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John Reeve Brook

Naam Klas Datum

alford usher soord, John Reeve Brook. Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende.

De feiten

Kunstenaar
alford usher soord wahooart.com/nl/artists/alford-usher-soord/
Afmetingen origineel werk
86 x 49 cm

In context

John Reeve Brook — alford usher soord

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 86 × 49 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: wahooart.com/nl/art/similar/alford-usher-soord-john-reeve-brook-AS84K7-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Espresso #695745

    Gecatalogiseerd palet

    • #695745
    • #3E3D3B
    • #D2A991
    • #232221
    Palet
    Earthy De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Espresso
    Intensiteit
    Monochromatic De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Gentle De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Balanced Harmony De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Deep_shadow Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Muted Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Kunstenaar en museum

    Kunstenaar

    alford usher soord

    Alford Usher Soord: A Master of Atmospheric Portraiture and the Echoes of ‘The Lost Sheep’

    Alford Usher Soord (1868-1915) remains a quietly compelling figure in British art, largely due to his enduring masterpiece, “The Lost Sheep.” Born in Sunderland but raised primarily in York, Soord's artistic journey was shaped by a blend of formal training and a deeply personal vision. His life, though tragically cut short at the age of 47, produced a body of work characterized by atmospheric landscapes, evocative portraits, and a remarkable sensitivity to light and mood – elements that coalesce powerfully within his most famous painting.

    Soord’s early artistic development was rooted in traditional training. He began studying part-time at the York School of Art, absorbing techniques from John Windass, before transitioning to the Herkomer School of Painting at Bushey, Hertfordshire – a prestigious institution founded by Sir Hubert von Herkomer. This school fostered a rigorous approach to painting, emphasizing observation and direct representation. However, Soord’s artistic spirit wasn't confined to mere imitation; he quickly developed his own distinctive style, marked by a subtle yet profound use of color and an ability to capture fleeting moments of emotion.

    His career unfolded across several decades, punctuated by consistent contributions to the Royal Academy exhibitions. From 1893 through to 1910, Soord’s paintings graced the walls of this esteemed institution, showcasing a range of subjects – from dramatic landscapes like “Falls on the Conway” and “Wastwater, Cumberland,” to intimate portraits such as “Portrait of a Lady” and “Portrait of Edward Wilson.” Beyond the Royal Academy, he also exhibited at the Royal Birmingham Society of Artists, the Fine Art Society, Glasgow Institute of the Fine Arts, Walker Gallery in Liverpool, and even the Paris Salon. This diverse exposure demonstrated his versatility and established him within the broader British art scene.

    The Enduring Power of ‘The Lost Sheep’

    While Soord produced a considerable body of work across various genres, it is undoubtedly “The Lost Sheep” (1913) that secures his place in art history. This iconic painting, depicting a shepherd precariously balanced over a steep cliff face attempting to rescue a stranded lamb, transcends mere narrative illustration. It’s a potent allegory for human vulnerability and the lengths to which we will go to protect those in need. The composition is masterfully constructed – the dramatic lighting, the swirling mist, and the precarious positioning of figures all contribute to an overwhelming sense of tension and impending danger.

    The painting's immediate popularity was phenomenal; over 300,000 reproductions were sold within a few years of its initial exhibition at the Royal Academy. This unprecedented success speaks volumes about the painting’s ability to resonate with viewers on an emotional level. It’s a testament to Soord’s skill in conveying complex themes through simple yet powerful imagery. The story behind the painting, as recounted by John A Dalles, adds another layer of intrigue: Wilson, the subject of the portrait, was a polar explorer and physician who sought respite from his demanding career, providing Soord with an unusual opportunity to capture him in a moment of quiet contemplation.

    Beyond Portraits: Landscapes and a Subtle Palette

    While “The Lost Sheep” dominates much of the conversation surrounding Soord’s work, it's important to acknowledge his contributions to landscape painting. His depictions of the Northumbrian coastline – particularly Wastwater in Cumberland – reveal a keen eye for detail and an ability to capture the raw beauty of the natural world. His landscapes are characterized by muted colors and atmospheric effects, creating a sense of depth and tranquility.

    Soord’s palette was notably restrained, favoring subtle gradations of color rather than bold contrasts. He expertly employed light and shadow to create mood and atmosphere, imbuing his paintings with a quiet intensity. This understated approach is particularly evident in his portraits, where he captured the essence of his subjects through carefully observed details and nuanced expressions.

    Legacy and Recognition

    Alford Usher Soord’s legacy extends beyond “The Lost Sheep.” His work continues to be exhibited at museums across the United Kingdom, including the Bushey Museum and Art Gallery, where a collection of his paintings resides. The British Museum also holds several examples of his oeuvre. His influence can be seen in the works of later artists who embraced atmospheric realism and psychological depth. Soord’s ability to evoke emotion through carefully crafted imagery ensures that he remains a significant figure in the history of British art, a master of capturing the fleeting beauty of life's most poignant moments.

    Further research can be found at Art UK and My Open Museum.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van John Reeve Brook

    wahooart.com/nl/art/download/alford-usher-soord-john-reeve-brook-AS84K7-en/

    Bronvermelding voor dit kunstwerk

    MLA
    soord, alford usher. John Reeve Brook. n.d., https://wahooart.com/nl/art/alford-usher-soord-john-reeve-brook-AS84K7-en/
    APA
    soord, alford usher (n.d.). John Reeve Brook [Painting]. https://wahooart.com/nl/art/alford-usher-soord-john-reeve-brook-AS84K7-en/
    Chicago
    alford usher soord. John Reeve Brook. n.d. https://wahooart.com/nl/art/alford-usher-soord-john-reeve-brook-AS84K7-en/
    Harvard
    soord, alford usher (n.d.) John Reeve Brook. Available at: https://wahooart.com/nl/art/alford-usher-soord-john-reeve-brook-AS84K7-en/

    Kijk goed naar

    John Reeve Brook — alford usher soord

    Kijk goed naar

    Beantwoord in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Hoeveel gezichten kun je vinden? ____ (onze catalogus telt 1 — ben je het ermee eens?)
    4. Kijk nog eens naar Alderman Sir Joseph Sykes Rymer, Lord Mayor (1914), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. Wat zou de kunstenaar u willen laten voelen?

    Uw reactie

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