Papierformaat

Gids voor studentenkunst

Moroccan Musicians

Naam Klas Datum

erich wolfsfeld, Moroccan Musicians. Publiek domein

De feiten

Kunstenaar
erich wolfsfeld wahooart.com/nl/artists/erich-wolfsfeld/
Geboortedatum en -overlijden kunstenaar
1884 – 1956
Afmetingen origineel werk
77 x 132 cm
Beweging
Other

In context

Moroccan Musicians — erich wolfsfeld

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 77 × 132 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer zou dit geschilderd kunnen zijn?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950

Shaded: het leven van erich wolfsfeld (1884–1956)

Voor deze opname is geen exacte datum bekend — uitgaande van de levensloop van de artiest en de stijl van het werk, in welk decennium zou u dit plaatsen?

Vergelijkbare werken

  • Man with Guitar wahooart.com/nl/art/erich-wolfsfeld-man-with-guitar-AQUD7J-en/
  • Dorothy Stone wahooart.com/nl/art/erich-wolfsfeld-dorothy-stone-AQUD8G-en/
  • Plucking Chickens wahooart.com/nl/art/erich-wolfsfeld-plucking-chickens-AQUD7Q-en/

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: wahooart.com/nl/art/similar/erich-wolfsfeld-moroccan-musicians-AQUD7W-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Gray #7b7671

    Gecatalogiseerd palet

    • #7B7671
    • #574844
    • #B9B0A3
    • #312827
    Palet
    Earthy De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Gray
    Intensiteit
    Monochromatic De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Bold De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Discordant Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Shadow Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Muted Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Kunstenaar en museum

    Kunstenaar

    erich wolfsfeld

    Erich Wolfsfeld: A Life Painted in Shadows and Light

    Erich Wolfsfeld, a German artist born in 1884 in the small Prussian town of Krojanke (now Krajenka, Poland), possessed an artistic journey marked by both profound personal upheaval and remarkable creative output. His life unfolded against the backdrop of shifting political landscapes – from the burgeoning anxieties of early 20th-century Europe to the devastating realities of two world wars and the rise of Nazi Germany. Wolfsfeld’s story is not simply one of a painter; it's a testament to resilience, artistic adaptation, and a deep engagement with the human condition, particularly through his evocative portrayals of marginalized figures and scenes of rural life. His career spanned several decades, evolving from early printmaking explorations to mature oil paintings imbued with social commentary and a distinctive, almost melancholic beauty.

    Early Years and Artistic Training

    Wolfsfeld’s artistic foundation began in Berlin, where he enrolled at the prestigious Academy of Arts. There, he honed his skills under the tutelage of Konrad Böse, a follower of Adolph von Menzel, and Hans Meyer, mastering the intricate techniques of etching. A pivotal moment arrived with his studies in Paris at the Académie Julien, under Jules Lefèbvre, exposing him to the vibrant artistic currents of the French capital. This period solidified his technical abilities and broadened his stylistic horizons. Notably, he spent time in Rome between 1908 and 1909, immersing himself in the classical traditions and absorbing influences from fellow expatriate German artists like Otto Greiner and Max Klinger – a group known for their exploration of realism and social critique. Early works focused heavily on etching, producing striking images of nudes and scenes of urban poverty, demonstrating an early sensitivity to the plight of the less fortunate.

    Travels and Influences: North Africa and Beyond

    Wolfsfeld’s artistic trajectory took a significant turn with his travels throughout Europe and, crucially, into North Africa and the Middle East beginning in 1928. These journeys proved transformative, profoundly impacting his subject matter and aesthetic sensibilities. He was particularly drawn to the stark beauty of desert landscapes and the dignity of Arab subjects – often depicted in traditional dress against dramatic skies. These experiences are reflected in paintings like “Moroccan Musicians,” a vibrant depiction of North African life that captures both its energy and its inherent melancholy. The influence of these travels is evident in his later works, characterized by earthy tones, evocative brushwork, and a heightened sense of atmosphere. He meticulously documented these expeditions through sketches and watercolors, which served as inspiration for his paintings.

    Political Upheaval and Exile

    The rise of the Nazi regime in Germany irrevocably altered Wolfsfeld’s life and career. As a Jewish artist, he faced increasing discrimination and ultimately lost his position as professor at the Berlin Academy in 1935. Forced to flee for his safety, he emigrated to Britain in 1939, bringing with him a substantial body of work. This displacement was deeply unsettling, yet it also presented new opportunities. He initially settled in Sheffield, where he found patronage and exhibited his paintings at the Graves Art Gallery. The internment camp experience during World War II further compounded his difficulties, but he persevered, eventually establishing himself as a respected artist in London.

    Later Years and Legacy

    Following the war, Wolfsfeld continued to paint prolifically, exploring themes of poverty, social injustice, and the enduring spirit of humanity. His work during this period is characterized by a quiet dignity and a profound empathy for his subjects. He was elected an associate member of the Royal Society of Painter-Etchers and Engravers in 1956, shortly before his death in London in 1956. His legacy endures through a significant body of work – encompassing paintings, etchings, and drawings – which is now housed in museums across England and beyond. His art offers a poignant glimpse into the lives of ordinary people, reflecting both the hardships they faced and their inherent resilience. The Ben Uri Art Gallery in London played a crucial role in preserving and promoting his legacy, organizing memorial exhibitions that brought renewed attention to his work. Erich Wolfsfeld’s paintings remain powerful testaments to the human spirit, painted with a sensitivity and depth rarely seen in contemporary art.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Moroccan Musicians

    wahooart.com/nl/art/download/erich-wolfsfeld-moroccan-musicians-AQUD7W-en/

    Bronvermelding voor dit kunstwerk

    MLA
    wolfsfeld, erich. Moroccan Musicians. n.d., https://wahooart.com/nl/art/erich-wolfsfeld-moroccan-musicians-AQUD7W-en/
    APA
    wolfsfeld, erich (n.d.). Moroccan Musicians [Painting]. https://wahooart.com/nl/art/erich-wolfsfeld-moroccan-musicians-AQUD7W-en/
    Chicago
    erich wolfsfeld. Moroccan Musicians. n.d. https://wahooart.com/nl/art/erich-wolfsfeld-moroccan-musicians-AQUD7W-en/
    Harvard
    wolfsfeld, erich (n.d.) Moroccan Musicians. Available at: https://wahooart.com/nl/art/erich-wolfsfeld-moroccan-musicians-AQUD7W-en/

    Kijk goed naar

    Moroccan Musicians — erich wolfsfeld

    Kijk goed naar

    Beantwoord in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Hoeveel gezichten kun je vinden? ____ (onze catalogus telt 12 — ben je het ermee eens?)
    4. In onze catalogus is dit werk geclassificeerd onder: moroccan musicians, north african culture, traditional instruments. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    5. Kijk nog eens naar Man with Guitar, eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk. Gebruik hiervoor de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.