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Red on Brick (Balance)

Naam Klas Datum

Adolph Gottlieb, Red on Brick (Balance) (1960). Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende.

De feiten

Kunstenaar
Adolph Gottlieb wahooart.com/nl/artists/adolph-gottlieb_nl/
Geboortedatum en -overlijden kunstenaar
1903 – 1974
Geschilderd
1960
Afmetingen origineel werk
74 x 52 cm

In context

Red on Brick (Balance) — Adolph Gottlieb

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 74 × 52 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970

Shaded: het leven van Adolph Gottlieb (1903–1974) ▲ dit werk, 1960

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: wahooart.com/nl/art/similar/adolph-gottlieb-red-on-brick-balance-AS7SUT-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Walnut #842618

    Gecatalogiseerd palet

    • #842618
    • #F5E5CE
    • #251C19
    • #E98D62
    Palet
    Dark De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Walnut
    Intensiteit
    Vivid De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Unified Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Balanced Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Clear Color Presence Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Over dit kunstwerk

    Red on Brick (Balance) — Adolph Gottlieb

    The Red on Brick (Balance) painting, created by Adolph Gottlieb in 1960, is a quintessential example of abstract art. This piece, measuring 74 x 52 cm and made on paper, showcases the artist's unique style and technique. The dominant red color against a black background creates a striking contrast, drawing the viewer's attention to the central element of the composition.

    Artist Background

    Adolph Gottlieb was an American artist known for his contributions to the development of abstract expressionism. His work often featured bold colors and geometric shapes, which were meant to evoke emotions and create a sense of balance. The Red on Brick (Balance) painting is a testament to Gottlieb's ability to create harmony through simplicity.

    Key Elements

    The painting's composition is characterized by:

    A dominant red color, which creates a sense of energy and vibrancy

    A black background, which provides contrast and depth to the piece

    A simple, yet effective use of shapes and forms to create balance and harmony

    The result is a visually striking piece that showcases Gottlieb's mastery of abstract art. For more information on abstract art and its history, visit A Journey Through Art History with AllPaintingsStore’s Extensive Collection. Abstract art has been a cornerstone of modern art, with artists like Wassily Kandinsky and Henri Matisse making significant contributions to the movement. To learn more about these artists and their work, visit the Wassily Kandinsky and Henri Matisse pages on AllPaintingsStore.

    The Red on Brick (Balance) painting is a must-see for anyone interested in abstract art and its history. As part of the collection at the Smithsonian American Art Museum, it is a testament to the enduring power of art to evoke emotions and create a sense of balance. For more information on the museum and its collections, visit the Smithsonian American Art Museum page on AllPaintingsStore.

    Kunstenaar en museum

    Kunstenaar

    Adolph Gottlieb

    Geboren in New York, Verenigde Staten van Amerika

    A Pioneer of Abstract Expressionism: The Life and Art of Adolph Gottlieb

    Adolph Gottlieb, born in New York City on March 14, 1903, emerged as a pivotal figure in the burgeoning landscape of American Abstract Expressionism. His journey was one of constant exploration—a relentless pursuit to distill universal human experiences into a visual language that resonated with both ancient symbolism and modern anxieties. Growing up as the son of Jewish immigrants, Gottlieb’s early life instilled within him a sensitivity to cultural displacement and the search for meaning in a rapidly changing world, themes that would profoundly shape his artistic vision. He received foundational training at the Art Students League and Parsons The New School for Design, but it was his subsequent travels through Europe during the 1920s that truly ignited his aesthetic sensibilities. Immersing himself in the art and philosophies of Germany and France, he absorbed influences from Constructivism and Surrealism, laying the groundwork for his future innovations.

    Early Influences and Artistic Formation

    Gottlieb’s initial artistic inclinations leaned toward representational painting—particularly landscapes—drawing inspiration from Impressionist masters like Claude Monet and William-Adolphe Bouguereau. However, he quickly recognized the limitations of depicting reality faithfully and sought a more expressive approach. His formative years were marked by intellectual curiosity and engagement with philosophical ideas, fostering an appreciation for symbolism and mythology that would become central to his artistic worldview. The impact of European avant-garde movements—particularly Surrealism—was undeniable; Gottlieb experimented with dreamlike imagery and subconscious associations, anticipating the stylistic developments of Abstract Expressionism.

    The Founding of “The Ten” and Collaborative Exploration

    A crucial step in Gottlieb’s artistic trajectory was his involvement with “The Ten,” a collective of artists who championed American originality within the international art scene during the mid-1930s. Alongside Mark Rothko, John D. Graham, Franz Kline, Barnett Newman, Helen Frankenthaler, Willem de Kooning, Philip Guston, Lester Thomson and Ivan Zakish, Gottlieb fostered a spirit of experimentation and challenged prevailing artistic conventions. This collaborative effort provided invaluable support during the Great Depression and solidified his commitment to pushing boundaries—a characteristic that would define his entire career. The Federal Art Project offered him considerable resources for his creative endeavors.

    Arizona Landscapes and Proto-Pictographs

    His relocation to Arizona in 1937-1938 proved transformative, profoundly influencing Gottlieb’s artistic style. Surrounded by the stark beauty of the desert landscape—the mesas, canyons, and cacti—he experienced a visceral connection with primal forces and ancient Native American cultures. This encounter sparked an interest in tribal art and symbolism, foreshadowing the development of his iconic Pictographs. These paintings, begun in 1940, represent Gottlieb’s breakthrough into abstraction, characterized by rectangular fields filled with stylized glyphs—symbols reminiscent of hieroglyphs or tribal markings—that evoke a sense of mystery and universality.

    The Pictographs Series: Universal Symbolism

    The Pictographs series stands as Gottlieb's most recognizable achievement, embodying his artistic vision. He deliberately drew inspiration from diverse sources—classical mythology, Amerindian art, African motifs—creating a compelling dialogue between modernity and ancient traditions. The glyphs themselves weren’t merely decorative elements; they were attempts to capture the essence of primal symbolism—a quest for meaning beyond visual representation. Gottlieb's exploration of universal themes—myth, ritual, human experience—continues to resonate with audiences today. He sought to express emotions and ideas that transcend language and cultural boundaries.

    Legacy and Recognition

    Throughout his prolific career, Gottlieb exhibited extensively in the United States and Europe, garnering critical acclaim for his distinctive style and unwavering dedication to artistic innovation. His work is now housed in major museums worldwide—including MoMA and Tate Modern—a testament to its enduring significance and influence on subsequent generations of artists. Gottlieb received numerous awards and accolades recognizing his contribution to American art history. He remains a celebrated figure, remembered not only for his groundbreaking paintings but also for his unwavering belief in the transformative power of art as a vehicle for exploring fundamental questions about human existence. His legacy endures as an inspiration for artists striving to express profound ideas through visual language—a reminder that true artistic achievement lies in confronting complexity and embracing ambiguity.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Red on Brick (Balance)

    wahooart.com/nl/art/download/adolph-gottlieb-red-on-brick-balance-AS7SUT-en/

    Bronvermelding voor dit kunstwerk

    MLA
    Gottlieb, Adolph. Red on Brick (Balance). 1960, https://wahooart.com/nl/art/adolph-gottlieb-red-on-brick-balance-AS7SUT-en/
    APA
    Gottlieb, Adolph (1960). Red on Brick (Balance) [Painting]. https://wahooart.com/nl/art/adolph-gottlieb-red-on-brick-balance-AS7SUT-en/
    Chicago
    Adolph Gottlieb. Red on Brick (Balance). 1960. https://wahooart.com/nl/art/adolph-gottlieb-red-on-brick-balance-AS7SUT-en/
    Harvard
    Gottlieb, Adolph (1960) Red on Brick (Balance). Available at: https://wahooart.com/nl/art/adolph-gottlieb-red-on-brick-balance-AS7SUT-en/

    Kijk goed naar

    Red on Brick (Balance) — Adolph Gottlieb

    Kijk goed naar

    Beantwoord in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar Spray (1959), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. Adolph Gottlieb was ongeveer 57 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?
    5. Wat zou de kunstenaar u willen laten voelen?

    Uw reactie

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