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Compostion Painting

Naam Klas Datum

Albert Eugene Gallatin, Compostion Painting (1940). Publiek domein

De feiten

Kunstenaar
Albert Eugene Gallatin wahooart.com/nl/artists/albert-eugene-gallatin/
Geboortedatum en -overlijden kunstenaar
1881 – 1952
Geschilderd
1940

In context

Compostion Painting — Albert Eugene Gallatin

Wanneer is dit geschilderd?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950

Shaded: het leven van Albert Eugene Gallatin (1881–1952) ▲ dit werk, 1940

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: wahooart.com/nl/art/similar/albert-eugene-gallatin-compostion-painting-D9PJV2-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Clay #886a35

    Gecatalogiseerd palet

    • #886A35
    • #536B75
    • #B6A377
    • #342A1B
    Palet
    Earthy De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Clay
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Balanced De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Strong Color Unity De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Balanced Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Balanced Soft Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Kunstenaar en museum

    Kunstenaar

    Albert Eugene Gallatin

    Geboren in Villanova, United States of America

    Albert Eugene Gallatin: A Pioneer of American Modern Art

    Early Life and Family Background

    Born: Villanova, Pennsylvania, 1881.

    Gallatin came from a wealthy and socially prominent family. His great-grandfather was Albert Gallatin, a Swiss-American ethnologist, linguist, politician, and diplomat who served as the United States Secretary of the Treasury.

    He developed an early interest in art and literature, beginning to collect works by artists like Max Beerbohm and James McNeill Whistler while still a teenager.

    Artistic Development and Influences

    Initially drawn to the decorative qualities of Beardsley and Whistler’s work, Gallatin focused on elegance of line and aesthetic value over narrative content.

    Around 1910, his interests shifted towards American artists associated with the Ashcan School – Everett Shinn, William Glackens, Ernest Lawson, and John Sloan.

    He was also influenced by artists like John Marin and Boardman Robinson.

    Gallatin’s exposure to European modernism, particularly Cubism, proved pivotal in shaping his artistic vision.

    Artistic Style and Key Works

    Park Avenue Cubism: Gallatin developed a distinctive style often referred to as “Park Avenue Cubism,” characterized by geometric forms, muted tones, and a sophisticated aesthetic.

    Notable works include "Compostion Painting" and "Number 28 (Still Life)", exemplifying his Synthetic Cubist approach.

    He also created “Map of the Indian tribes of North America”, showcasing diverse artistic interests.

    Gallatin’s paintings often reflect a balance between abstraction and recognizable forms, demonstrating his unique interpretation of Cubism.

    Contributions to the American Art Scene

    Collector & Writer: Gallatin was not only an artist but also a prolific writer and collector. He authored numerous articles and monographs on modern art, advocating for its acceptance and understanding.

    Gallery of Living Art: In 1936, he founded the Gallery of Living Art at New York University (NYU), providing a platform for showcasing contemporary American artists and fostering dialogue about abstract art.

    He actively promoted the work of emerging artists and played a crucial role in establishing a vibrant modern art community in New York City.

    Legacy and Historical Significance

    Donations to Museums: Gallatin’s extensive collection of modern art was generously donated to the Philadelphia Museum of Art and the Museum of Modern Art (MoMA) in New York, enriching their holdings and contributing to the preservation of artistic heritage.

    He is remembered as a visionary figure who championed abstract art at a time when it faced resistance and skepticism.

    His contributions helped pave the way for the acceptance and appreciation of modern art in America, leaving an enduring impact on the world of contemporary art.

    Gallatin died in New York City in 1952, leaving behind a legacy as one of the great figures in early 20th-century American culture.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Compostion Painting

    wahooart.com/nl/art/download/albert-eugene-gallatin-compostion-painting-D9PJV2-en/

    Bronvermelding voor dit kunstwerk

    MLA
    Gallatin, Albert Eugene. Compostion Painting. 1940, https://wahooart.com/nl/art/albert-eugene-gallatin-compostion-painting-D9PJV2-en/
    APA
    Gallatin, Albert Eugene (1940). Compostion Painting [Painting]. https://wahooart.com/nl/art/albert-eugene-gallatin-compostion-painting-D9PJV2-en/
    Chicago
    Albert Eugene Gallatin. Compostion Painting. 1940. https://wahooart.com/nl/art/albert-eugene-gallatin-compostion-painting-D9PJV2-en/
    Harvard
    Gallatin, Albert Eugene (1940) Compostion Painting. Available at: https://wahooart.com/nl/art/albert-eugene-gallatin-compostion-painting-D9PJV2-en/

    Kijk goed naar

    Compostion Painting — Albert Eugene Gallatin

    Kijk goed naar

    Beantwoord in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar Number 28 (Still Life) (1940), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. Albert Eugene Gallatin was ongeveer 59 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?
    5. Wat zou de kunstenaar u willen laten voelen?

    Uw reactie

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