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self-portrait standing 1910

Naam Klas Datum

Egon Schiele, self-portrait standing 1910. Publiek domein

De feiten

Kunstenaar
Egon Schiele wahooart.com/nl/artists/egon-schiele_nl/
Geboortedatum en -overlijden kunstenaar
1890 – 1918
Techniek
Acrylic On Canvas
Beweging
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Periode
Modern
Artistic style
Intense, Twisted
Influences
Klimt
Notable elements
Anger, Nakedness
Subject or theme
Self-Portraiture

In context

self-portrait standing 1910 — Egon Schiele

Wanneer zou dit geschilderd kunnen zijn?

  1. 1890
  2. 1900
  3. 1910

Shaded: het leven van Egon Schiele (1890–1918)

Voor deze opname is geen exacte datum bekend — uitgaande van de levensloop van de artiest en de stijl van het werk, in welk decennium zou u dit plaatsen?

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: wahooart.com/nl/art/similar/egon-schiele-self-portrait-standing-1910-6WHKM4-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Driftwood #8a7e51

    Gecatalogiseerd palet

    • #8A7E51
    • #4F4428
    • #DACD94
    • #BBAC73
    Naam hoofdkleur
    Driftwood
    Intensiteit
    Vivid De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Gentle De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Unified Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Brilliant Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Clear Color Presence Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Over dit kunstwerk

    self-portrait standing 1910 — Egon Schiele

    A Portrait of Inner Turmoil: Unpacking Egon Schiele's "Self-Portrait Standing 1910"

    Egon Schiele’s “Self-Portrait Standing 1910” is not merely a depiction of an individual; it’s a raw, visceral expression of the artist’s tormented psyche. Painted during a period of intense personal and artistic struggle, this black and white photograph captures a moment of profound unease – a silent scream frozen on canvas. The image, often described as unsettling, immediately draws the viewer in with its subject's distorted features and precarious posture, hinting at a deep well of suppressed emotion.

    The Anatomy of Anxiety: Style and Technique

    Schiele’s style is instantly recognizable – characterized by elongated figures, sharp angles, and an almost violent distortion of the human form. In this self-portrait, he employs a technique that borders on caricature, exaggerating features to amplify their emotional impact. The subject's face is particularly arresting: his eyes are wide with what appears to be both fear and rage, while his mouth is contorted in a grimace, suggesting an unspoken threat or perhaps a desperate plea. The single-legged stance adds to the sense of instability and vulnerability, as if the figure is on the verge of collapse. The stark contrast between light and shadow further intensifies this feeling of unease, creating a dramatic and unsettling visual experience.

    Medium: Black and White Photograph (reproduction)

    Style: Expressionism – characterized by emotional intensity and subjective distortion.

    Technique: Sharp lines, exaggerated features, dramatic chiaroscuro (contrast between light and dark).

    Echoes of Trauma: Historical Context and Biography

    To fully appreciate “Self-Portrait Standing 1910,” it’s crucial to understand the context of Egon Schiele's life. Born in Vienna in 1890, Schiele endured a childhood marked by illness, loss, and instability. His father, a railway station master, succumbed to syphilis when Egon was just fourteen – a tragedy that profoundly shaped his artistic vision, fueling an obsession with mortality and the fragility of human existence. Raised under the watchful eye of his uncle, he developed a fiercely independent spirit, often clashing with authority figures. The early death of his sister Elvira further compounded his sense of loss and vulnerability. These formative experiences—coupled with his own struggles with sexuality and mental health—are palpable in his work, particularly evident in this self-portrait’s unsettling intensity.

    Symbolism and Emotional Resonance: A Window into the Soul

    The painting is laden with symbolic weight. The subject's nakedness speaks to vulnerability and exposure, while the distorted features suggest a struggle against internal demons. Some art historians interpret the single-legged stance as representing precariousness or imbalance – mirroring Schiele’s own turbulent life. The overall composition evokes a sense of claustrophobia and isolation, reflecting the artist’s feelings of alienation and despair. “Self-Portrait Standing 1910” is not simply a likeness; it's an unflinching portrayal of the human condition at its most vulnerable—a testament to Schiele’s ability to translate profound emotional pain into a powerfully evocative work of art. It invites contemplation on themes of mortality, identity, and the enduring struggle for self-expression.

    View a high-quality reproduction of this iconic work

    Kunstenaar en museum

    Kunstenaar

    Egon Schiele

    Geboren in Wenen, Oostenrijk

    A Life Forged in Expression

    Egon Schiele’s life, a turbulent and intensely personal journey, unfolded from 1890 to 1918 within the vibrant yet often unsettling landscape of Vienna. Born in Tulln an der Donau, Austria, his early years were shadowed by profound loss – the death of his father due to syphilis at just fourteen, followed tragically by the demise of his sister Elvira. Raised initially by his mother and later under the watchful eye of his uncle Leopold Czihaczek, Schiele’s childhood lacked the stability common to many, fostering within him a remarkable independence and an acute sensitivity. From a young age, he displayed a deep fascination with trains – a motif that would subtly reappear throughout his work, symbolizing both movement and perhaps, the relentless passage of time. Though initially discouraged by his father for pursuing drawing as a distraction from more “practical” endeavors, Schiele’s innate talent blossomed, laying the foundation for his future artistic expression. These formative experiences—illness, loss, and an unconventional upbringing—instilled within him a profound awareness of mortality and the fragility of human existence, themes that would become central to his art.

    The Crucible of Vienna: Artistic Development

    Schiele’s formal artistic training began at the Kunstgewerbeschule in Vienna, but he quickly found himself stifled by its conservative approach. Seeking a more expressive outlet, he transferred to the Akademie der bildenden Künste, only to discover that even this institution's academic traditions felt restrictive. Dissatisfied with the rigid constraints of traditional art education, Schiele deliberately chose to forge his own path, rejecting formal training altogether – a bold decision reflecting his unwavering artistic conviction. Crucially, he found inspiration in the work of Gustav Klimt, deeply admiring Klimt’s decorative style and exploration of symbolism. Klimt's influence was significant, yet Schiele ultimately diverged from his mentor’s aesthetic, developing a distinctly individual voice characterized by stark honesty and psychological intensity. He became a founding member of the Neues Wiener Kunstgruppe (New Viennese Art Group) in 1909, alongside other progressive artists who challenged the prevailing artistic norms of the time. His early works—often unsettling portraits and self-portraits—began to emerge as powerful statements of emotional turmoil, featuring distorted figures and a palpable sense of vulnerability. These paintings weren’t merely representations of physical form; they were explorations of the inner landscape – the anxieties, desires, and fears that haunted the human psyche. He sought to depict not what he saw, but what he felt.

    Raw Emotion and Unflinching Truth

    Egon Schiele's art is immediately recognizable for its raw honesty and psychological depth. He fearlessly confronted themes often considered taboo – sexuality, death, anxiety, isolation – with an unflinching gaze. His distinctive style features elongated figures, contorted poses, and expressive lines that convey a sense of unease and emotional intensity. The human form, particularly the nude, became his primary subject, not as an object of idealized beauty but as a vessel for exploring the complexities of human experience. Self-portraits constitute a significant portion of his oeuvre, offering intimate glimpses into his inner world—a world often marked by loneliness and self-doubt. He didn’t shy away from depicting himself in unflattering or vulnerable poses, revealing a profound level of self-awareness and introspection. Beyond self-portraiture, Schiele created numerous portraits of others, capturing their likenesses with an unsettling realism that seemed to penetrate beneath the surface. Recurring motifs like the Physalis plant – symbolizing death and transience with its delicate, papery husk – further underscore this preoccupation with mortality. His use of line is particularly striking; it’s not merely a tool for defining shape but an expressive force that conveys emotion and psychological tension.

    A Legacy Cut Short: Achievements & Significance

    Despite facing censorship and legal challenges—including a brief imprisonment for allegedly corrupting minors with his art—Schiele gained recognition within Vienna’s avant-garde circles. His work challenged the conventions of the time, provoking both admiration and outrage. By the time of his untimely death during the Spanish flu pandemic in 1918 at the age of twenty-eight, he had established himself as a leading figure in Austrian Expressionism. Significant works such as Self-Portrait with Physalis, Couple Embracing, and Field Landscape (Kreuzberg near Krumau) stand as testaments to his artistic genius. His influence on subsequent generations of artists is undeniable, particularly those interested in exploring psychological themes and challenging conventional artistic norms. Schiele’s bold approach to form and subject matter continues to resonate with audiences today, making him one of the most important and influential figures in early 20th-century art. His paintings are now held in major museum collections worldwide, including the Leopold Museum in Vienna and the Egon Schiele Art Centrum in Český Krumlov, ensuring his artistic legacy endures. He left behind a body of work that is not merely aesthetically compelling but profoundly human—a testament to the power of art to confront the complexities of existence with honesty, courage, and unwavering vision.

    Key Themes: Mortality, sexuality, isolation, psychological turmoil.

    Influences: Gustav Klimt, Viennese Secession, personal trauma.

    Style Characteristics: Elongated figures, contorted poses, expressive lines, raw emotion.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van self-portrait standing 1910

    wahooart.com/nl/art/download/egon-schiele-self-portrait-standing-1910-6WHKM4-en/

    Bronvermelding voor dit kunstwerk

    MLA
    Schiele, Egon. self-portrait standing 1910. n.d., https://wahooart.com/nl/art/egon-schiele-self-portrait-standing-1910-6WHKM4-en/
    APA
    Schiele, Egon (n.d.). self-portrait standing 1910 [Painting]. https://wahooart.com/nl/art/egon-schiele-self-portrait-standing-1910-6WHKM4-en/
    Chicago
    Egon Schiele. self-portrait standing 1910. n.d. https://wahooart.com/nl/art/egon-schiele-self-portrait-standing-1910-6WHKM4-en/
    Harvard
    Schiele, Egon (n.d.) self-portrait standing 1910. Available at: https://wahooart.com/nl/art/egon-schiele-self-portrait-standing-1910-6WHKM4-en/

    Kijk goed naar

    self-portrait standing 1910 — Egon Schiele

    Kijk goed naar

    Beantwoord in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. In onze catalogus is dit werk geclassificeerd onder: self-portrait, nakedness, mortality. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    4. Kijk nog eens naar De Zelf-Zeurders II (Dood en Man) (1911), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Waar is dat in dit werk te zien?

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    self-portrait standing 1910 — Egon Schiele

    Hoe goed kent u dit kunstwerk?

    Selecteer één antwoord voor elk van de 5 onderstaande vragen. Elk heeft precies één juist antwoord.

    1. 1. What is the primary subject of Egon Schiele’s ‘Self-Portrait Standing 1910’?

      • A A detailed landscape scene
      • B A nude self-portrait depicting a figure in a dynamic pose
      • C A portrait of a historical figure
    2. 2. The black and white photograph used to depict Schiele’s ‘Self-Portrait Standing 1910’ emphasizes which aspect of the painting?

      • A The vibrant colors and intricate details
      • B The stark contrast between light and shadow, highlighting form and emotion
      • C The smooth blending of textures
    3. 3. Considering Egon Schiele’s biography, what significantly influenced his artistic themes?

      • A His early exposure to classical sculpture and architecture
      • B The pervasive presence of illness, loss, and mortality in his family life
      • C A strict adherence to academic painting conventions
    4. 4. Based on the description, what is a notable characteristic of Schiele’s depiction of the figure in ‘Self-Portrait Standing 1910’?

      • A A serene and peaceful expression
      • B An unusual and somewhat unsettling facial expression
      • C A perfectly symmetrical pose
    5. 5. Egon Schiele's work is often associated with which artistic movement?

      • A Rococo
      • B Expressionism
      • C Impressionism

    Mijn score: ____ van de 5

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