periode

beweging

  1. Lamentation of Christ — Annibale Carracci, 1606

sfeer

  1. De Laatste Oordeel (detail) — Michelangelo Buonarroti, 1537
  2. Lamentation of Christ — Annibale Carracci, 1606
  3. Self-Portrait — Annibale Carracci, 1604
  4. Descent from the Cross (outside left) — Peter Paul Rubens, 1614
  5. Holy Women at Christ' s Tomb — Annibale Carracci, 1590
  6. The Last Judgment (detail) — Michelangelo Buonarroti
  7. Christ and the Canaanite woman — Annibale Carracci, 1595
  8. Polyphemus Attacking Acis and Galatea — Annibale Carracci, 1605
  9. Christ in Glory — Annibale Carracci, 1597
  10. Christ Wearing the Crown of Thorns, Supported by Angels — Annibale Carracci, 1585
  11. The Intervention of the Sabine Women (detail) — Jacques-Louis David, 1799

onderwerpen

  1. Polyphemos hurls a rock to Akis Sun — Annibale Carracci

trefwoorden

toon

  1. De Laatste Oordeel (detail) — Michelangelo Buonarroti, 1537
  2. Descent from the Cross (outside left) — Peter Paul Rubens, 1614
  3. Polyphemus Attacking Acis and Galatea — Annibale Carracci, 1605
  4. The Intervention of the Sabine Women (detail) — Jacques-Louis David, 1799

hoofdkleur

  1. Polyphemos hurls a rock to Akis Sun — Annibale Carracci
  2. San Cristóbal — Jacopo Bassano
  3. Sheet of caricatures — Annibale Carracci, 1595
  4. Polyphemus Attacking Acis and Galatea — Annibale Carracci, 1605
  5. polyphemus and the nymph galatea — Annibale Carracci
  6. The Intervention of the Sabine Women (detail) — Jacques-Louis David, 1799
  7. Scenes from the Life of Samson — Guido Reni
  8. Crucifixie — Annibale Carracci, 1583
  9. Hercules and Cacus — niccolo dell' abate, 1543
  10. Christ Wearing the Crown of Thorns, Supported by Angels — Annibale Carracci, 1585

overig

  1. Saint christopher — orazio borgianni
  2. Polyphemus — Giulio Romano, 1526
  3. St Margaret — Annibale Carracci, 1597
  4. Pietà with St Francis and Mary Magdalene — Annibale Carracci, 1607
  5. Venus, Adonis, and Cupid — Annibale Carracci, 1595
  6. Head of a Man — Annibale Carracci, 1595