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Gids voor studentenkunst

Chrysanthemums

Naam Klas Datum

alma gogin, Chrysanthemums (1927). Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende.

De feiten

Kunstenaar
alma gogin wahooart.com/nl/artists/alma-gogin/
Geschilderd
1927
Afmetingen origineel werk
34 x 51 cm
Beweging
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

In context

Chrysanthemums — alma gogin

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 34 × 51 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1920

▲ dit werk, 1927

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Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: wahooart.com/nl/art/similar/alma-gogin-chrysanthemums-ARAFYW-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Espresso #554032

    Gecatalogiseerd palet

    • #554032
    • #7C5E49
    • #AE8B6B
    • #D5BEA1
    Palet
    Earthy De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Espresso
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Balanced De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Strong Color Unity De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Balanced Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Balanced Soft Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Kunstenaar en museum

    Kunstenaar

    alma gogin

    Alma Gogin (1854–1948): A Pioneer of Victorian Coastal Art

    Alma Susan Broadbridge Gogin, born October 1st, 1854, in Brighton, Sussex, was a British artist who achieved considerable renown during the Victorian era. Her life’s journey intertwined with that of her husband, Charles Gogin (1844–1931), a fellow painter and furniture maker, shaping both their artistic careers and establishing them as prominent figures within the burgeoning Pre-Raphaelite movement. Despite facing personal tragedies – including the untimely death of her son in infancy – Alma persevered, producing a prolific body of work that continues to captivate audiences today.

    Early Life & Education: Alma’s formative years were spent amidst the intellectual vibrancy of Brighton’s artistic circles. Her father, Edward Broadbridge, was a professor of music and furniture dealer, fostering an appreciation for both craftsmanship and creative expression from a young age. She attended Hove High School for Girls alongside her sister Kate, honing her artistic skills and preparing for a life dedicated to art.

    Marriage & Artistic Partnership: Alma married Charles Gogin in 1894, forging a collaborative relationship that proved instrumental to their artistic success. Together they established Warwick Studios in Hampstead, London, attracting students from across Europe who sought guidance under their tutelage. This studio became a hub for Pre-Raphaelite experimentation and innovation.

    Notable Works & Artistic Style: Alma Gogin’s oeuvre encompasses landscapes, portraits, and genre scenes—primarily focused on coastal vistas and intimate domestic interiors. Her distinctive style is characterized by meticulous observation of nature, combined with a masterful command of color and texture. Influenced heavily by Sir Lawrence Alma-Tadema and Jules Bastien Lepage, she skillfully employed techniques reminiscent of classical antiquity to convey emotion and atmosphere.

    The Influence of Pre-Raphaelitism & Artistic Techniques

    Alma Gogin’s artistic vision firmly rooted itself within the tenets of Pre-Raphaelite aesthetics—a reaction against the perceived artificiality of academic art. Rejecting idealized representations and prioritizing emotional sincerity, Pre-Raphaelites sought inspiration from medieval art and literature, emphasizing detailed realism and symbolic imagery. Alma Gogin embraced this ethos wholeheartedly, meticulously studying anatomy and incorporating elements of Byzantine iconography into her paintings. Her brushstrokes were deliberate and expressive, layering pigments to achieve luminous effects and capturing the subtle nuances of light and shadow—a hallmark of Victorian landscape painting. She was particularly adept at portraying the moods of the sea and shore, conveying both beauty and melancholy with remarkable sensitivity.

    Key Inspirations: Alma Gogin’s artistic sensibilities were profoundly shaped by artists such as Sir Lawrence Alma-Tadema and Jules Bastien Lepage, who championed classical ideals alongside meticulous observation of nature.

    Painting Techniques: She skillfully utilized glazing techniques—applying thin layers of translucent pigment over underlying colors—to create depth and luminosity, mirroring the stylistic innovations prevalent during her time.

    Major Achievements & Legacy

    Alma Gogin’s artistic accomplishments spanned several decades, culminating in a distinguished career marked by exhibitions at prestigious institutions including the Royal Academy, the Royal Society of British Artists (RBA), and the Society of Women Artists. Her landscapes—particularly those depicting Brighton's coastline—became celebrated for their evocative beauty and technical precision. Notably, her painting “So for good or ill in leaves of tea / Do maidens find their fortune told” garnered acclaim for its masterful depiction of light and color, solidifying her reputation as a leading Victorian artist. Furthermore, Alma Gogin’s legacy extends beyond her individual artworks; she established Warwick Studios, nurturing the talents of aspiring artists and fostering a vibrant artistic community. Her influence can be discerned in subsequent generations of British painters who embraced Pre-Raphaelite principles and championed realism alongside expressive artistry—a testament to her enduring contribution to art history.

    Further Exploration

    For more information about Alma Gogin’s life and work, consult resources such as:

    Alma Gogin (1854–1948): Find a Grave

    Alma Gogin - Art UK

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Chrysanthemums

    wahooart.com/nl/art/download/alma-gogin-chrysanthemums-ARAFYW-en/

    Bronvermelding voor dit kunstwerk

    MLA
    gogin, alma. Chrysanthemums. 1927, https://wahooart.com/nl/art/alma-gogin-chrysanthemums-ARAFYW-en/
    APA
    gogin, alma (1927). Chrysanthemums [Painting]. https://wahooart.com/nl/art/alma-gogin-chrysanthemums-ARAFYW-en/
    Chicago
    alma gogin. Chrysanthemums. 1927. https://wahooart.com/nl/art/alma-gogin-chrysanthemums-ARAFYW-en/
    Harvard
    gogin, alma (1927) Chrysanthemums. Available at: https://wahooart.com/nl/art/alma-gogin-chrysanthemums-ARAFYW-en/

    Kijk goed naar

    Chrysanthemums — alma gogin

    Kijk goed naar

    Beantwoord in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. In onze catalogus is dit werk geclassificeerd onder: floral art, still life, vintage painting. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    4. Kijk nog eens naar Regrets, eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Waar is dat in dit werk te zien?

    Uw reactie

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