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Mrs. Benjamin West

Naam Groep Datum

Benjamin West, Mrs. Benjamin West (1780), Addison Gallery of American Art. Publiek domein Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

Kerngegevens

Kunstenaar
Benjamin West wahooart.com/nl/artists/benjamin-west_nl/
Levensdata kunstenaar
1738 – 1820
Geschilderd
1780
Gehouden in
Addison Gallery of American Art wahooart.com/nl/museums/addison-gallery-of-american-art-andover/

In context

Mrs. Benjamin West — Benjamin West

Wanneer is dit geschilderd?

  1. 1730
  2. 1740
  3. 1750
  4. 1760
  5. 1770
  6. 1780
  7. 1790
  8. 1800
  9. 1810
  10. 1820

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 82 bij het overlijden.

Geschilderd toen de kunstenaar 42 jaar oud was. De kunstenaar werd 82 jaar oud. 45 van de 94 gedateerde werken van deze kunstenaar in onze catalogus zijn eerder gemaakt.

Shaded: het leven van Benjamin West (1738–1820) ▲ dit werk, 1780 elk gedateerd schilderij, decennium voor decennium

Eerste werken: tot 1772 Belangrijkste werkjaren: 1772–1798 Late werken: vanaf 1798

Deze drie periodes verdelen de werken waarvoor in deze catalogus een datum bekend is in een eerste kwart, een middelste helft en een laatste kwart. Ze vormen niet het volledige oeuvre van de kunstenaar: een dunne periode kan duiden op een hiaat in de verslaglegging in plaats van op een rustige fase. Dezelfde jaren, waarin het leven van de kunstenaar is verweven

Vergelijk met

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: wahooart.com/nl/art/similar/benjamin-west-mrs-benjamin-west-AQZBWH-en/

Kleuren

Gemeten op basis van de afbeelding

    Hoofdkleur

    Espresso #372223

    Gecatalogiseerd palet

    • #372223
    • #D1A47E
    • #543D3A
    • #916955

    Deze kleuren binnen het volledige palet van de kunstenaar Zoek andere schilderijen op kleur

    Palet
    Earthy De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Espresso
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Bold De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Strong Color Unity De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Shadow Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Subtle Color Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van Benjamin West over de afgelopen twaalf maanden — in totaal 27 landen. Bron van deze cijfers

    De tien belangrijkste landen

    1. 1 China 53,3%9.600 visits
    2. 2 Verenigde Staten van Amerika 15,0%2.700 visits
    3. 3 Singapore 3,9%700 visits
    4. 4 Hongkong 3,3%600 visits
    5. 5 Frankrijk 2,8%500 visits
    6. 6 Mexico 2,8%500 visits
    7. 7 Peru 2,8%500 visits
    8. 8 Brazilië 1,7%300 visits
    9. 9 Duitsland 1,7%300 visits
    10. 10 Argentinië 1,1%200 visits
    11. · 17 overige landen 11,6%2.100 visits

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 20 meest bekeken werken van Benjamin West

    1. 1 De dood van Generaal Wolfe, 1770 16,5%4.100 visits
    2. 2 Alexander III of Scotland Rescued from the Fury of a Stag by the Intrepidity of Colin Fitzgerald (, 1786 5,6%1.400 visits
    3. 3 The Death of Hyacinth, 1771 5,6%1.400 visits
    4. 4 Death on a Pale Horse, 1796 4,8%1.200 visits
    5. 5 Edward III Crossing the Somme, 1788 2,4%600 visits
    6. 6 Edward, the Black Prince, Receiving King John of France after the Battle of Poitiers, 1788 2,4%600 visits
    7. 7 The Last Supper, 1786 2,4%600 visits
    8. 8 Joseph Banks, 1773 2,0%500 visits
    9. 9 The Fatal Wounding of Sir Philip Sidney 2,0%500 visits
    10. 10 Liefde Triomfeert Over Alles, 1809 1,6%400 visits
    11. 11 Thomas Middleton of The Oaks, 1770 1,6%400 visits
    12. 12 Elizabeth, Countess of Effingham 1,6%400 visits
    13. 13 Study of a standing man, possibly a study for portrait of Lord Camden 1,6%400 visits
    14. 14 Discovering the bones of Sir Peter Halket 1,6%400 visits
    15. 15 The Expulsion of Adam and Eve from Paradise, 1791 1,2%300 visits
    16. 16 George IV, when Prince of Wales, with Frederick, Duke of York,, whn Prince Frederick, 1777 1,2%300 visits
    17. 17 King Lear, 1788 1,2%300 visits
    18. 18 Thetis Bringing the Armor to Achilles, 1806 1,2%300 visits
    19. 19 Self-Portrait, 1770 1,2%300 visits
    20. — Mrs. Benjamin West, 1780 dit schilderij 0,0%0 visits

    Samen maken deze werken 57,7% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 274 werken van deze kunstenaar, waarvan 95 minstens één keer zijn bekeken. Dit schilderij heeft in die periode nog geen weergaven — het sluit de lijst af zonder rangorde. Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Over dit kunstwerk

    Mrs. Benjamin West — Benjamin West

    The painting "Mrs. Benjamin West" by Benjamin West is a masterpiece that exudes elegance and sophistication. Created in 1780, this oil on canvas portrait is a testament to the artist's skill and attention to detail. The subject of the painting is Mrs. Benjamin West, the artist's wife, who is depicted with poise and refinement.

    A Glimpse into the Artist's Life

    Benjamin West was a renowned American-born British artist who was known for his historical and portrait paintings. His works are characterized by their realism and attention to detail, which is evident in "Mrs. Benjamin West". The painting is now housed at the Addison Gallery of American Art in Andover, United States.

    Artistic Style and Technique

    The painting showcases Benjamin West's mastery of oil painting techniques. The use of color and light creates a sense of depth and dimension, drawing the viewer's eye to the subject. The artist's attention to detail is evident in the intricate folds of Mrs. Benjamin West's dress and the delicate features of her face.

    The painting measures 29 1/4 × 25 in (74.3 × 63.5 cm), making it an intimate and personal portrait.

    The use of oil on canvas allows for a level of detail and texture that is unparalleled in other mediums.

    The painting's provenance is well-documented, with records of its ownership and exhibition history available through the Addison Gallery of American Art.

    Handmade oil paintings reproductions of "Mrs. Benjamin West" are available on https://AllPaintingsStore.com, allowing art lovers to own a piece of history. For more information on Benjamin West and his works, visit https://en.wikipedia.org/wiki/Benjamin_West.

    The painting "Mrs. Benjamin West" is a testament to the enduring power of art to capture the essence of a moment in time. As a masterpiece of Benjamin West's oeuvre, it continues to inspire and delight audiences to this day.

    Kunstenaar en museum

    Kunstenaar

    Benjamin West

    Geboren in Springfield, Verenigde Staten van Amerika

    A Pioneer Bridging Worlds: The Life and Legacy of Benjamin West

    Born in 1738 amidst the burgeoning landscape of colonial Pennsylvania, Benjamin West emerged as a pivotal figure in the transatlantic art world, a painter who skillfully navigated the currents of Neoclassicism and Romanticism while forging a uniquely American artistic identity. His story is one of remarkable self-education, unwavering ambition, and an extraordinary ability to connect with both aristocratic patrons and revolutionary ideals. From humble beginnings—his father an innkeeper in Springfield—West’s innate talent was nurtured by early exposure to the arts, reportedly learning rudimentary techniques from Native Americans before receiving any formal training. This unconventional start instilled within him a spirit of innovation that would characterize his entire career. He quickly established himself as a sought-after portraitist in Philadelphia and New York, but a thirst for deeper artistic knowledge propelled him towards Europe in 1760, embarking on a journey that would irrevocably alter the course of American art.

    From Italy to London: Forging a Path to Recognition

    West’s arrival in Italy marked a turning point. Immersing himself in the artistic heartland of Europe, he studied the masters—Titian, Raphael—and engaged with contemporary Neoclassical thinkers like Anton Rafael Mengs and Angelica Kauffman. This period was crucial in shaping his aesthetic sensibilities, instilling within him an appreciation for classical form and historical narrative. He spent years meticulously copying works by these giants, absorbing their techniques and developing a profound understanding of composition and color theory. However, it was London that ultimately became his adopted home and artistic center. Arriving in 1763, West swiftly ascended the ranks of the British art scene, captivating audiences with his ambitious canvases and securing the patronage of King George III. This royal endorsement not only provided financial stability but also cemented his position as a leading figure within the establishment. A defining moment came with his election to the Royal Academy in 1769, an institution he would later preside over as President from 1792 until his death. His influence extended beyond his own artistic production; West became a champion for American artists seeking training abroad, offering guidance and support to generations of aspiring painters like Allston, Copley, and Morse.

    Revolutionizing Historical Painting: Technique and Controversy

    West’s impact on the art world wasn't merely about achieving technical mastery; it was about challenging conventions. He dared to reimagine historical painting, moving away from rigid adherence to classical precedent and embracing a more contemporary sensibility. The Death of General Wolfe (1770), arguably his most famous work, exemplifies this revolutionary approach. By depicting the fallen general surrounded by figures in contemporary military attire rather than traditional Roman garb, West sparked considerable debate. Critics questioned the historical accuracy, but audiences were captivated by the immediacy and emotional resonance of the scene. It was a bold move, a departure from the idealized depictions prevalent at the time, and it signaled a shift towards greater realism and narrative power in history painting, influencing countless artists who followed. His style evolved over time, incorporating elements of Romanticism into his later works, yet always retaining a commitment to ambitious composition and detailed execution. Other notable pieces like Thetis Bringing the Armor to Achilles, The Three Sisters, The Fright of Astyanax, and The Cave of Despair demonstrate his versatility and mastery across a range of mythological and historical themes. The meticulous detail in his brushwork, combined with dramatic lighting and carefully rendered figures, created works that were both visually stunning and emotionally engaging.

    A Lasting Legacy: Shaping Artistic Identity

    Benjamin West’s legacy extends far beyond the canvases he created. He fundamentally altered the landscape of American art, establishing history painting as a viable genre for American artists and fostering a sense of national artistic identity. His presidency of the Royal Academy solidified his influence on British art, promoting innovation and supporting emerging talent.

    He championed a more accessible and emotionally engaging style of historical representation.

    His studio became a haven for American artists seeking training in Europe.

    He bridged the gap between Neoclassical ideals and the burgeoning Romantic movement.

    West’s innovative spirit, coupled with his diplomatic skills and unwavering dedication to his craft, earned him lasting recognition as “the American Raphael.” He died in London in 1820, leaving behind a body of work that continues to inspire awe and admiration. His story serves as a testament to the power of artistic vision, the importance of cultural exchange, and the enduring legacy of an artist who dared to challenge conventions and forge his own path.

    Personal Life and Connections

    Beyond his artistic achievements, West’s life was marked by significant personal connections. He maintained close friendships with prominent figures in both American and British society, including Benjamin Franklin, whose portrait he painted, and members of the Royal Family. His marriage to Elizabeth Shewell, an American woman he had met in Philadelphia, further cemented his ties to his homeland. West’s home became a gathering place for artists, intellectuals, and diplomats, fostering a vibrant cultural exchange. He was known for his generosity and hospitality, offering support and encouragement to aspiring artists and contributing significantly to the intellectual life of London. His influence extended beyond the art world, shaping perceptions of American identity and promoting transatlantic understanding.

    Museum

    Addison Gallery of American Art

    Te zien in Andover, United States of America

    A Sanctuary of American Spirit

    Nestled within the historic and verdant campus of Phillips Academy in Andover, Massachusetts, the

    Addison Gallery of American Art

    stands as a profound testament to the evolving soul of a nation. To enter this gallery is to step into a carefully curated dialogue between the past and the present, where the light of New England seems to dance across canvases that trace the very trajectory of American identity. Established through the visionary bequest of Sarah Sophia Addison, the institution was conceived not merely as a repository for objects, but as a living, breathing beacon of creativity. It remains a place where history breathes through every brushstroke, offering a sanctuary for those who seek to understand the textures, tensions, and triumphs of the American experience.

    The architecture of the Addison itself serves as a bridge between eras, blending classic structural elegance with modern sensibilities that invite quiet contemplation. The building is designed to harmonize with its surroundings, featuring expansive windows that allow natural sunlight to flood the galleries, illuminating the works in a way that connects the art to the very landscape it often depicts. For the interior designer or the lover of fine spaces, the gallery represents a masterclass in how light and structure can elevate the presentation of culture, turning a visit into a sensory journey through atmosphere and reflection.

    A Sweeping Epic of Artistic Evolution

    The collection is nothing short of a sweeping epic, spanning centuries of artistic evolution from the foundational roots of Colonial portraiture to the bold abstractions of the modern era. Visitors may find themselves captivated by the masterful precision of

    John Singleton Copley

    , whose portraits serve as windows into the social fabric of early America, before moving toward the dramatic, elemental power of the Hudson River School. The holdings include the rugged, maritime intensity of

    Winslow Homer

    and the sophisticated, atmospheric elegance of

    John Singer Sargent

    . As one wanders deeper, the narrative shifts toward the twentieth century, where the radical energy of

    Jackson Pollock

    and the organic, haunting beauty of

    Georgia O’Keeffe

    challenge and redefine the boundaries of perception.

    Beyond the canvas, the Addison possesses an extraordinary assemblage of photography that documents the raw, unvarnished truth of American life through the lenses of pioneers like

    Walker Evans

    and

    Robert Frank

    . This dedication to diverse media is further enriched by a unique collection of meticulously crafted ship models, which serve as exquisite miniature tributes to America’s maritime heritage and the spirit of exploration. The breadth of the collection includes notable works by:

    Thomas Eakins

    and

    James McNeill Whistler

    Edward Hopper

    and

    Andrew Wyeth

    Alexander Calder

    and

    Frank Stella

    Ansel Adams

    and

    Eadweard Muybridge

    Through its commitment to accessibility—offering free admission to ensure art remains a democratic treasure—and its vibrant artist-in-residence programs, the Addison Gallery of American Art continues to provoke thought and inspire curiosity, ensuring that the legacy of American creativity remains an ever-unfolding story.

    Waar u meer kunt lezen

    Online te vinden

    QR-code die linkt naar de downloadpagina van Mrs. Benjamin West

    wahooart.com/nl/art/download/benjamin-west-mrs-benjamin-west-AQZBWH-en/

    Citeer dit kunstwerk

    MLA
    West, Benjamin. Mrs. Benjamin West. 1780, Addison Gallery of American Art. https://wahooart.com/nl/art/benjamin-west-mrs-benjamin-west-AQZBWH-en/
    APA
    West, Benjamin (1780). Mrs. Benjamin West [Painting]. Addison Gallery of American Art. https://wahooart.com/nl/art/benjamin-west-mrs-benjamin-west-AQZBWH-en/
    Chicago
    Benjamin West. Mrs. Benjamin West. 1780. Addison Gallery of American Art. https://wahooart.com/nl/art/benjamin-west-mrs-benjamin-west-AQZBWH-en/
    Harvard
    West, Benjamin (1780) Mrs. Benjamin West. Addison Gallery of American Art. Available at: https://wahooart.com/nl/art/benjamin-west-mrs-benjamin-west-AQZBWH-en/

    Bekijk het van dichtbij

    Mrs. Benjamin West — Benjamin West

    Kijk eens goed naar de details

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar De dood van Generaal Wolfe (1770), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. Benjamin West was ongeveer 42 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?
    5. Wat zou de kunstenaar u willen laten voelen?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Veelgestelde vragen

    Zijn de kleuren van "Mrs. Benjamin West" door Benjamin West levendig of juist gedempt?

    "Mrs. Benjamin West" door Benjamin West is vastgelegd met een Subtle Color verzadiging en een Balanced intensiteit.

    Hoe kan ik een print van "Mrs. Benjamin West" door Benjamin West verkrijgen?

    Om een print van "Mrs. Benjamin West" door Benjamin West te bestellen, kunt u terecht op de Fine Art Print pagina: een fine art print op katoenen canvas of archiefwaardig canvaspapier.

    Zijn de kleuren van "Mrs. Benjamin West" door Benjamin West verzadigd of gedempt?

    De kleuren van "Mrs. Benjamin West" door Benjamin West hebben een Subtle Color verzadiging. Verzadiging beschrijft hoe levendig of gedempt de kleuren zijn.