Papierformaat

Gids voor studentenkunst

Self-Portrait with Books

Naam Klas Datum

ephraim ivan rubenstein, Self-Portrait with Books (1984). Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende.

De feiten

Kunstenaar
ephraim ivan rubenstein wahooart.com/nl/artists/ephraim-ivan-rubenstein/
Geboortedatum en -overlijden kunstenaar
1956 – ?
Geschilderd
1984
Afmetingen origineel werk
91 x 137 cm

In context

Self-Portrait with Books — ephraim ivan rubenstein

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 91 × 137 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1950
  2. 1960
  3. 1970
  4. 1980

Shaded: het leven van ephraim ivan rubenstein (1956–?) ▲ dit werk, 1984

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Gray #68645d

    Gecatalogiseerd palet

    • #68645D
    • #C7C6B4
    • #3D3F46
    • #9D9376
    Naam hoofdkleur
    Gray
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Bold De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Softly Mixed Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Bright Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Muted Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Kunstenaar en museum

    Kunstenaar

    ephraim ivan rubenstein

    Geboren in Brooklyn, United States of America

    The Echoes of Brooklyn: Roots and Remembrance

    Born in the vibrant, storied landscape of Brooklyn in 1956, Ephraim Ivan Rubenstein’s artistic consciousness was shaped by the profound weight of lineage and the quiet narratives held within domestic objects. His early years were deeply colored by the presence of his grandfather, E. Ivan Rubenstein, a man whose dual identity as a judge and a commercial artist provided a unique tapestry of influence. Through the eyes of a child watching a master at work in a private studio, Rubenstein learned to perceive the soul within the material. This foundational connection to family history—specifically the artifacts and objects left behind from wartime experiences—would later evolve into a poignant thematic pillar of his oeuvre. His still-life paintings are far more than mere studies of form; they are evocative meditations on memory, trauma, and the enduring presence of the past, where every carefully rendered object serves as a vessel for ancestral storytelling.

    The Discipline of the Classical Eye

    Rubenstein’s journey into the heart of representational art was marked by an uncompromising commitment to classical rigor and technical mastery. His training was a lineage of excellence, beginning with private studies under luminaries such as David Levine and Aaron Shikler, and continuing through the intensive atmosphere of the Brooklyn Museum Art School. Under the mentorship of Francis Cunningham, he honed a disciplined approach to capturing the nuanced interplay of light, form, and color. This pursuit of excellence led him to Columbia University, where he earned both a degree in Art History and an MFA in Painting. By immersing himself in the traditions of masters like Robert Beverly Hale and Harvey Dinnerstein, Rubenstein bridged the gap between historical tradition and contemporary observation, developing a style that honors the weight of art history while remaining vibrantly engaged with the immediacy of the present moment.

    A Pedagogy of Light and Form

    Beyond the canvas, Rubenstein has left an indelible mark on the next generation of artists through a distinguished career in academia and instruction. His tenure as an Associate Professor at the University of Richmond was defined by both artistic contribution and pedagogical brilliance, earning him prestigious accolades such as the Distinguished Educator Award and the Outstanding Faculty Award from the Commonwealth of Virginia. His influence extended far beyond Richmond, reaching institutions like the Rhode Island School of Design, the Maryland Institute College of Art, and the National Academy of Design. Today, his commitment to the craft continues at the Art Students League of New York and through his work with Columbia University’s Narrative Medicine program, where he explores the intersection of anatomical precision and human storytelling. His exhibitions in renowned spaces—from the Tibor de Nagy Gallery to the Butler Institute of American Art—continue to cement his status as a vital voice in the ongoing dialogue of American representational painting.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Self-Portrait with Books

    wahooart.com/nl/art/download/ephraim-ivan-rubenstein-self-portrait-with-books-D2U968-en/

    Bronvermelding voor dit kunstwerk

    MLA
    rubenstein, ephraim ivan. Self-Portrait with Books. 1984, https://wahooart.com/nl/art/ephraim-ivan-rubenstein-self-portrait-with-books-D2U968-en/
    APA
    rubenstein, ephraim ivan (1984). Self-Portrait with Books [Painting]. https://wahooart.com/nl/art/ephraim-ivan-rubenstein-self-portrait-with-books-D2U968-en/
    Chicago
    ephraim ivan rubenstein. Self-Portrait with Books. 1984. https://wahooart.com/nl/art/ephraim-ivan-rubenstein-self-portrait-with-books-D2U968-en/
    Harvard
    rubenstein, ephraim ivan (1984) Self-Portrait with Books. Available at: https://wahooart.com/nl/art/ephraim-ivan-rubenstein-self-portrait-with-books-D2U968-en/

    Kijk goed naar

    Self-Portrait with Books — ephraim ivan rubenstein

    Kijk goed naar

    Beantwoord in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Hoeveel gezichten kun je vinden? ____ (onze catalogus telt 1 — ben je het ermee eens?)
    4. ephraim ivan rubenstein was ongeveer 28 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?
    5. Wat zou de kunstenaar u willen laten voelen?

    Uw reactie

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