhibits are woven into a historical tapestry that celebrates the local identity of East Suffolk, making it a destination of immense value. The museum frequently hosts exhibitions that delve into specific maritime eras or local legends, ensuring that the dialogue between the past and the present remains vibrant.

    It is this seamless blend of historical accuracy and emotional resonance that makes the

    Lowestoft And East Suffolk Maritime Museum

    a true jewel of the British coast. Whether one is drawn by the technical evolution of shipwrights' tools or the romanticism of maritime art, the experience offers an immersive journey that lingers in the mind long after the voyage has ended.

    Waar u meer kunt lezen

    Online te vinden

    QR-code die linkt naar de downloadpagina van 'Devon County' LT526

    wahooart.com/nl/art/download/george-race-devon-county-lt526-AQUHUT-en/

    Citeer dit kunstwerk

    MLA
    Race, George. 'Devon County' LT526. 1921, Lowestoft And East Suffolk Maritime Museum. https://wahooart.com/nl/art/george-race-devon-county-lt526-AQUHUT-en/
    APA
    Race, George (1921). 'Devon County' LT526 [Painting]. Lowestoft And East Suffolk Maritime Museum. https://wahooart.com/nl/art/george-race-devon-county-lt526-AQUHUT-en/
    Chicago
    George Race. 'Devon County' LT526. 1921. Lowestoft And East Suffolk Maritime Museum. https://wahooart.com/nl/art/george-race-devon-county-lt526-AQUHUT-en/
    Harvard
    Race, George (1921) 'Devon County' LT526. Lowestoft And East Suffolk Maritime Museum. Available at: https://wahooart.com/nl/art/george-race-devon-county-lt526-AQUHUT-en/

    Bekijk het van dichtbij

    'Devon County' LT526 — George Race

    Kijk eens goed naar de details

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. In onze catalogus is dit werk geclassificeerd onder: steamship art, maritime scene, ocean voyage. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    4. Kijk nog eens naar 'Request' LT629 (1906), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. George Race was ongeveer 49 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Veelgestelde vragen

    Welk onderwerp en welke sfeer combineert "'Devon County' LT526" door George Race?

    "'Devon County' LT526" toont steamship art, maritime scene, ocean voyage, 1920s travel, ship painting, coastal artwork, vintage nautical en de vastgelegde stemming is Nostalgic.

    Welk gebruik en welke ruimte worden aanbevolen voor "'Devon County' LT526" door George Race?

    Aanbevolen gebruik (Conversation) en ruimte (Coffee Shop) zijn de twee aanbevelingen voor "'Devon County' LT526" door George Race.

    Hoe verhouden de kleuren van "'Devon County' LT526" door George Race zich tot de emotie van het kunstwerk?

    Het Neutrals palet van "'Devon County' LT526" door George Race vloeit prachtig samen met de Nostalgic emotionele toon. Kleur is een van de manieren waarop een kunstwerk gevoel overbrengt.