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untitled (6099)

Naam Groep Datum

Egon Schiele, untitled (6099). Publiek domein Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

Kerngegevens

Kunstenaar
Egon Schiele wahooart.com/nl/artists/egon-schiele_nl/
Levensdata kunstenaar
1890 – 1918
Beweging
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Artistic style
Intense, dramatic
Influences
Klimt
Notable elements
Distressed figure
Subject or theme
Emotion, mortality

In context

untitled (6099) — Egon Schiele

Wanneer zou dit geschilderd kunnen zijn?

  1. 1890
  2. 1900
  3. 1910

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 28 bij het overlijden.

Shaded: het leven van Egon Schiele (1890–1918) elk gedateerd schilderij, decennium voor decennium

Voor deze opname is geen exacte datum bekend — uitgaande van de levensloop van de artiest en de stijl van het werk, in welk decennium zou u dit plaatsen?

Vergelijk met

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: wahooart.com/nl/art/similar/egon-schiele-untitled-6099-9GEUAP-en/

Kleuren

Gemeten op basis van de afbeelding

    Hoofdkleur

    Khaki #f5ce7c

    Gecatalogiseerd palet

    • #F5CE7C
    • #322A1E
    • #826738
    • #C5974D

    Deze kleuren binnen het volledige palet van de kunstenaar Zoek andere schilderijen op kleur

    Palet
    Pastels De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Khaki
    Intensiteit
    Vivid De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Bold De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Unified Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Brilliant Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Clear Color Presence Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van Egon Schiele over de afgelopen twaalf maanden — in totaal 65 landen. Bron van deze cijfers

    De tien belangrijkste landen

    1. 1 China 44,4%78.800 visits
    2. 2 Verenigde Staten van Amerika 7,7%13.700 visits
    3. 3 Hongkong 6,5%11.500 visits
    4. 4 Singapore 5,5%9.700 visits
    5. 5 Rusland 3,8%6.700 visits
    6. 6 Italië 2,8%4.900 visits
    7. 7 Spanje 2,5%4.500 visits
    8. 8 Frankrijk 2,5%4.400 visits
    9. 9 Duitsland 2,3%4.100 visits
    10. 10 Litouwen 2,3%4.100 visits
    11. · 55 overige landen 19,7%35.100 visits

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 20 meest bekeken werken van Egon Schiele

    1. 1 De Zelf-Zeurders II (Dood en Man), 1911 5,9%14.900 visits
    2. 2 De Familie, 1917 3,8%9.600 visits
    3. 3 Moeder met twee kinderen, 1917 3,1%7.800 visits
    4. 4 Portret van Wally, 1912 2,5%6.200 visits
    5. 5 Huis aan de Rivier (ook bekend als Oude Hoeve I), 1915 1,7%4.400 visits
    6. 6 Dood en het meisje, 1915 1,5%3.900 visits
    7. 7 Black-Haired Girl with Lifted Skirt, 1911 1,3%3.400 visits
    8. 8 Vier Bomen, 1917 1,3%3.300 visits
    9. 9 Gerti Schiele 1,3%3.300 visits
    10. 10 Moa, 1911 1,2%3.000 visits
    11. 11 Self-Portrait in Yellow Vest, 1914, 1914 1,2%3.000 visits
    12. 12 Lovemaking, 1915 1,1%2.900 visits
    13. 13 Two Women Embracing, 1915 1,1%2.800 visits
    14. 14 Zelfportret als Sint Sebastiaan (poster), 1914 1,1%2.700 visits
    15. 15 Autumn Trees, 1911 1,0%2.600 visits
    16. 16 Sunflower, 1909 1,0%2.400 visits
    17. 17 Self Portrait, 1912 0,9%2.200 visits
    18. 18 Crouching Woman with Green Headscarf, 1914 0,9%2.200 visits
    19. 19 Kneeling Female in Orange-Red Dress, 1910 0,9%2.200 visits
    20. 184 untitled (6099) dit schilderij 0,2%400 visits

    Samen maken deze werken 33,0% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 635 werken van deze kunstenaar, waarvan 447 minstens één keer zijn bekeken. This painting ranks 184 of them, with 0,2% of that attention (400 visits). Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Over dit kunstwerk

    untitled (6099) — Egon Schiele

    Egon Schiele’s “Untitled (6099)” – A Portrait of Anguish and Intensity

    Egon Schiele's "Untitled (6099)," a haunting depiction of a naked man with his hands clasped to his head, is more than just a portrait; it’s a visceral embodiment of the artist’s signature style—a raw, unflinching exploration of human vulnerability and existential dread. Painted in 1918, tragically near the end of his life, this work encapsulates the anxieties and psychological turmoil that defined Schiele's artistic output during a period of immense social upheaval and personal loss. The painting immediately commands attention with its dramatic use of color – predominantly earthy browns punctuated by stark black accents—a palette that evokes a sense of somberness and confinement. This deliberate choice contributes to the overall feeling of claustrophobia, mirroring perhaps the internal struggles of the subject.

    Expressionist Techniques and Anatomical Distortion

    Schiele’s mastery lies in his ability to translate emotion directly onto the canvas through a potent combination of Expressionist techniques. The figure's body is rendered with an almost violent distortion, emphasizing musculature and bone structure—a hallmark of Schiele’s style. His lines are jagged, restless, and intensely energetic, conveying a sense of agitation and inner turmoil. Notice how the shoulders slump forward, the head is bowed low, and the hands pressed tightly against the face; these gestures speak volumes about suppressed emotion and perhaps even despair. The artist employs a technique known as “line drawing,” prioritizing expressive lines over precise representation, further amplifying the painting’s emotional impact. The lack of smooth transitions or blended colors reinforces this sense of urgency and instability.

    Symbolism of Nakedness, Beard, and Hands

    Beyond its immediate visual impact, “Untitled (6099)” is rich in symbolic meaning. The subject’s nudity is not merely a depiction of physical vulnerability; it represents a stripping away of defenses, exposing the raw core of his being. His long, flowing beard and mustache contribute to an air of intensity and perhaps even madness—elements frequently explored by Schiele. Crucially, the hands clasped to his head are particularly significant. They can be interpreted as a gesture of supplication, a plea for help, or simply a futile attempt to contain overwhelming emotions. The position suggests a profound sense of helplessness and isolation.

    Historical Context: A Life Cut Short

    To fully appreciate “Untitled (6099),” it’s essential to consider the context in which it was created – 1918, a year marked by the end of World War I and widespread social unrest. Schiele's life itself was tragically short, succumbing to influenza at just 28 years old. His father’s death from syphilis when he was fourteen profoundly shaped his artistic vision, instilling in him an obsession with mortality and the fragility of human existence. The painting can be seen as a reflection of this pervasive sense of loss and uncertainty that gripped Europe at the time. Furthermore, Schiele's mentor, Gustav Klimt, exerted a significant influence on his early work, though Schiele quickly developed his own distinct and intensely personal style. His exploration of themes like death, sexuality, and psychological distress set him apart as a truly unique and unsettling artist.

    WahooArt offers meticulously crafted hand-painted reproductions of Egon Schiele’s “Untitled (6099),” allowing you to bring this powerful and emotionally resonant artwork into your home or office. Each reproduction is created by skilled artists using archival quality materials, ensuring that the details and intensity of Schiele's original vision are faithfully preserved. Explore our selection today and experience the raw beauty and haunting power of this iconic masterpiece.

    Kunstenaar en museum

    Kunstenaar

    Egon Schiele

    Geboren in Wenen, Oostenrijk

    A Life Forged in Expression

    Egon Schiele’s life, a turbulent and intensely personal journey, unfolded from 1890 to 1918 within the vibrant yet often unsettling landscape of Vienna. Born in Tulln an der Donau, Austria, his early years were shadowed by profound loss – the death of his father due to syphilis at just fourteen, followed tragically by the demise of his sister Elvira. Raised initially by his mother and later under the watchful eye of his uncle Leopold Czihaczek, Schiele’s childhood lacked the stability common to many, fostering within him a remarkable independence and an acute sensitivity. From a young age, he displayed a deep fascination with trains – a motif that would subtly reappear throughout his work, symbolizing both movement and perhaps, the relentless passage of time. Though initially discouraged by his father for pursuing drawing as a distraction from more “practical” endeavors, Schiele’s innate talent blossomed, laying the foundation for his future artistic expression. These formative experiences—illness, loss, and an unconventional upbringing—instilled within him a profound awareness of mortality and the fragility of human existence, themes that would become central to his art.

    The Crucible of Vienna: Artistic Development

    Schiele’s formal artistic training began at the Kunstgewerbeschule in Vienna, but he quickly found himself stifled by its conservative approach. Seeking a more expressive outlet, he transferred to the Akademie der bildenden Künste, only to discover that even this institution's academic traditions felt restrictive. Dissatisfied with the rigid constraints of traditional art education, Schiele deliberately chose to forge his own path, rejecting formal training altogether – a bold decision reflecting his unwavering artistic conviction. Crucially, he found inspiration in the work of Gustav Klimt, deeply admiring Klimt’s decorative style and exploration of symbolism. Klimt's influence was significant, yet Schiele ultimately diverged from his mentor’s aesthetic, developing a distinctly individual voice characterized by stark honesty and psychological intensity. He became a founding member of the Neues Wiener Kunstgruppe (New Viennese Art Group) in 1909, alongside other progressive artists who challenged the prevailing artistic norms of the time. His early works—often unsettling portraits and self-portraits—began to emerge as powerful statements of emotional turmoil, featuring distorted figures and a palpable sense of vulnerability. These paintings weren’t merely representations of physical form; they were explorations of the inner landscape – the anxieties, desires, and fears that haunted the human psyche. He sought to depict not what he saw, but what he felt.

    Raw Emotion and Unflinching Truth

    Egon Schiele's art is immediately recognizable for its raw honesty and psychological depth. He fearlessly confronted themes often considered taboo – sexuality, death, anxiety, isolation – with an unflinching gaze. His distinctive style features elongated figures, contorted poses, and expressive lines that convey a sense of unease and emotional intensity. The human form, particularly the nude, became his primary subject, not as an object of idealized beauty but as a vessel for exploring the complexities of human experience. Self-portraits constitute a significant portion of his oeuvre, offering intimate glimpses into his inner world—a world often marked by loneliness and self-doubt. He didn’t shy away from depicting himself in unflattering or vulnerable poses, revealing a profound level of self-awareness and introspection. Beyond self-portraiture, Schiele created numerous portraits of others, capturing their likenesses with an unsettling realism that seemed to penetrate beneath the surface. Recurring motifs like the Physalis plant – symbolizing death and transience with its delicate, papery husk – further underscore this preoccupation with mortality. His use of line is particularly striking; it’s not merely a tool for defining shape but an expressive force that conveys emotion and psychological tension.

    A Legacy Cut Short: Achievements & Significance

    Despite facing censorship and legal challenges—including a brief imprisonment for allegedly corrupting minors with his art—Schiele gained recognition within Vienna’s avant-garde circles. His work challenged the conventions of the time, provoking both admiration and outrage. By the time of his untimely death during the Spanish flu pandemic in 1918 at the age of twenty-eight, he had established himself as a leading figure in Austrian Expressionism. Significant works such as Self-Portrait with Physalis, Couple Embracing, and Field Landscape (Kreuzberg near Krumau) stand as testaments to his artistic genius. His influence on subsequent generations of artists is undeniable, particularly those interested in exploring psychological themes and challenging conventional artistic norms. Schiele’s bold approach to form and subject matter continues to resonate with audiences today, making him one of the most important and influential figures in early 20th-century art. His paintings are now held in major museum collections worldwide, including the Leopold Museum in Vienna and the Egon Schiele Art Centrum in Český Krumlov, ensuring his artistic legacy endures. He left behind a body of work that is not merely aesthetically compelling but profoundly human—a testament to the power of art to confront the complexities of existence with honesty, courage, and unwavering vision.

    Key Themes: Mortality, sexuality, isolation, psychological turmoil.

    Influences: Gustav Klimt, Viennese Secession, personal trauma.

    Style Characteristics: Elongated figures, contorted poses, expressive lines, raw emotion.

    Waar u meer kunt lezen

    Online te vinden

    QR-code die linkt naar de downloadpagina van untitled (6099)

    wahooart.com/nl/art/download/egon-schiele-untitled-6099-9GEUAP-en/

    Citeer dit kunstwerk

    MLA
    Schiele, Egon. untitled (6099). n.d., https://wahooart.com/nl/art/egon-schiele-untitled-6099-9GEUAP-en/
    APA
    Schiele, Egon (n.d.). untitled (6099) [Painting]. https://wahooart.com/nl/art/egon-schiele-untitled-6099-9GEUAP-en/
    Chicago
    Egon Schiele. untitled (6099). n.d. https://wahooart.com/nl/art/egon-schiele-untitled-6099-9GEUAP-en/
    Harvard
    Schiele, Egon (n.d.) untitled (6099). Available at: https://wahooart.com/nl/art/egon-schiele-untitled-6099-9GEUAP-en/

    Bekijk het van dichtbij

    untitled (6099) — Egon Schiele

    Kijk eens goed naar de details

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. In onze catalogus is dit werk geclassificeerd onder: distress, nakedness, beard. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    4. Kijk nog eens naar De Zelf-Zeurders II (Dood en Man) (1911), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Waar is dat in dit werk te zien?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Veelgestelde vragen

    Behoort "untitled (6099)" van Egon Schiele tot het publiek domein, en zo ja, waarom?

    "untitled (6099)" van Egon Schiele is bevindt zich in het publiek domein - de auteursrechten zijn verlopen. De auteursrechten worden berekend vanaf het jaar van overlijden van de kunstenaar; Egon Schiele is overleden in 1918.

    Welk gevoel roepen de kleuren van "untitled (6099)" door Egon Schiele op?

    "untitled (6099)" door Egon Schiele combineert een Pastels palet met een Melancholic toon.

    Hoe is de kleurcompositie van "untitled (6099)" door Egon Schiele opgebouwd?

    De kleurcompositie van "untitled (6099)" door Egon Schiele combineert een Bold contrast met een Unified Palette harmonie.