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Lilly Steiner

Naam Groep Datum

Egon Schiele, Lilly Steiner. Publiek domein Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

Kerngegevens

Kunstenaar
Egon Schiele wahooart.com/nl/artists/egon-schiele_nl/
Levensdata kunstenaar
1890 – 1918
Beweging
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Artistic style
Austrian Expressionist
Influences
Gustav Klimt
Notable elements or techniques
Gestural linework, psychological intensity
Subject or theme
Portraiture

In context

Lilly Steiner — Egon Schiele

Wanneer zou dit geschilderd kunnen zijn?

  1. 1890
  2. 1900
  3. 1910

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 28 bij het overlijden.

Shaded: het leven van Egon Schiele (1890–1918) elk gedateerd schilderij, decennium voor decennium

Voor deze opname is geen exacte datum bekend — uitgaande van de levensloop van de artiest en de stijl van het werk, in welk decennium zou u dit plaatsen?

Vergelijk met

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: wahooart.com/nl/art/similar/egon-schiele-lilly-steiner-8EWFQ5-en/

Kleuren

Gemeten op basis van de afbeelding

    Hoofdkleur

    White #eeebe8

    Gecatalogiseerd palet

    • #EEEBE8
    • #4A4948
    • #D3CECA
    • #999795

    Deze kleuren binnen het volledige palet van de kunstenaar Zoek andere schilderijen op kleur

    Palet
    Pastels De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    White
    Intensiteit
    Monochromatic De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Serene De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Strong Color Unity De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Brilliant Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Muted Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van Egon Schiele over de afgelopen twaalf maanden — in totaal 67 landen. Bron van deze cijfers

    De tien belangrijkste landen

    1. 1 China 41,6%79.100 bezoeken
    2. 2 Verenigde Staten van Amerika 7,3%13.900 bezoeken
    3. 3 Hongkong 6,2%11.700 bezoeken
    4. 4 Singapore 5,1%9.700 bezoeken
    5. 5 Italië 4,3%8.200 bezoeken
    6. 6 Rusland 3,6%6.800 bezoeken
    7. 7 Spanje 3,3%6.200 bezoeken
    8. 8 Frankrijk 2,7%5.200 bezoeken
    9. 9 Duitsland 2,3%4.400 bezoeken
    10. 10 Litouwen 2,2%4.100 bezoeken
    11. · 57 overige landen 21,4%40.900 bezoeken

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 20 meest bekeken werken van Egon Schiele

    1. 1 De Zelf-Zeurders II (Dood en Man), 1911 5,9%15.700 weergaven
    2. 2 De Familie, 1917 4,1%10.800 weergaven
    3. 3 Moeder met twee kinderen, 1917 3,3%8.700 weergaven
    4. 4 Portret van Wally, 1912 2,5%6.500 weergaven
    5. 5 Huis aan de Rivier (ook bekend als Oude Hoeve I), 1915 1,8%4.800 weergaven
    6. 6 Vier Bomen, 1917 1,6%4.200 weergaven
    7. 7 Dood en het meisje, 1915 1,5%4.000 weergaven
    8. 8 Black-Haired Girl with Lifted Skirt, 1911 1,5%4.000 weergaven
    9. 9 Gerti Schiele 1,3%3.500 weergaven
    10. 10 Moa, 1911 1,2%3.100 weergaven
    11. 11 Lovemaking, 1915 1,1%3.000 weergaven
    12. 12 Self-Portrait in Yellow Vest, 1914, 1914 1,1%3.000 weergaven
    13. 13 Autumn Trees, 1911 1,1%2.900 weergaven
    14. 14 Two Women Embracing, 1915 1,1%2.900 weergaven
    15. 15 Zelfportret als Sint Sebastiaan (poster), 1914 1,1%2.800 weergaven
    16. 16 Crouching Woman with Green Headscarf, 1914 0,9%2.500 weergaven
    17. 17 Sunflower, 1909 0,9%2.400 weergaven
    18. 18 Self Portrait, 1912 0,8%2.200 weergaven
    19. 19 Schiele's Room in Neulengbach, 1911 0,8%2.200 weergaven
    20. — Lilly Steiner dit schilderij 0,0%0 weergaven

    Samen maken deze werken 33,6% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 635 werken van deze kunstenaar, waarvan 448 minstens één keer zijn bekeken. Dit schilderij heeft in die periode nog geen weergaven — het sluit de lijst af zonder rangorde. Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Over dit kunstwerk

    Lilly Steiner — Egon Schiele

    Lilly Steiner: A Study in Expressionist Vulnerability

    Egon Schiele’s “Lilly Steiner,” completed in 1918, stands as a haunting testament to the artist's signature style—a masterful blend of psychological intensity and gestural linework that captures the essence of Expressionism. This black crayon sketch depicts two figures: a portrait of Lilly Steiner herself and a smaller figure nestled beneath her gaze, creating an intimate tableau imbued with palpable emotion.

    The composition prioritizes verticality, positioning Steiner’s head and shoulders slightly off-center—a deliberate asymmetry that contributes to the artwork's dynamism. Below her, a diminutive form occupies the lower portion of the image, subtly overlapping Steiner’s torso, fostering an unspoken connection between the two subjects. Schiele eschews traditional perspective, flattening the scene and simplifying spatial relationships, reflecting a stylistic choice rooted in conveying inner turmoil rather than realistic representation.

    Dominating the artwork is the pervasive use of black ink on white paper—a stark contrast that amplifies the linework’s expressive quality. Lines aren't smooth or uniform; instead, they surge with jagged edges and intersecting contours, mirroring Schiele’s preoccupation with capturing raw emotion. Particularly striking are the intricate lines delineating Steiner’s hair, which writhe and twist in a manner characteristic of Schiele’s technique—a deliberate distortion intended to convey psychological depth.

    Organic shapes prevail, mirroring the natural curves of human anatomy. There's no geometric rigidity; instead, forms flow seamlessly across the surface, reflecting Schiele’s belief that art should communicate feeling directly. Texture is suggested through varying densities of linework—darker areas appear richer and more textured than lighter passages—underscoring Schiele’s commitment to tactile representation.

    The artwork evokes a profound sense of introspection and vulnerability. Steiner's gaze directs upward, conveying melancholy and contemplation—a visual embodiment of Schiele’s exploration of human emotion. The smaller figure beneath her embodies repose or perhaps resignation, furthering the painting’s contemplative mood. “Lilly Steiner” isn’t merely a depiction of two individuals; it’s an invitation to contemplate themes of mortality, intimacy, and psychological complexity—themes that resonate powerfully within Schiele's broader oeuvre.

    Schiele’s work aligns perfectly with Expressionism, prioritizing subjective experience over objective observation. He achieved this remarkable feat through a technique characterized by spontaneous linework and unwavering focus on conveying inner feelings. The meticulous rendering of Steiner’s hair—a deliberate distortion—serves as a microcosm of Schiele's broader artistic vision.

    This artwork exemplifies the Expressionist movement's commitment to portraying emotion with uncompromising honesty. Its enduring appeal lies in its ability to capture the essence of human vulnerability and psychological depth—qualities that continue to fascinate art historians and collectors alike.

    Kunstenaar en museum

    Kunstenaar

    Egon Schiele

    Geboren in Wenen, Oostenrijk

    A Life Forged in Expression

    Egon Schiele’s life, a turbulent and intensely personal journey, unfolded from 1890 to 1918 within the vibrant yet often unsettling landscape of Vienna. Born in Tulln an der Donau, Austria, his early years were shadowed by profound loss – the death of his father due to syphilis at just fourteen, followed tragically by the demise of his sister Elvira. Raised initially by his mother and later under the watchful eye of his uncle Leopold Czihaczek, Schiele’s childhood lacked the stability common to many, fostering within him a remarkable independence and an acute sensitivity. From a young age, he displayed a deep fascination with trains – a motif that would subtly reappear throughout his work, symbolizing both movement and perhaps, the relentless passage of time. Though initially discouraged by his father for pursuing drawing as a distraction from more “practical” endeavors, Schiele’s innate talent blossomed, laying the foundation for his future artistic expression. These formative experiences—illness, loss, and an unconventional upbringing—instilled within him a profound awareness of mortality and the fragility of human existence, themes that would become central to his art.

    The Crucible of Vienna: Artistic Development

    Schiele’s formal artistic training began at the Kunstgewerbeschule in Vienna, but he quickly found himself stifled by its conservative approach. Seeking a more expressive outlet, he transferred to the Akademie der bildenden Künste, only to discover that even this institution's academic traditions felt restrictive. Dissatisfied with the rigid constraints of traditional art education, Schiele deliberately chose to forge his own path, rejecting formal training altogether – a bold decision reflecting his unwavering artistic conviction. Crucially, he found inspiration in the work of Gustav Klimt, deeply admiring Klimt’s decorative style and exploration of symbolism. Klimt's influence was significant, yet Schiele ultimately diverged from his mentor’s aesthetic, developing a distinctly individual voice characterized by stark honesty and psychological intensity. He became a founding member of the Neues Wiener Kunstgruppe (New Viennese Art Group) in 1909, alongside other progressive artists who challenged the prevailing artistic norms of the time. His early works—often unsettling portraits and self-portraits—began to emerge as powerful statements of emotional turmoil, featuring distorted figures and a palpable sense of vulnerability. These paintings weren’t merely representations of physical form; they were explorations of the inner landscape – the anxieties, desires, and fears that haunted the human psyche. He sought to depict not what he saw, but what he felt.

    Raw Emotion and Unflinching Truth

    Egon Schiele's art is immediately recognizable for its raw honesty and psychological depth. He fearlessly confronted themes often considered taboo – sexuality, death, anxiety, isolation – with an unflinching gaze. His distinctive style features elongated figures, contorted poses, and expressive lines that convey a sense of unease and emotional intensity. The human form, particularly the nude, became his primary subject, not as an object of idealized beauty but as a vessel for exploring the complexities of human experience. Self-portraits constitute a significant portion of his oeuvre, offering intimate glimpses into his inner world—a world often marked by loneliness and self-doubt. He didn’t shy away from depicting himself in unflattering or vulnerable poses, revealing a profound level of self-awareness and introspection. Beyond self-portraiture, Schiele created numerous portraits of others, capturing their likenesses with an unsettling realism that seemed to penetrate beneath the surface. Recurring motifs like the Physalis plant – symbolizing death and transience with its delicate, papery husk – further underscore this preoccupation with mortality. His use of line is particularly striking; it’s not merely a tool for defining shape but an expressive force that conveys emotion and psychological tension.

    A Legacy Cut Short: Achievements & Significance

    Despite facing censorship and legal challenges—including a brief imprisonment for allegedly corrupting minors with his art—Schiele gained recognition within Vienna’s avant-garde circles. His work challenged the conventions of the time, provoking both admiration and outrage. By the time of his untimely death during the Spanish flu pandemic in 1918 at the age of twenty-eight, he had established himself as a leading figure in Austrian Expressionism. Significant works such as Self-Portrait with Physalis, Couple Embracing, and Field Landscape (Kreuzberg near Krumau) stand as testaments to his artistic genius. His influence on subsequent generations of artists is undeniable, particularly those interested in exploring psychological themes and challenging conventional artistic norms. Schiele’s bold approach to form and subject matter continues to resonate with audiences today, making him one of the most important and influential figures in early 20th-century art. His paintings are now held in major museum collections worldwide, including the Leopold Museum in Vienna and the Egon Schiele Art Centrum in Český Krumlov, ensuring his artistic legacy endures. He left behind a body of work that is not merely aesthetically compelling but profoundly human—a testament to the power of art to confront the complexities of existence with honesty, courage, and unwavering vision.

    Key Themes: Mortality, sexuality, isolation, psychological turmoil.

    Influences: Gustav Klimt, Viennese Secession, personal trauma.

    Style Characteristics: Elongated figures, contorted poses, expressive lines, raw emotion.

    Waar u meer kunt lezen

    Online te vinden

    QR-code die linkt naar de downloadpagina van Lilly Steiner

    wahooart.com/nl/art/download/egon-schiele-lilly-steiner-8EWFQ5-en/

    Citeer dit kunstwerk

    MLA
    Schiele, Egon. Lilly Steiner. n.d., https://wahooart.com/nl/art/egon-schiele-lilly-steiner-8EWFQ5-en/
    APA
    Schiele, Egon (n.d.). Lilly Steiner [Painting]. https://wahooart.com/nl/art/egon-schiele-lilly-steiner-8EWFQ5-en/
    Chicago
    Egon Schiele. Lilly Steiner. n.d. https://wahooart.com/nl/art/egon-schiele-lilly-steiner-8EWFQ5-en/
    Harvard
    Schiele, Egon (n.d.) Lilly Steiner. Available at: https://wahooart.com/nl/art/egon-schiele-lilly-steiner-8EWFQ5-en/

    Bekijk het van dichtbij

    Lilly Steiner — Egon Schiele

    Kijk eens goed naar de details

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Hoeveel gezichten kun je vinden? ____ (onze catalogus telt 2 — ben je het ermee eens?)
    4. In onze catalogus is dit werk geclassificeerd onder: portraiture, expressionism, gestural line. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    5. Kijk nog eens naar De Zelf-Zeurders II (Dood en Man) (1911), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Kunstquiz

    Lilly Steiner — Egon Schiele

    Hoe goed kent u dit kunstwerk?

    Selecteer één antwoord voor elk van de 5 onderstaande vragen. Elk heeft precies één juist antwoord.

    1. 1. What artistic movement is Egon Schiele’s ‘Lilly Steiner’ primarily associated with?

      • A Cubism
      • B Impressionism
      • C Expressionism
    2. 2. The predominant element in the artwork's composition is:

      • A Geometric shapes
      • B Fluid lines
      • C Detailed shading
    3. 3. What technique did Schiele employ to create texture and depth?

      • A Oil paint layering
      • B Watercolor washes
      • C Dense linework
    4. 4. The painting’s color palette utilizes:

      • A A vibrant range of hues
      • B Warm earthy tones
      • C Monochromatic black ink
    5. 5. What is the overall mood conveyed by ‘Lilly Steiner’?

      • A Joyful celebration
      • B Quiet contemplation
      • C Aggressive defiance

    Mijn score: ____ van de 5

    Antwoordsleutel — voor de docent

    Dit wordt op een nieuwe pagina afgedrukt, waardoor het eenvoudig uit de kopieën weggelaten kan worden.

    1C · 2B · 3C · 4C · 5B

    Controleer elk antwoord met de catalogusgegevens van dit schilderij

    Veelgestelde vragen

    Wat is de dominante kleur van "Lilly Steiner" door Egon Schiele?

    Een Ochre to Sepia tint loopt door "Lilly Steiner" door Egon Schiele.

    Hoe bekend is "Lilly Steiner" van Egon Schiele?

    "Lilly Steiner" door Egon Schiele heeft een populariteitsniveau van Recognized. Deze classificatie weerspiegelt hoe breed het werk wordt erkend.

    Is "Lilly Steiner" door Egon Schiele een licht of een donker kunstwerk?

    Over het algemeen wordt "Lilly Steiner" geregistreerd als brilliant. De waargenomen helderheid beschrijft hoe licht of donker het werk oogt.