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Levitation

Naam Groep Datum

Egon Schiele, Levitation (1915). Publiek domein Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

Kerngegevens

Kunstenaar
Egon Schiele wahooart.com/nl/artists/egon-schiele_nl/
Levensdata kunstenaar
1890 – 1918
Geschilderd
1915
Medium
Oil On Canvas
Artistic style
Symbolic painting
Notable elements or techniques
Stylized landscape; Vibrant colors; Dynamic brushstrokes
Subject or theme
Mortality; Existence; Fragility

In context

Levitation — Egon Schiele

Wanneer is dit geschilderd?

  1. 1890
  2. 1900
  3. 1910

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 28 bij het overlijden.

Geschilderd toen de kunstenaar 25 jaar oud was. De kunstenaar werd 28 jaar oud. 246 van de 327 gedateerde werken van deze kunstenaar in onze catalogus zijn eerder gemaakt.

Shaded: het leven van Egon Schiele (1890–1918) ▲ dit werk, 1915 elk gedateerd schilderij, decennium voor decennium

Vergelijk met

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: wahooart.com/nl/art/similar/egon-schiele-levitation-6WHKHA-en/

Kleuren

Gemeten op basis van de afbeelding

    Hoofdkleur

    Walnut #70381b

    Gecatalogiseerd palet

    • #70381B
    • #D6B27F
    • #A35A26
    • #B98750

    Deze kleuren binnen het volledige palet van de kunstenaar Zoek andere schilderijen op kleur

    Palet
    Dark De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Walnut
    Intensiteit
    Vivid De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Gentle De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Unified Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Bright Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Clear Color Presence Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van Egon Schiele over de afgelopen twaalf maanden — in totaal 61 landen. Bron van deze cijfers

    De tien belangrijkste landen

    1. 1 China 45,1%
    2. 2 Verenigde Staten van Amerika 7,8%
    3. 3 Hongkong 6,6%
    4. 4 Singapore 5,5%
    5. 5 Rusland 3,8%
    6. 6 Italië 2,7%
    7. 7 Spanje 2,6%
    8. 8 Litouwen 2,3%
    9. 9 Duitsland 2,3%
    10. 10 Frankrijk 2,3%
    11. · 51 overige landen 19,0%

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 20 meest bekeken werken van Egon Schiele

    1. 1 De Zelf-Zeurders II (Dood en Man), 1911 5,6%
    2. 2 De Familie, 1917 3,6%
    3. 3 Moeder met twee kinderen, 1917 2,9%
    4. 4 Portret van Wally, 1912 2,4%
    5. 5 Huis aan de Rivier (ook bekend als Oude Hoeve I), 1915 1,7%
    6. 6 Gerti Schiele 1,4%
    7. 7 Dood en het meisje, 1915 1,3%
    8. 8 Black-Haired Girl with Lifted Skirt, 1911 1,3%
    9. 9 Moa, 1911 1,1%
    10. 10 Zelfportret als Sint Sebastiaan (poster), 1914 1,1%
    11. 11 Autumn Trees, 1911 1,1%
    12. 12 Two Women Embracing, 1915 1,1%
    13. 13 Lovemaking, 1915 1,1%
    14. 14 Self-Portrait in Yellow Vest, 1914, 1914 1,1%
    15. 15 Sunflower, 1909 1,0%
    16. 16 Vier Bomen, 1917 1,0%
    17. 17 Crouching Woman with Green Headscarf, 1914 1,0%
    18. 18 Self Portrait, 1912 0,9%
    19. 19 Schiele's Room in Neulengbach, 1911 0,9%
    20. 110 Levitation, 1915 dit schilderij 0,2%

    Samen maken deze werken 31,8% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 635 werken van deze kunstenaar, waarvan 441 minstens één keer zijn bekeken. Dit schilderij staat op de 110 plaats, met 0,2% van die aandacht. Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Over dit kunstwerk

    Levitation — Egon Schiele

    Levitation: A Descent Into Surreal Emotion

    Egon Schiele’s ‘Levitation,’ painted in 1915 during the height of Expressionism, isn't merely a depiction of two figures; it’s an invitation into a realm where rationality yields to primal emotion and where the boundaries between reality and dream blur. This oil on canvas masterpiece transcends simple observation, presenting instead a profound meditation on mortality, spirituality, and the unsettling beauty of human vulnerability.

    Composition & Technique: Schiele employs bold lines and vibrant colors—primarily earthy hues punctuated by flashes of red—to create an atmosphere charged with movement. The flattened perspective emphasizes the figures’ isolation against a stylized landscape dominated by flowers and birds, mirroring Schiele's signature style which prioritizes emotional intensity over realistic representation.

    Symbolism & Narrative: The central action – one man lifting another – embodies the concept of levitation as a metaphor for spiritual ascension. However, Schiele subtly undermines this optimistic interpretation with details like the clock on the wall—a symbol of time’s relentless march and the inevitability of decay—and the gaze of the figures themselves, conveying profound sadness and apprehension.

    Historical Context: Expressionism emerged as a reaction to the perceived sterility of academic art, fueled by anxieties surrounding World War I. Schiele's work reflects this turbulent period, grappling with themes of trauma and existential dread—a characteristic preoccupation within the movement that sought to express inner turmoil through distorted forms and emotionally resonant color palettes.

    The Leopold Museum’s Preservation Effort: ‘Levitation’ resides in The Leopold Museum’s collection in Vienna, Austria, where dedicated conservation efforts ensure its continued visibility and accessibility for future generations. This institution recognizes the importance of safeguarding artistic heritage and fostering appreciation for Schiele's groundbreaking contribution to modern art.

    This haunting image continues to resonate with viewers today because it captures something fundamental about the human condition: our yearning for transcendence alongside our awareness of suffering. Its unsettling beauty lies in its refusal to offer easy answers, prompting contemplation on themes of life and death—a testament to Schiele’s enduring artistic legacy.

    Explore a stunning reproduction of ‘Levitation’ at wahooart.com and discover the captivating power of Expressionist art!

    Kunstenaar en museum

    Kunstenaar

    Egon Schiele

    Geboren in Wenen, Oostenrijk

    A Life Forged in Expression

    Egon Schiele’s life, a turbulent and intensely personal journey, unfolded from 1890 to 1918 within the vibrant yet often unsettling landscape of Vienna. Born in Tulln an der Donau, Austria, his early years were shadowed by profound loss – the death of his father due to syphilis at just fourteen, followed tragically by the demise of his sister Elvira. Raised initially by his mother and later under the watchful eye of his uncle Leopold Czihaczek, Schiele’s childhood lacked the stability common to many, fostering within him a remarkable independence and an acute sensitivity. From a young age, he displayed a deep fascination with trains – a motif that would subtly reappear throughout his work, symbolizing both movement and perhaps, the relentless passage of time. Though initially discouraged by his father for pursuing drawing as a distraction from more “practical” endeavors, Schiele’s innate talent blossomed, laying the foundation for his future artistic expression. These formative experiences—illness, loss, and an unconventional upbringing—instilled within him a profound awareness of mortality and the fragility of human existence, themes that would become central to his art.

    The Crucible of Vienna: Artistic Development

    Schiele’s formal artistic training began at the Kunstgewerbeschule in Vienna, but he quickly found himself stifled by its conservative approach. Seeking a more expressive outlet, he transferred to the Akademie der bildenden Künste, only to discover that even this institution's academic traditions felt restrictive. Dissatisfied with the rigid constraints of traditional art education, Schiele deliberately chose to forge his own path, rejecting formal training altogether – a bold decision reflecting his unwavering artistic conviction. Crucially, he found inspiration in the work of Gustav Klimt, deeply admiring Klimt’s decorative style and exploration of symbolism. Klimt's influence was significant, yet Schiele ultimately diverged from his mentor’s aesthetic, developing a distinctly individual voice characterized by stark honesty and psychological intensity. He became a founding member of the Neues Wiener Kunstgruppe (New Viennese Art Group) in 1909, alongside other progressive artists who challenged the prevailing artistic norms of the time. His early works—often unsettling portraits and self-portraits—began to emerge as powerful statements of emotional turmoil, featuring distorted figures and a palpable sense of vulnerability. These paintings weren’t merely representations of physical form; they were explorations of the inner landscape – the anxieties, desires, and fears that haunted the human psyche. He sought to depict not what he saw, but what he felt.

    Raw Emotion and Unflinching Truth

    Egon Schiele's art is immediately recognizable for its raw honesty and psychological depth. He fearlessly confronted themes often considered taboo – sexuality, death, anxiety, isolation – with an unflinching gaze. His distinctive style features elongated figures, contorted poses, and expressive lines that convey a sense of unease and emotional intensity. The human form, particularly the nude, became his primary subject, not as an object of idealized beauty but as a vessel for exploring the complexities of human experience. Self-portraits constitute a significant portion of his oeuvre, offering intimate glimpses into his inner world—a world often marked by loneliness and self-doubt. He didn’t shy away from depicting himself in unflattering or vulnerable poses, revealing a profound level of self-awareness and introspection. Beyond self-portraiture, Schiele created numerous portraits of others, capturing their likenesses with an unsettling realism that seemed to penetrate beneath the surface. Recurring motifs like the Physalis plant – symbolizing death and transience with its delicate, papery husk – further underscore this preoccupation with mortality. His use of line is particularly striking; it’s not merely a tool for defining shape but an expressive force that conveys emotion and psychological tension.

    A Legacy Cut Short: Achievements & Significance

    Despite facing censorship and legal challenges—including a brief imprisonment for allegedly corrupting minors with his art—Schiele gained recognition within Vienna’s avant-garde circles. His work challenged the conventions of the time, provoking both admiration and outrage. By the time of his untimely death during the Spanish flu pandemic in 1918 at the age of twenty-eight, he had established himself as a leading figure in Austrian Expressionism. Significant works such as Self-Portrait with Physalis, Couple Embracing, and Field Landscape (Kreuzberg near Krumau) stand as testaments to his artistic genius. His influence on subsequent generations of artists is undeniable, particularly those interested in exploring psychological themes and challenging conventional artistic norms. Schiele’s bold approach to form and subject matter continues to resonate with audiences today, making him one of the most important and influential figures in early 20th-century art. His paintings are now held in major museum collections worldwide, including the Leopold Museum in Vienna and the Egon Schiele Art Centrum in Český Krumlov, ensuring his artistic legacy endures. He left behind a body of work that is not merely aesthetically compelling but profoundly human—a testament to the power of art to confront the complexities of existence with honesty, courage, and unwavering vision.

    Key Themes: Mortality, sexuality, isolation, psychological turmoil.

    Influences: Gustav Klimt, Viennese Secession, personal trauma.

    Style Characteristics: Elongated figures, contorted poses, expressive lines, raw emotion.

    Waar u meer kunt lezen

    Online te vinden

    QR-code die linkt naar de downloadpagina van Levitation

    wahooart.com/nl/art/download/egon-schiele-levitation-6WHKHA-en/

    Citeer dit kunstwerk

    MLA
    Schiele, Egon. Levitation. 1915, https://wahooart.com/nl/art/egon-schiele-levitation-6WHKHA-en/
    APA
    Schiele, Egon (1915). Levitation [Painting]. https://wahooart.com/nl/art/egon-schiele-levitation-6WHKHA-en/
    Chicago
    Egon Schiele. Levitation. 1915. https://wahooart.com/nl/art/egon-schiele-levitation-6WHKHA-en/
    Harvard
    Schiele, Egon (1915) Levitation. Available at: https://wahooart.com/nl/art/egon-schiele-levitation-6WHKHA-en/

    Bekijk het van dichtbij

    Levitation — Egon Schiele

    Kijk eens goed naar de details

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. In onze catalogus is dit werk geclassificeerd onder: symbolism, mortality, human connection. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    4. Kijk nog eens naar De Zelf-Zeurders II (Dood en Man) (1911), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. Egon Schiele was ongeveer 25 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Veelgestelde vragen

    Kan ik "Levitation" in meer detail bekijken?

    "Levitation" kan laag voor laag worden onderzocht op de Röntgenanalyse pagina van het kunstwerk, een interactieve viewer geïnspireerd op de lichttafel van een restaurator met elf optische lagen van de afbeelding.

    Behoort "Levitation" door Egon Schiele tot de meest gezochte Expressionist Movement kunstwerken?

    Binnen de Expressionist Movement-stroming heeft "Levitation" een Iconic populariteitsniveau.

    Wat is de dominante kleur in "Levitation" door Egon Schiele?

    Een Golden Yellow Range tint loopt door "Levitation" door Egon Schiele.