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Gids voor studentenkunst

Self Portrait

Naam Klas Datum

abram lerner, Self Portrait (1956). Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende.

De feiten

Kunstenaar
abram lerner wahooart.com/nl/artists/abram-lerner/
Geboortedatum en -overlijden kunstenaar
1913 – 2007
Geschilderd
1956
Afmetingen origineel werk
46 x 36 cm

In context

Self Portrait — abram lerner

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 46 × 36 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990
  10. 2000

Shaded: het leven van abram lerner (1913–2007) ▲ dit werk, 1956

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: wahooart.com/nl/art/similar/abram-lerner-self-portrait-AR2J3U-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Espresso #483524

    Gecatalogiseerd palet

    • #483524
    • #2E241C
    • #5F492B
    • #6A5433
    Palet
    Earthy De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Espresso
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Serene De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Unified Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Deep_shadow Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Balanced Soft Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Kunstenaar en museum

    Kunstenaar

    abram lerner

    Abram Lerner: Architect of Urban Emotion

    Abram Lerner (1913-2007) wasn’t merely a painter; he was an architect of feeling, translating the pulse and grit of 20th-century American cities onto canvas with a singular intensity. Born into a Russian immigrant family in New York City, his early life instilled a deep appreciation for both the dynamism of urban landscapes and the quiet contemplation of artistic tradition. Lerner’s career unfolded not as a linear progression but as a fascinating convergence of art history scholarship, curatorial expertise, and a profoundly personal artistic vision – a trajectory shaped by mentorship, institutional leadership, and an unwavering dedication to capturing the essence of modern life.

    Lerner's formal training began at New York University, where he earned a degree in Art History. This academic foundation proved crucial, not just for understanding the historical context of his work but also for informing his approach to composition and color. Following graduation, he gained invaluable experience as an apprentice muralist with the Works Progress Administration (WPA), a formative period that exposed him to large-scale public art projects and instilled in him a respect for the power of visual communication. However, it was his encounter with Joseph Hirshhorn, a wealthy collector and visionary, that truly ignited his artistic career. Hirshhorn recognized Lerner’s keen eye and intuitive understanding of modern art, offering him a position as a private curator – a role that would ultimately lead to Lerner's groundbreaking leadership at the Hirshhorn Museum and Sculpture Garden.

    The Founding Director and Shaping of a Space

    In 1974, Abram Lerner assumed the mantle of director for the newly established Hirshhorn Museum, a bold undertaking spearheaded by Hirshhorn himself. This wasn’t simply a matter of managing an existing collection; it was the creation of a space dedicated to showcasing the radical innovations of modern art. Lerner's influence extended far beyond administrative duties. He meticulously curated exhibitions that explored themes of urbanity, alienation, and the evolving relationship between humanity and technology – subjects deeply resonant with the anxieties and aspirations of the era. His tenure at the Hirshhorn was marked by a commitment to accessibility, transforming what could have been an elitist institution into a vibrant cultural hub for all.

    Lerner’s artistic background profoundly shaped his curatorial approach. He understood that art wasn't merely objects on display but rather windows into different perspectives and experiences. His exhibitions were carefully constructed narratives, designed to provoke thought and stimulate dialogue. He championed the inclusion of lesser-known artists alongside established masters, fostering a more inclusive and dynamic understanding of modernism. This commitment to broadening artistic horizons cemented his legacy as a pivotal figure in shaping the Hirshhorn’s identity.

    A Painter's Palette: Style and Technique

    While best known for his curatorial achievements, Lerner was also a prolific painter throughout his career. His work is characterized by a distinctive blend of abstraction and figurative elements, often depicting scenes from urban life—cityscapes, street corners, and glimpses into the lives of ordinary people. His paintings are not simply representations; they’re imbued with an emotional intensity, capturing the energy, loneliness, and complexity of the modern metropolis.

    Lerner's technique involved layering colors to create a sense of depth and atmosphere. He frequently employed bold brushstrokes and dynamic compositions, reflecting the frenetic pace of urban life. His use of color was particularly striking—often employing contrasting hues to heighten emotional impact. While influenced by movements like Cubism and Expressionism, Lerner developed a unique style that remained distinctly his own. His early watercolor sketches, often depicting architectural details or fleeting moments in cityscapes, served as crucial studies for his larger paintings.

    Legacy and Enduring Influence

    Abram Lerner’s impact extends far beyond the walls of the Hirshhorn Museum. He played a vital role in establishing modernism as a central force in American art history. His leadership fostered a generation of curators and art historians, shaping the way museums approach contemporary art. His dedication to accessibility and inclusivity continues to inspire institutions today.

    Despite stepping down from his directorship in 1984, Lerner remained an active artist until his death in 2007. His paintings, now housed in major collections around the world, offer a poignant reflection on the human experience within the context of a rapidly changing urban landscape. Abram Lerner’s legacy is not just one of institutional leadership but also as a deeply sensitive and insightful observer of the modern world—a testament to the power of art to capture the complexities and contradictions of our time.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Self Portrait

    wahooart.com/nl/art/download/abram-lerner-self-portrait-AR2J3U-en/

    Bronvermelding voor dit kunstwerk

    MLA
    lerner, abram. Self Portrait. 1956, https://wahooart.com/nl/art/abram-lerner-self-portrait-AR2J3U-en/
    APA
    lerner, abram (1956). Self Portrait [Painting]. https://wahooart.com/nl/art/abram-lerner-self-portrait-AR2J3U-en/
    Chicago
    abram lerner. Self Portrait. 1956. https://wahooart.com/nl/art/abram-lerner-self-portrait-AR2J3U-en/
    Harvard
    lerner, abram (1956) Self Portrait. Available at: https://wahooart.com/nl/art/abram-lerner-self-portrait-AR2J3U-en/

    Bekijk het van dichtbij

    Self Portrait — abram lerner

    Kijk eens goed

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar Flowers and Olympia, eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. abram lerner was ongeveer 43 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?
    5. Wat zou de kunstenaar u willen laten voelen?

    Uw reactie

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