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Poem

Naam Groep Datum

Egon Schiele, Poem (1910). Publiek domein Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

Kerngegevens

Kunstenaar
Egon Schiele wahooart.com/nl/artists/egon-schiele_nl/
Levensdata kunstenaar
1890 – 1918
Geschilderd
1910
Afmetingen origineel werk
29 x 19 cm
Beweging
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Artistic style
Raw and expressive
Influences
Gustav Klimt
Notable elements or techniques
Minimalist writing
Subject or theme
Untitled Text

In context

Poem — Egon Schiele

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 29 × 19 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1890
  2. 1900
  3. 1910

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 28 bij het overlijden.

Geschilderd toen de kunstenaar 20 jaar oud was. De kunstenaar werd 28 jaar oud. 41 van de 327 gedateerde werken van deze kunstenaar in onze catalogus zijn eerder gemaakt.

Shaded: het leven van Egon Schiele (1890–1918) ▲ dit werk, 1910 elk gedateerd schilderij, decennium voor decennium

Vergelijk met

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: wahooart.com/nl/art/similar/egon-schiele-poem-D5DB76-en/

Kleuren

Gemeten op basis van de afbeelding

    Hoofdkleur

    Putty #fde7c2

    Gecatalogiseerd palet

    • #FDE7C2
    • #FBFDF4
    • #303136
    • #EED3B3

    Deze kleuren binnen het volledige palet van de kunstenaar Zoek andere schilderijen op kleur

    Palet
    Pastels De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Putty
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Serene De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Strong Color Unity De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Brilliant Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Muted Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van Egon Schiele over de afgelopen twaalf maanden — in totaal 65 landen. Bron van deze cijfers

    De tien belangrijkste landen

    1. 1 China 44,4%78.800 visits
    2. 2 Verenigde Staten van Amerika 7,7%13.700 visits
    3. 3 Hongkong 6,5%11.500 visits
    4. 4 Singapore 5,5%9.700 visits
    5. 5 Rusland 3,8%6.700 visits
    6. 6 Italië 2,8%4.900 visits
    7. 7 Spanje 2,5%4.500 visits
    8. 8 Frankrijk 2,5%4.400 visits
    9. 9 Duitsland 2,3%4.100 visits
    10. 10 Litouwen 2,3%4.100 visits
    11. · 55 overige landen 19,7%35.100 visits

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 20 meest bekeken werken van Egon Schiele

    1. 1 De Zelf-Zeurders II (Dood en Man), 1911 5,9%14.900 visits
    2. 2 De Familie, 1917 3,8%9.600 visits
    3. 3 Moeder met twee kinderen, 1917 3,1%7.800 visits
    4. 4 Portret van Wally, 1912 2,5%6.200 visits
    5. 5 Huis aan de Rivier (ook bekend als Oude Hoeve I), 1915 1,7%4.400 visits
    6. 6 Dood en het meisje, 1915 1,5%3.900 visits
    7. 7 Black-Haired Girl with Lifted Skirt, 1911 1,3%3.400 visits
    8. 8 Vier Bomen, 1917 1,3%3.300 visits
    9. 9 Gerti Schiele 1,3%3.300 visits
    10. 10 Moa, 1911 1,2%3.000 visits
    11. 11 Self-Portrait in Yellow Vest, 1914, 1914 1,2%3.000 visits
    12. 12 Lovemaking, 1915 1,1%2.900 visits
    13. 13 Two Women Embracing, 1915 1,1%2.800 visits
    14. 14 Zelfportret als Sint Sebastiaan (poster), 1914 1,1%2.700 visits
    15. 15 Autumn Trees, 1911 1,0%2.600 visits
    16. 16 Sunflower, 1909 1,0%2.400 visits
    17. 17 Self Portrait, 1912 0,9%2.200 visits
    18. 18 Crouching Woman with Green Headscarf, 1914 0,9%2.200 visits
    19. 19 Kneeling Female in Orange-Red Dress, 1910 0,9%2.200 visits
    20. — Poem, 1910 dit schilderij 0,0%0 visits

    Samen maken deze werken 32,8% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 635 werken van deze kunstenaar, waarvan 447 minstens één keer zijn bekeken. Dit schilderij heeft in die periode nog geen weergaven — het sluit de lijst af zonder rangorde. Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Over dit kunstwerk

    Poem — Egon Schiele

    A Fragment of Intensity: Examining Egon Schiele’s ‘Poem’

    Egon Schiele’s “Poem,” completed in 1910, stands as a deceptively simple yet profoundly resonant testament to the artist's signature style and his preoccupation with themes of vulnerability and unspoken emotion. This unassuming watercolor—measuring 29 x 19 cm—captures a moment frozen in time: a sheet of paper bearing handwritten words, rendered in muted tones that amplify rather than diminish their impact.

    The photograph itself presents a deliberate ambiguity. The blurry texture of the paper suggests age and preservation, hinting at a history unseen but felt nonetheless. It’s not merely an image of text; it's an emblem of communication—or perhaps its absence—a subtle invitation to contemplate what lies beneath the surface.

    The Expressionist Palette: Technique and Style

    Watercolor Medium: Schiele favored watercolor for its ability to achieve delicate gradations of color and luminosity, qualities perfectly suited to conveying psychological states. Unlike oil paints which offer bolder hues and textural richness, watercolor allows for a softer, more ethereal quality that mirrors the artist’s introspective gaze.

    Linear Emphasis: Characteristic of Schiele's oeuvre is his masterful use of line—thick, agitated strokes that delineate forms with unsettling precision. These lines aren’t merely descriptive; they embody movement and tension, mirroring the inner turmoil he sought to express.

    Monochromatic Undertones: Despite its apparent simplicity, “Poem” employs a carefully considered monochromatic palette dominated by shades of grey and brown. This deliberate restraint serves to heighten the emotional intensity of the piece, focusing attention on the contours of the paper and the subtle nuances of light and shadow.

    Historical Context: Vienna’s Artistic Crucible

    Schiele's work emerged during Vienna’s vibrant artistic milieu—a period marked by experimentation and a fervent embrace of Expressionism. Influenced heavily by Gustav Klimt, Schiele wrestled with anxieties surrounding sexuality, mortality, and the human condition. The painting reflects this broader cultural preoccupation with confronting uncomfortable truths about existence.

    Vienna at the turn of the century was undergoing rapid social change—industrialization, urbanization, and burgeoning intellectual currents challenged traditional values. Artists like Schiele responded to these shifts by rejecting academic conventions in favor of emotionally charged imagery that prioritized subjective experience over objective representation. “Poem” embodies this spirit of rebellion against established norms.

    Symbolism Beyond the Surface: The Weight of Words

    The handwritten words on the paper are deliberately obscured, adding another layer of complexity to the artwork’s symbolic significance. They represent unspoken thoughts—perhaps desires, fears, or confessions—that remain hidden from view. This deliberate concealment underscores Schiele's fascination with psychological depth and his ability to convey emotion through visual suggestion.

    The paper itself serves as a metaphor for fragility—a vulnerable surface bearing the marks of time and experience. Like Schiele’s own life, “Poem” confronts us with the inevitability of decay and loss, prompting contemplation on the ephemeral nature of beauty and consciousness. It's a piece that lingers in the mind long after viewing, inviting repeated observation and rewarding careful consideration.

    Kunstenaar en museum

    Kunstenaar

    Egon Schiele

    Geboren in Wenen, Oostenrijk

    A Life Forged in Expression

    Egon Schiele’s life, a turbulent and intensely personal journey, unfolded from 1890 to 1918 within the vibrant yet often unsettling landscape of Vienna. Born in Tulln an der Donau, Austria, his early years were shadowed by profound loss – the death of his father due to syphilis at just fourteen, followed tragically by the demise of his sister Elvira. Raised initially by his mother and later under the watchful eye of his uncle Leopold Czihaczek, Schiele’s childhood lacked the stability common to many, fostering within him a remarkable independence and an acute sensitivity. From a young age, he displayed a deep fascination with trains – a motif that would subtly reappear throughout his work, symbolizing both movement and perhaps, the relentless passage of time. Though initially discouraged by his father for pursuing drawing as a distraction from more “practical” endeavors, Schiele’s innate talent blossomed, laying the foundation for his future artistic expression. These formative experiences—illness, loss, and an unconventional upbringing—instilled within him a profound awareness of mortality and the fragility of human existence, themes that would become central to his art.

    The Crucible of Vienna: Artistic Development

    Schiele’s formal artistic training began at the Kunstgewerbeschule in Vienna, but he quickly found himself stifled by its conservative approach. Seeking a more expressive outlet, he transferred to the Akademie der bildenden Künste, only to discover that even this institution's academic traditions felt restrictive. Dissatisfied with the rigid constraints of traditional art education, Schiele deliberately chose to forge his own path, rejecting formal training altogether – a bold decision reflecting his unwavering artistic conviction. Crucially, he found inspiration in the work of Gustav Klimt, deeply admiring Klimt’s decorative style and exploration of symbolism. Klimt's influence was significant, yet Schiele ultimately diverged from his mentor’s aesthetic, developing a distinctly individual voice characterized by stark honesty and psychological intensity. He became a founding member of the Neues Wiener Kunstgruppe (New Viennese Art Group) in 1909, alongside other progressive artists who challenged the prevailing artistic norms of the time. His early works—often unsettling portraits and self-portraits—began to emerge as powerful statements of emotional turmoil, featuring distorted figures and a palpable sense of vulnerability. These paintings weren’t merely representations of physical form; they were explorations of the inner landscape – the anxieties, desires, and fears that haunted the human psyche. He sought to depict not what he saw, but what he felt.

    Raw Emotion and Unflinching Truth

    Egon Schiele's art is immediately recognizable for its raw honesty and psychological depth. He fearlessly confronted themes often considered taboo – sexuality, death, anxiety, isolation – with an unflinching gaze. His distinctive style features elongated figures, contorted poses, and expressive lines that convey a sense of unease and emotional intensity. The human form, particularly the nude, became his primary subject, not as an object of idealized beauty but as a vessel for exploring the complexities of human experience. Self-portraits constitute a significant portion of his oeuvre, offering intimate glimpses into his inner world—a world often marked by loneliness and self-doubt. He didn’t shy away from depicting himself in unflattering or vulnerable poses, revealing a profound level of self-awareness and introspection. Beyond self-portraiture, Schiele created numerous portraits of others, capturing their likenesses with an unsettling realism that seemed to penetrate beneath the surface. Recurring motifs like the Physalis plant – symbolizing death and transience with its delicate, papery husk – further underscore this preoccupation with mortality. His use of line is particularly striking; it’s not merely a tool for defining shape but an expressive force that conveys emotion and psychological tension.

    A Legacy Cut Short: Achievements & Significance

    Despite facing censorship and legal challenges—including a brief imprisonment for allegedly corrupting minors with his art—Schiele gained recognition within Vienna’s avant-garde circles. His work challenged the conventions of the time, provoking both admiration and outrage. By the time of his untimely death during the Spanish flu pandemic in 1918 at the age of twenty-eight, he had established himself as a leading figure in Austrian Expressionism. Significant works such as Self-Portrait with Physalis, Couple Embracing, and Field Landscape (Kreuzberg near Krumau) stand as testaments to his artistic genius. His influence on subsequent generations of artists is undeniable, particularly those interested in exploring psychological themes and challenging conventional artistic norms. Schiele’s bold approach to form and subject matter continues to resonate with audiences today, making him one of the most important and influential figures in early 20th-century art. His paintings are now held in major museum collections worldwide, including the Leopold Museum in Vienna and the Egon Schiele Art Centrum in Český Krumlov, ensuring his artistic legacy endures. He left behind a body of work that is not merely aesthetically compelling but profoundly human—a testament to the power of art to confront the complexities of existence with honesty, courage, and unwavering vision.

    Key Themes: Mortality, sexuality, isolation, psychological turmoil.

    Influences: Gustav Klimt, Viennese Secession, personal trauma.

    Style Characteristics: Elongated figures, contorted poses, expressive lines, raw emotion.

    Waar u meer kunt lezen

    Online te vinden

    QR-code die linkt naar de downloadpagina van Poem

    wahooart.com/nl/art/download/egon-schiele-poem-D5DB76-en/

    Citeer dit kunstwerk

    MLA
    Schiele, Egon. Poem . 1910, https://wahooart.com/nl/art/egon-schiele-poem-D5DB76-en/
    APA
    Schiele, Egon (1910). Poem [Painting]. https://wahooart.com/nl/art/egon-schiele-poem-D5DB76-en/
    Chicago
    Egon Schiele. Poem . 1910. https://wahooart.com/nl/art/egon-schiele-poem-D5DB76-en/
    Harvard
    Schiele, Egon (1910) Poem . Available at: https://wahooart.com/nl/art/egon-schiele-poem-D5DB76-en/

    Bekijk het van dichtbij

    Poem — Egon Schiele

    Kijk eens goed naar de details

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. In onze catalogus is dit werk geclassificeerd onder: vienna, portraiture, death. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    4. Kijk nog eens naar De Zelf-Zeurders II (Dood en Man) (1911), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Waar is dat in dit werk te zien?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Kunstquiz

    Poem — Egon Schiele

    Hoe goed kent u dit kunstwerk?

    Selecteer één antwoord voor elk van de 5 onderstaande vragen. Elk heeft precies één juist antwoord.

    1. 1. What artistic movement is Egon Schiele primarily associated with?

      • A Cubism
      • B Impressionism
      • C Expressionism
    2. 2. The photograph depicts a piece of paper covered in writing. What is notable about the handwriting?

      • A It's legible and easily readable.
      • B It’s written in vibrant colors.
      • C It’s small and blurred, making it difficult to discern.
    3. 3. According to biographical information, Schiele experienced significant hardship early in his life due to the illness of his father. How did this experience influence his artistic style?

      • A It led him to focus exclusively on landscapes.
      • B It fueled an obsession with idealized beauty.
      • C It contributed to a preoccupation with mortality and fragility.
    4. 4. Death and the Maiden is a painting by Schiele that utilizes a Renaissance motif. What does this motif represent?

      • A A celebration of life’s joys.
      • B A depiction of religious piety.
      • C The juxtaposition of death and erotic desire.
    5. 5. What is Schiele known for in terms of his artistic technique?

      • A Detailed realism
      • B Loose brushstrokes and expressive lines
      • C Geometric abstraction

    Mijn score: ____ van de 5

    Antwoordsleutel — voor de docent

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    1C · 2C · 3C · 4C · 5B

    Controleer elk antwoord met de catalogusgegevens van dit schilderij

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    "Poem" door Egon Schiele heeft een Muted verzadiging.

    Welk kleurenpalet wordt gebruikt in "Poem"?

    De kleuren van "Poem" vormen een Pastels palet. Deze classificatie beschrijft de dominante kleurfamilies.