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Untitled (DD2944)

Naam Klas Datum

arthur douglas amiotte, Untitled (DD2944) (1966). Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende.

De feiten

Kunstenaar
arthur douglas amiotte wahooart.com/nl/artists/arthur-douglas-amiotte/
Geboortedatum en -overlijden kunstenaar
1942 – ?
Geschilderd
1966
Beweging
Other

In context

Untitled (DD2944) — arthur douglas amiotte

Wanneer is dit geschilderd?

  1. 1940
  2. 1950
  3. 1960

Shaded: het leven van arthur douglas amiotte (1942–?) ▲ dit werk, 1966

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Putty #ede5c0

    Gecatalogiseerd palet

    • #EDE5C0
    • #405AC8
    • #5094B9
    • #DCB67F
    Naam hoofdkleur
    Putty
    Intensiteit
    Vivid De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Balanced De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Discordant Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Brilliant Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Clear Color Presence Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Kunstenaar en museum

    Kunstenaar

    arthur douglas amiotte

    Geboren in Pine Ridge, United States of America

    Arthur Douglas Amiotte: A Life in Lakota Art

    Early Life and Heritage

    Born: 1942 in Pine Ridge, South Dakota, on the Pine Ridge Indian Reservation.

    Lakota Names: Initially named Warpa Tanka Kuciyela (Low Black Bird), later received a second Lakota name in 1972.

    Family History: Descendant of Standing Bear (Mató Nájin), who fought at the Battle of Little Bighorn, connecting Amiotte to a rich historical lineage.

    Raised between Pine Ridge and Custer, SD, immersing him in Lakota culture from a young age.

    Education and Influences

    Formal Education: Bachelor of Art Education from Northern State College (1964) and a Master of Interdisciplinary Studies from the University of Montana, Missoula.

    Key Mentors: Grandmother Christina Standing Bear, who taught him the heritage of his great-grandfather; Peter Catches, Sr., a respected Oglala Lakota elder.

    Artistic Inspiration: Dakota artist Oscar Howe inspired Amiotte to embrace and utilize his Lakota background in his artwork. Joseph Eps Brown at University of Montana also played a role.

    Artistic Development and Style

    Early Work: Began teaching art after completing his bachelor’s degree, but continued to develop his own artistic voice.

    Unique Approach: Amiotte's work blends Lakota traditions, history, and contemporary themes, creating a distinctive style.

    Mediums: Primarily works with painting and collage, often incorporating elements of Ledger art but pushing the boundaries of the form.

    His art reflects a deep understanding of Lakota philosophy, oral history, and ceremonial practices.

    Themes and Major Achievements

    Core Themes: Exploration of Lakota identity, the impact of historical events on Native American communities, and the preservation of cultural traditions.

    Notable Works: While specific titles are less emphasized than the overall body of work, his paintings and collages consistently demonstrate a powerful narrative quality. “Untitled (DD2944)” is one example.

    Exhibitions & Curation: Curated exhibitions at institutions like the Wheelwright Museum of the American Indian and the Akta Lakota Museum, showcasing Plains tribes culture.

    Lectured on historical and modern American Indian art, sharing his expertise with a wider audience. Delivered an Oscar Howe Memorial Lecture in 2004.

    Historical Significance and Legacy

    Influence: Considered one of the most influential contemporary Lakota artists, inspiring others to explore their cultural heritage through art.

    Recognition: Holds honorary doctorates from Oglala Lakota College and Brandon University.

    Preservation of Culture: Amiotte’s work serves as a vital record of Lakota history, beliefs, and artistic traditions, ensuring their continuation for future generations.

    His art bridges the gap between traditional practices and contemporary expression, offering a unique perspective on Native American identity in the 21st century.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Untitled (DD2944)

    wahooart.com/nl/art/download/arthur-douglas-amiotte-untitled-dd2944-DD2944-en/

    Bronvermelding voor dit kunstwerk

    MLA
    amiotte, arthur douglas. Untitled (DD2944). 1966, https://wahooart.com/nl/art/arthur-douglas-amiotte-untitled-dd2944-DD2944-en/
    APA
    amiotte, arthur douglas (1966). Untitled (DD2944) [Painting]. https://wahooart.com/nl/art/arthur-douglas-amiotte-untitled-dd2944-DD2944-en/
    Chicago
    arthur douglas amiotte. Untitled (DD2944). 1966. https://wahooart.com/nl/art/arthur-douglas-amiotte-untitled-dd2944-DD2944-en/
    Harvard
    amiotte, arthur douglas (1966) Untitled (DD2944). Available at: https://wahooart.com/nl/art/arthur-douglas-amiotte-untitled-dd2944-DD2944-en/

    Bekijk het van dichtbij

    Untitled (DD2944) — arthur douglas amiotte

    Kijk eens goed

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. In onze catalogus is dit werk geclassificeerd onder: woman figure, raised hands gesture, blue background art. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    4. arthur douglas amiotte was ongeveer 24 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?
    5. Terugkerende thema's in het werk van arthur douglas amiotte: spiritual gesture, american expressionism", mid-century modern. Welke daarvan ziet u hier?

    Uw reactie

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