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Gids voor studentenkunst

Untitled (Oriole)

Naam Klas Datum

albert zahn, Untitled (Oriole) (1950). Publiek domein

De feiten

Kunstenaar
albert zahn wahooart.com/nl/artists/albert-zahn/
Geboortedatum en -overlijden kunstenaar
1864 – 1953
Geschilderd
1950

In context

Untitled (Oriole) — albert zahn

Wanneer is dit geschilderd?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930
  9. 1940
  10. 1950

Shaded: het leven van albert zahn (1864–1953) ▲ dit werk, 1950

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: wahooart.com/nl/art/similar/albert-zahn-untitled-oriole-AR22J6-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    White #fefefd

    Gecatalogiseerd palet

    • #FEFEFD
    • #211F1F
    • #734F39
    • #BF784B
    Palet
    Pastels De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    White
    Intensiteit
    Monochromatic De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Unified Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Brilliant Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Muted Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Kunstenaar en museum

    Kunstenaar

    albert zahn

    Albert Zahn: The Birdman of Baileys Harbor

    Albert Zahn (1864-1953) wasn’t a formally trained artist, yet his legacy as a profoundly evocative sculptor and painter endures in the heart of Door County, Wisconsin. He was a self-taught craftsman who transformed humble cedar wood into a vibrant tapestry of biblical scenes, maritime life, animals, and angels – all rendered with an astonishing level of detail and imbued with a deeply personal spirituality. Zahn’s work is more than just decoration; it's a testament to the power of observation, faith, and a unique artistic vision that continues to captivate viewers today.

    Born in Pomerania, Germany – a region steeped in both Prussian tradition and Baltic folklore – Zahn immigrated to America as a young boy. He settled in Door County, Wisconsin, where he spent most of his life working as a farmer before dedicating himself fully to his art after retirement. This rural upbringing profoundly shaped his subject matter; the rhythms of nature, the hardships of farm life, and the comforting narratives of the Bible all found their way into his carvings. Zahn’s Lutheran faith was central to his artistic practice, informing the selection of his subjects and imbuing each piece with a sense of reverence.

    The Creation of Birds Park & The Albert Zahn House

    In 1924, Albert and Louise Zahn embarked on a remarkable project: building their own home – and transforming it into an extraordinary outdoor gallery. They named the property “Birds Park,” and it quickly became known for its profusion of intricately carved birds, each rendered in painstaking detail and painted with vibrant colors. The house itself, now recognized as the Albert Zahn House, was adorned with hundreds of these sculptures, creating a truly immersive environment where art seamlessly blended with nature. This wasn’t merely a residence; it was a living testament to Zahn's artistic philosophy – a place where faith, craftsmanship, and the beauty of the natural world converged.

    The house was added to the National Register of Historic Places in 2000, recognizing its significance as an example of folk art architecture and a remarkable display of sustained artistic output. The Zahn family’s dedication to preserving and sharing their creation ensured that this unique space continues to inspire visitors today. The Bird House at Bird Park, a photo taken by the Wisconsin Historical Society, offers a glimpse into the scale and beauty of this extraordinary project.

    Technique & Style: A Detailed Realism

    What distinguishes Zahn’s work is not simply his subject matter but also his remarkable technical skill. He primarily worked with cedar wood, carefully selecting pieces that would lend themselves to intricate carving. Crucially, he collaborated closely with his wife, Louise, who took on the role of painter, applying layers of vibrant color to bring his carvings to life. Zahn’s style is characterized by a meticulous attention to detail – from the individual feathers of a bird to the folds in a sailor's coat. This commitment to realism, combined with a subtle sense of movement and emotion, elevates his work beyond mere decoration.

    His depictions often feature a slightly stylized quality, reminiscent of Victorian-era portraiture, yet infused with a distinctly American folk sensibility. Zahn’s ability to capture the essence of his subjects – whether it be the dignity of a Prussian soldier or the serenity of a biblical angel – is a testament to his keen observation and artistic talent.

    Legacy & Collections

    Albert Zahn's work has been embraced by numerous institutions, including the John Michael Kohler Arts Center in Sheboygan, Wisconsin; the Smithsonian Institution in Washington, D.C.; the Milwaukee Art Museum; and the Art Institute of Chicago. These collections serve as a vital record of his artistic output and ensure that his legacy will continue to be appreciated for generations to come. Furthermore, Zahn’s grandson and great-grandson, Ed Zahn and Randy Zahn, have carried on the tradition of woodcarving, preserving the spirit of their ancestor's work.

    Albert Zahn remains a significant figure in American folk art history – an artist who transformed everyday materials into extraordinary works of beauty and faith. His “Birdman of Baileys Harbor” title is well-deserved; his carvings continue to soar with artistic merit, offering a poignant glimpse into the life and vision of a truly unique craftsman.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Untitled (Oriole)

    wahooart.com/nl/art/download/albert-zahn-untitled-oriole-AR22J6-en/

    Bronvermelding voor dit kunstwerk

    MLA
    zahn, albert. Untitled (Oriole). 1950, https://wahooart.com/nl/art/albert-zahn-untitled-oriole-AR22J6-en/
    APA
    zahn, albert (1950). Untitled (Oriole) [Painting]. https://wahooart.com/nl/art/albert-zahn-untitled-oriole-AR22J6-en/
    Chicago
    albert zahn. Untitled (Oriole). 1950. https://wahooart.com/nl/art/albert-zahn-untitled-oriole-AR22J6-en/
    Harvard
    zahn, albert (1950) Untitled (Oriole). Available at: https://wahooart.com/nl/art/albert-zahn-untitled-oriole-AR22J6-en/

    Kijk goed naar

    Untitled (Oriole) — albert zahn

    Kijk goed naar

    Beantwoord in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar Untitled (Angel with Jewel) (1950), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. albert zahn was ongeveer 86 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?
    5. Wat zou de kunstenaar u willen laten voelen?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk. Gebruik hiervoor de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.