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untitled (8356)

Naam Groep Datum

Egon Schiele, untitled (8356). Publiek domein Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

Kerngegevens

Kunstenaar
Egon Schiele wahooart.com/nl/artists/egon-schiele_nl/
Levensdata kunstenaar
1890 – 1918
Beweging
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Artistic style
Intense, raw
Influences
Klimt
Notable elements
Funny face, clock
Subject or theme
Portrait, woman

In context

untitled (8356) — Egon Schiele

Wanneer zou dit geschilderd kunnen zijn?

  1. 1890
  2. 1900
  3. 1910

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 28 bij het overlijden.

Shaded: het leven van Egon Schiele (1890–1918) elk gedateerd schilderij, decennium voor decennium

Voor deze opname is geen exacte datum bekend — uitgaande van de levensloop van de artiest en de stijl van het werk, in welk decennium zou u dit plaatsen?

Vergelijk met

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: wahooart.com/nl/art/similar/egon-schiele-untitled-8356-9GEUAM-en/

Kleuren

Gemeten op basis van de afbeelding

    Hoofdkleur

    Gray #959487

    Gecatalogiseerd palet

    • #959487
    • #202323
    • #C8D3C2
    • #65574E

    Deze kleuren binnen het volledige palet van de kunstenaar Zoek andere schilderijen op kleur

    Naam hoofdkleur
    Gray
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Discordant Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Balanced Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Subtle Color Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van Egon Schiele over de afgelopen twaalf maanden — in totaal 65 landen. Bron van deze cijfers

    De tien belangrijkste landen

    1. 1 China 43,4%78.900 visits
    2. 2 Verenigde Staten van Amerika 7,5%13.700 visits
    3. 3 Hongkong 6,4%11.700 visits
    4. 4 Singapore 5,3%9.700 visits
    5. 5 Rusland 3,7%6.700 visits
    6. 6 Italië 3,2%5.900 visits
    7. 7 Spanje 2,8%5.100 visits
    8. 8 Frankrijk 2,6%4.700 visits
    9. 9 Duitsland 2,3%4.200 visits
    10. 10 Litouwen 2,3%4.100 visits
    11. · 55 overige landen 20,5%36.900 visits

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 20 meest bekeken werken van Egon Schiele

    1. 1 De Zelf-Zeurders II (Dood en Man), 1911 5,8%14.900 visits
    2. 2 De Familie, 1917 3,9%9.900 visits
    3. 3 Moeder met twee kinderen, 1917 3,1%7.900 visits
    4. 4 Portret van Wally, 1912 2,5%6.300 visits
    5. 5 Huis aan de Rivier (ook bekend als Oude Hoeve I), 1915 1,7%4.400 visits
    6. 6 Dood en het meisje, 1915 1,5%3.900 visits
    7. 7 Black-Haired Girl with Lifted Skirt, 1911 1,5%3.900 visits
    8. 8 Vier Bomen, 1917 1,4%3.600 visits
    9. 9 Gerti Schiele 1,3%3.300 visits
    10. 10 Moa, 1911 1,2%3.100 visits
    11. 11 Self-Portrait in Yellow Vest, 1914, 1914 1,2%3.000 visits
    12. 12 Lovemaking, 1915 1,1%2.900 visits
    13. 13 Two Women Embracing, 1915 1,1%2.800 visits
    14. 14 Zelfportret als Sint Sebastiaan (poster), 1914 1,1%2.800 visits
    15. 15 Autumn Trees, 1911 1,0%2.600 visits
    16. 16 Crouching Woman with Green Headscarf, 1914 1,0%2.500 visits
    17. 17 Sunflower, 1909 0,9%2.400 visits
    18. 18 Self Portrait, 1912 0,9%2.200 visits
    19. 19 Kneeling Female in Orange-Red Dress, 1910 0,9%2.200 visits
    20. 298 untitled (8356) dit schilderij 0,1%200 visits

    Samen maken deze werken 33,2% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 635 werken van deze kunstenaar, waarvan 447 minstens één keer zijn bekeken. This painting ranks 298 of them, with 0,1% of that attention (200 visits). Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Over dit kunstwerk

    untitled (8356) — Egon Schiele

    Egon Schiele’s Haunting Portrait: A Study in Anxiety and Desire

    Egon Schiele's "untitled (8356)" is not merely a portrait; it’s a raw, unsettling glimpse into the psyche of a tormented artist grappling with mortality, sexuality, and the anxieties of early 20th-century Europe. Painted in 1917, during a period of intense personal struggle for Schiele – marked by illness, loss, and the looming shadow of World War I – this work embodies his signature Expressionist style: bold lines, distorted forms, and an unnerving intensity that refuses to offer easy answers.

    The subject, a woman with a strikingly unusual expression, dominates the composition. Her mouth hangs slightly open in what appears to be a forced smile or perhaps a grimace of discomfort, her eyes wide and unblinking. This unsettling facial distortion is central to the painting’s power, immediately drawing the viewer into a space of unease and questioning. The background—a simple wall adorned with a clock and two books – provides a stark contrast to the woman's intense presence, suggesting a sense of isolation and perhaps a preoccupation with time and knowledge.

    The Language of Line and Distortion

    Schiele’s technique is instantly recognizable. He employs rapid, agitated brushstrokes that create a palpable sense of movement and instability. The lines are not smooth or refined; they are jagged, broken, and deliberately distorted – mirroring the emotional turmoil he sought to convey. Notice how the woman's features are elongated and exaggerated, her body subtly twisted as if caught in an awkward pose. This deliberate distortion isn’t simply stylistic; it’s a visual representation of psychological strain and vulnerability.

    The use of color is equally significant. The palette is muted – predominantly browns, ochres, and greys—contributing to the painting's somber mood. However, Schiele strategically employs small bursts of brighter tones, particularly in the woman’s eyes, which seem to pierce through the darkness, demanding attention and revealing a flicker of underlying emotion.

    Symbolism and Context: Mortality and the Modern Condition

    Schiele's work is deeply intertwined with the anxieties of his time. The painting reflects the pervasive sense of uncertainty and disillusionment that gripped Europe in the wake of World War I, as well as a broader preoccupation with death and decay—themes frequently explored by Schiele throughout his oeuvre. The clock in the background serves as a potent symbol of mortality, reminding us of the relentless passage of time and the inevitability of our own demise.

    Furthermore, the painting can be interpreted through the lens of Freudian psychology. The woman’s expression—a mixture of amusement and discomfort—suggests a complex interplay of desire and repression. Schiele was fascinated by sexuality and often depicted it in unconventional ways, challenging societal norms and exploring the darker aspects of human experience. The presence of the books hints at intellectual pursuits but also perhaps an inability to find solace or answers within them.

    A Window into the Soul: Reproduction and Appreciation

    "untitled (8356)" is a profoundly moving work that continues to resonate with viewers today. WahooArt offers meticulously crafted, hand-painted reproductions of this iconic painting, allowing you to experience its emotional depth and artistic brilliance in stunning detail. These reproductions capture not only the visual elements but also the very spirit of Schiele’s vision—a testament to his unique talent and enduring legacy. Consider adding this powerful image to your collection or incorporating it into your interior design – a reminder of the complexities of human emotion and the beauty found within vulnerability.

    To learn more about Egon Schiele's life, artistic influences, and other significant works, explore our artist database or read our comprehensive article: Egon Schiele: Expressionism, Anxiety & the Modern Condition – A Comprehensive Exploration. For a deeper dive into one of his most famous paintings, you can find information on “Death and the Maiden (Schiele)” here: Wikipedia Search.

    Kunstenaar en museum

    Kunstenaar

    Egon Schiele

    Geboren in Wenen, Oostenrijk

    A Life Forged in Expression

    Egon Schiele’s life, a turbulent and intensely personal journey, unfolded from 1890 to 1918 within the vibrant yet often unsettling landscape of Vienna. Born in Tulln an der Donau, Austria, his early years were shadowed by profound loss – the death of his father due to syphilis at just fourteen, followed tragically by the demise of his sister Elvira. Raised initially by his mother and later under the watchful eye of his uncle Leopold Czihaczek, Schiele’s childhood lacked the stability common to many, fostering within him a remarkable independence and an acute sensitivity. From a young age, he displayed a deep fascination with trains – a motif that would subtly reappear throughout his work, symbolizing both movement and perhaps, the relentless passage of time. Though initially discouraged by his father for pursuing drawing as a distraction from more “practical” endeavors, Schiele’s innate talent blossomed, laying the foundation for his future artistic expression. These formative experiences—illness, loss, and an unconventional upbringing—instilled within him a profound awareness of mortality and the fragility of human existence, themes that would become central to his art.

    The Crucible of Vienna: Artistic Development

    Schiele’s formal artistic training began at the Kunstgewerbeschule in Vienna, but he quickly found himself stifled by its conservative approach. Seeking a more expressive outlet, he transferred to the Akademie der bildenden Künste, only to discover that even this institution's academic traditions felt restrictive. Dissatisfied with the rigid constraints of traditional art education, Schiele deliberately chose to forge his own path, rejecting formal training altogether – a bold decision reflecting his unwavering artistic conviction. Crucially, he found inspiration in the work of Gustav Klimt, deeply admiring Klimt’s decorative style and exploration of symbolism. Klimt's influence was significant, yet Schiele ultimately diverged from his mentor’s aesthetic, developing a distinctly individual voice characterized by stark honesty and psychological intensity. He became a founding member of the Neues Wiener Kunstgruppe (New Viennese Art Group) in 1909, alongside other progressive artists who challenged the prevailing artistic norms of the time. His early works—often unsettling portraits and self-portraits—began to emerge as powerful statements of emotional turmoil, featuring distorted figures and a palpable sense of vulnerability. These paintings weren’t merely representations of physical form; they were explorations of the inner landscape – the anxieties, desires, and fears that haunted the human psyche. He sought to depict not what he saw, but what he felt.

    Raw Emotion and Unflinching Truth

    Egon Schiele's art is immediately recognizable for its raw honesty and psychological depth. He fearlessly confronted themes often considered taboo – sexuality, death, anxiety, isolation – with an unflinching gaze. His distinctive style features elongated figures, contorted poses, and expressive lines that convey a sense of unease and emotional intensity. The human form, particularly the nude, became his primary subject, not as an object of idealized beauty but as a vessel for exploring the complexities of human experience. Self-portraits constitute a significant portion of his oeuvre, offering intimate glimpses into his inner world—a world often marked by loneliness and self-doubt. He didn’t shy away from depicting himself in unflattering or vulnerable poses, revealing a profound level of self-awareness and introspection. Beyond self-portraiture, Schiele created numerous portraits of others, capturing their likenesses with an unsettling realism that seemed to penetrate beneath the surface. Recurring motifs like the Physalis plant – symbolizing death and transience with its delicate, papery husk – further underscore this preoccupation with mortality. His use of line is particularly striking; it’s not merely a tool for defining shape but an expressive force that conveys emotion and psychological tension.

    A Legacy Cut Short: Achievements & Significance

    Despite facing censorship and legal challenges—including a brief imprisonment for allegedly corrupting minors with his art—Schiele gained recognition within Vienna’s avant-garde circles. His work challenged the conventions of the time, provoking both admiration and outrage. By the time of his untimely death during the Spanish flu pandemic in 1918 at the age of twenty-eight, he had established himself as a leading figure in Austrian Expressionism. Significant works such as Self-Portrait with Physalis, Couple Embracing, and Field Landscape (Kreuzberg near Krumau) stand as testaments to his artistic genius. His influence on subsequent generations of artists is undeniable, particularly those interested in exploring psychological themes and challenging conventional artistic norms. Schiele’s bold approach to form and subject matter continues to resonate with audiences today, making him one of the most important and influential figures in early 20th-century art. His paintings are now held in major museum collections worldwide, including the Leopold Museum in Vienna and the Egon Schiele Art Centrum in Český Krumlov, ensuring his artistic legacy endures. He left behind a body of work that is not merely aesthetically compelling but profoundly human—a testament to the power of art to confront the complexities of existence with honesty, courage, and unwavering vision.

    Key Themes: Mortality, sexuality, isolation, psychological turmoil.

    Influences: Gustav Klimt, Viennese Secession, personal trauma.

    Style Characteristics: Elongated figures, contorted poses, expressive lines, raw emotion.

    Waar u meer kunt lezen

    Online te vinden

    QR-code die linkt naar de downloadpagina van untitled (8356)

    wahooart.com/nl/art/download/egon-schiele-untitled-8356-9GEUAM-en/

    Citeer dit kunstwerk

    MLA
    Schiele, Egon. untitled (8356). n.d., https://wahooart.com/nl/art/egon-schiele-untitled-8356-9GEUAM-en/
    APA
    Schiele, Egon (n.d.). untitled (8356) [Painting]. https://wahooart.com/nl/art/egon-schiele-untitled-8356-9GEUAM-en/
    Chicago
    Egon Schiele. untitled (8356). n.d. https://wahooart.com/nl/art/egon-schiele-untitled-8356-9GEUAM-en/
    Harvard
    Schiele, Egon (n.d.) untitled (8356). Available at: https://wahooart.com/nl/art/egon-schiele-untitled-8356-9GEUAM-en/

    Bekijk het van dichtbij

    untitled (8356) — Egon Schiele

    Kijk eens goed naar de details

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. In onze catalogus is dit werk geclassificeerd onder: portrait, expressionism, anxiety. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    4. Kijk nog eens naar De Zelf-Zeurders II (Dood en Man) (1911), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Waar is dat in dit werk te zien?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Kunstquiz

    untitled (8356) — Egon Schiele

    Hoe goed kent u dit kunstwerk?

    Selecteer één antwoord voor elk van de 5 onderstaande vragen. Elk heeft precies één juist antwoord.

    1. 1. Based on the image description, what is the primary emotion conveyed by the woman’s facial expression?

      • A Joy and contentment
      • B Confusion and uncertainty
      • C Amusement and a strange, unsettling grin
    2. 2. The image includes a clock and two books. What do these elements likely suggest about the scene’s setting or the woman's state of mind?

      • A A formal, academic environment
      • B A moment of contemplation and perhaps boredom
      • C An indication of wealth and social status
    3. 3. Egon Schiele was a prominent figure in which artistic movement?

      • A Impressionism
      • B Expressionism
      • C Cubism
    4. 4. Considering Egon Schiele's biography, what significantly influenced his artistic themes and style?

      • A His father’s love of classical sculpture
      • B The early death of his sister Elvira and his father’s illness with syphilis
      • C His mentor Gustav Klimt’s teachings on color theory
    5. 5. What is a key characteristic of Egon Schiele's artistic style, as evidenced in this image?

      • A Smooth, blended brushstrokes
      • B Bold lines and distorted figures
      • C Realistic depictions of everyday objects

    Mijn score: ____ van de 5

    Antwoordsleutel — voor de docent

    Dit wordt op een nieuwe pagina afgedrukt, waardoor het eenvoudig uit de kopieën weggelaten kan worden.

    1C · 2B · 3B · 4B · 5B

    Controleer elk antwoord met de catalogusgegevens van dit schilderij

    Veelgestelde vragen

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    Kan ik "untitled (8356)" in meer detail bekijken?

    De Röntgenanalyse-pagina van "untitled (8356)" door Egon Schiele is een interactieve viewer waarmee u door elf optische lagen van het kunstwerk kunt glijden, inclusief een weergave in röntgenstijl.

    Voor welke ruimte wordt "untitled (8356)" door Egon Schiele aanbevolen?

    "untitled (8356)" door Egon Schiele wordt aanbevolen voor een Living Room. Deze suggestie is gebaseerd op het onderwerp, de kleuren en de sfeer van het werk.