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Tilman Riemenschneider Meest populaire schilderijen

De 14 kunstwerken van Tilman Riemenschneider die onze bezoekers het meest vragen, gerangschikt op populariteit en één voor één gepresenteerd, met de specificaties en de prijs van elke handgeschilderde reproductie.

Editie 2026 · 14 kunstwerken Elk kunstwerk op bestelling geschilderd
Linnen canvas · Certificaat van echtheid · Wereldwijd verzonden Tilman Riemenschneider · 1460 – 1531

Salome

1500 · Victoria and Albert Museum, London

Witness the haunting beauty of Tilman Riemenschneider's 'Salome,' a weathered wood sculpture embodying sorrow and introspection. Explore its intricate details & symbolic depth, a masterpiece of late Gothic art.

Techniek: Met de hand geschilderd olieverf op linnen canvas
Gemaakt door: Op bestelling, door een professioneel kunstenaar
Populariteit: Nr. 1 van 14 kunstwerken van Tilman Riemenschneider
Levering: Wereldwijd ongeveer 5 weken

vanaf$18128 × 36 cm Bestel dit kunstwerk

Saint Elisabeth

1510 · Germanisches Nationalmuseum, Nürnberg

Discover Tilman Riemenschneider's iconic 'Saint Elisabeth,' a poignant wood sculpture showcasing medieval piety and masterful carving techniques. Explore its details & artistic significance.

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Saint Lawrence

1500 · Germanisches Nationalmuseum, Nürnberg

Explore Tilman Riemenschneider’s 1500 sculpture of Saint Lawrence – a poignant Gothic masterpiece. Witness intricate wood carving, expressive detail & symbolic elements in this powerful medieval artwork.

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Graf Rudolf von Scherenbergs Grab

1495 · Dom, Würzburg

Een gedetailleerde zwart-wit foto van een sculptuurdetail uit het grafmonument van Rudolf von Scherenbergs, gecreëerd door Tilman Riemenschneider rond 1495. Een meesterwerk van laatgotische beeldhouwkunst.

Techniek: Met de hand geschilderd olieverf op linnen canvas
Gemaakt door: Op bestelling, door een professioneel kunstenaar
Populariteit: Nr. 4 van 14 kunstwerken van Tilman Riemenschneider
Levering: Wereldwijd ongeveer 5 weken

vanaf$18126 × 38 cm Bestel dit kunstwerk

Mary Magdalen with two Angels

1490 · Bayerisches Nationalmuseum, München

Magnificent 1490 sculpture by Tilman Riemenschneider: 'Mary Magdalen with two Angels.' A poignant wood carving showcasing Gothic artistry & divine grace. Explore this masterpiece!

Techniek: Met de hand geschilderd olieverf op linnen canvas
Gemaakt door: Op bestelling, door een professioneel kunstenaar
Populariteit: Nr. 5 van 14 kunstwerken van Tilman Riemenschneider
Levering: Wereldwijd ongeveer 5 weken

vanaf$18126 × 39 cm Bestel dit kunstwerk

Assumption of the Virgin (detail)

1505

Techniek: Met de hand geschilderd olieverf op linnen canvas
Gemaakt door: Op bestelling, door een professioneel kunstenaar
Populariteit: Nr. 6 van 14 kunstwerken van Tilman Riemenschneider
Levering: Wereldwijd ongeveer 5 weken

vanaf$25626 × 38 cm Bestel dit kunstwerk

The Four Evangelists, from the Münnerstadt Retable

1492

Techniek: Met de hand geschilderd olieverf op linnen canvas
Gemaakt door: Op bestelling, door een professioneel kunstenaar
Populariteit: Nr. 7 van 14 kunstwerken van Tilman Riemenschneider
Levering: Wereldwijd ongeveer 5 weken

vanaf$18148 × 21 cm Bestel dit kunstwerk

St John

1505 · Bayerisches Nationalmuseum, München

A poignant wood sculpture of St. John by Tilman Riemenschneider (1505), showcasing expressive detail and religious devotion from the late medieval period. Explore its history & artistry.

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Assumption of the Virgin

1505

Techniek: Met de hand geschilderd olieverf op linnen canvas
Gemaakt door: Op bestelling, door een professioneel kunstenaar
Populariteit: Nr. 9 van 14 kunstwerken van Tilman Riemenschneider
Levering: Wereldwijd ongeveer 5 weken

vanaf$18126 × 38 cm Bestel dit kunstwerk

Saint Stephen

1505 · Germanisches Nationalmuseum, Nürnberg

Techniek: Met de hand geschilderd olieverf op linnen canvas
Gemaakt door: Op bestelling, door een professioneel kunstenaar
Populariteit: Nr. 10 van 14 kunstwerken van Tilman Riemenschneider
Levering: Wereldwijd ongeveer 5 weken

vanaf$18124 × 42 cm Bestel dit kunstwerk

Eve

Bekijk het populairste kunstwerk van Tilman Riemenschneider op plek #11: Eve

1491 · Marienkirche, Würzburg

Techniek: Met de hand geschilderd olieverf op linnen canvas
Gemaakt door: Op bestelling, door een professioneel kunstenaar
Populariteit: Nr. 11 van 14 kunstwerken van Tilman Riemenschneider
Levering: Wereldwijd ongeveer 5 weken

vanaf$18119 × 52 cm Bestel dit kunstwerk

Virgin and Child on the Crescent Moon

1501 · origineel 123 x 37 cm

Admire Tilman Riemenschneider’s 1501 ‘Virgin & Child.’ This stunning wood sculpture exemplifies Late Gothic-Renaissance style, featuring expressive figures & symbolic moon motif. A captivating piece for art collectors.

Techniek: Met de hand geschilderd olieverf op linnen canvas
Gemaakt door: Op bestelling, door een professioneel kunstenaar
Populariteit: Nr. 12 van 14 kunstwerken van Tilman Riemenschneider
Levering: Wereldwijd ongeveer 5 weken

vanaf$18126 × 39 cm Bestel dit kunstwerk

Dezelfde afmetingen als het origineel$28937 × 123 cm Op maat maken in originele afmetingen

Noli me tangere

1490 · Parish Church, Munnerstadt

Techniek: Met de hand geschilderd olieverf op linnen canvas
Gemaakt door: Op bestelling, door een professioneel kunstenaar
Populariteit: Nr. 13 van 14 kunstwerken van Tilman Riemenschneider
Levering: Wereldwijd ongeveer 5 weken

vanaf$18127 × 37 cm Bestel dit kunstwerk

Adam and Eve

1491 · Mainfränkisches Museum, Würzburg

Techniek: Met de hand geschilderd olieverf op linnen canvas
Gemaakt door: Op bestelling, door een professioneel kunstenaar
Populariteit: Nr. 14 van 14 kunstwerken van Tilman Riemenschneider
Levering: Wereldwijd ongeveer 5 weken

vanaf$20627 × 38 cm Bestel dit kunstwerk

De kunstenaar

Tilman Riemenschneider

1460 – 1531

Snelle feiten

Copyright statusPublic domain
Art periodRenaissance
Typical colorsgrijs
Also known asTilman Reimenschneider
Top-ranked workSalome
Topics exploredmedieval art, sculpture, riemenschneider, religious figure
Died1531
Emotional tonemelancholisch

Biografie

A Life Forged in Stone and Wood

Tilman Riemenschneider, a name that echoes through the corridors of late medieval German art, represents a pivotal moment – a bridge between the deeply spiritual intensity of the Gothic era and the burgeoning humanism of the Renaissance. Born around 1460 in Heiligenstadt im Eichsfeld, his life unfolded against a backdrop of turbulent political shifts and profound artistic transformation. His early years were marked by displacement; the conflict known as the Mainzer Stiftsfehde forced his family to relocate to Osterode, an event that likely instilled within young Tilman a resilience and adaptability – qualities that would become hallmarks of both his life and his extraordinary art. His journey toward mastery began with extensive travels throughout Swabia and the Upper Rhine region, commencing around 1478/79, immersing himself in diverse workshops and absorbing the stylistic nuances of the time. The influence of artists like Martin Schongauer, whose intricate engravings captivated the artistic imagination of the era, is undeniably present in Riemenschneider’s early works, particularly in his meticulous attention to detail and the expressive quality of his lines. In 1483, he settled in Würzburg, a city that would become inextricably linked with his name, joining the Saint Luke's Guild and initially working as a painter’s assistant before establishing himself as an independent master craftsman.

The Blossoming of a Master Sculptor

Riemenschneider’s ascent was remarkably swift and impactful. His earliest confirmed work, the gravestone of Eberhard von Grumbach, created around 1485, already reveals a burgeoning talent for capturing not only physical likeness but also profound emotional depth. He quickly gained recognition, attracting commissions from town councils and churches eager to benefit from his exceptional skill. However, it was in the realm of altarpieces that Riemenschneider truly distinguished himself – these were not merely devotional objects; they were immersive theatrical experiences meticulously carved in wood, designed to evoke powerful spiritual responses within those who beheld them. The Franziskusaltar in Rothenburg ob der Tauber (circa 1490-1492) and, most notably, the Holy Blood Altar in Creglingen (completed around 1503-1505), stand as prime examples of his mastery of limewood carving. These altarpieces are characterized by their intricate detail, dynamic compositions, and a remarkable ability to convey human emotion through sculpted form. Riemenschneider’s innovative approach extended beyond the subject matter itself; he frequently abandoned traditional polychromy – the practice of painting sculptures – allowing the natural beauty of the wood to take center stage, emphasizing its texture, grain, and inherent warmth. The Münnerstadt Altarpiece (1490-1492) exemplifies this evolving style, skillfully blending Late Gothic formality with emerging Renaissance humanism in its depiction of biblical scenes, particularly evident in the expressive faces and individualized portrayals of the Evangelists. The figures possess a palpable sense of life, imbued with both dignity and vulnerability – a testament to Riemenschneider’s profound understanding of the human condition.

Civic Duty and Political Turmoil

Riemenschneider's life was not solely dedicated to artistic pursuits; he was also an active participant in civic affairs. In 1504, he assumed a position as a councillor (late Mayor) within the Würzburg town council, holding this role for twenty years and accumulating significant influence within the community. This involvement brought him both social standing and lucrative commissions, further solidifying his position as one of Würzburg’s most respected citizens. However, this period of prosperity was tragically disrupted by the Peasants' War in 1525 – a tumultuous event that profoundly impacted Riemenschneider’s life and career. He held strong convictions about justice and fairness, and when faced with the rebellion of the peasantry, he refused to support military action against them, a decision that ultimately led to his downfall. His stance resulted in imprisonment and significant financial hardship, casting a long shadow over his artistic endeavors. Despite enduring legends claiming he lost his hands as punishment – a story likely embellished over time – historical evidence suggests this is not entirely accurate; however, the emotional and professional toll was undeniably severe. Following his release, Riemenschneider continued to produce works, but they were fewer in number and often smaller in scale, reflecting the diminished circumstances of his later years. His final commission came from a Benedictine nunnery at Kitzingen around 1527, marking a poignant end to a career marked by both triumph and adversity. He passed away on July 7, 1531, in Würzburg, leaving behind a legacy that would slowly be rediscovered and celebrated in the centuries to come.

A Lasting Legacy

Tilman Riemenschneider’s significance lies not only in his technical virtuosity but also in his ability to capture the spirit of a transitional era. His work represents a unique synthesis of Late Gothic sensibilities with emerging humanist ideals, bridging the gap between tradition and innovation. He stands as a master of woodcarving, renowned for his expressive figures, intricate detail, and innovative use of materials. For centuries after his death, Riemenschneider’s contributions were largely overlooked, overshadowed by the artistic achievements of the Italian Renaissance. However, in the 19th century, art historians began to recognize and appreciate his unique genius, recognizing him as one of the most important sculptors of his time. His influence on subsequent generations of German artists is undeniable, inspiring a renewed appreciation for woodcarving and a commitment to expressive realism. Today, Riemenschneider’s sculptures are treasured throughout Europe, serving as powerful reminders of a bygone era and a testament to the enduring power of artistic vision.

Key Characteristics of His Work

Mastery of Limewood Carving: Riemenschneider's exceptional skill in working with limewood allowed him to create sculptures of remarkable detail and expressiveness.
Emotional Realism: His figures are not merely representations of religious subjects; they convey a profound sense of human emotion, making them relatable and deeply moving.
Innovative Use of Polychromy: While he sometimes employed paint, Riemenschneider often left his sculptures unpainted, highlighting the natural beauty of the wood itself.
Dynamic Compositions: His altarpieces are characterized by their complex and dynamic compositions, creating a sense of movement and drama.
Blending Gothic and Renaissance Styles: Riemenschneider’s work represents a unique synthesis of Late Gothic sensibilities with emerging humanist influences.

Vraag en antwoord

In welke stad en welk land is Tilman Riemenschneider geboren?

Tilman Riemenschneider werd geboren in Heiligenstadt, in Duitsland.

Waar kan ik alle kunstwerken van Tilman Riemenschneider bekijken?

Alle werken van Tilman Riemenschneider op deze website zijn te bekijken op de Alle kunstwerken pagina van de kunstenaar.

Waar komt Tilman Riemenschneider vandaan?

Tilman Riemenschneider werd geboren in Duitsland.

Door de redactie van WahooArt.com Bijgewerkt op 31 augustus 2026

Quiz voor verzamelaars

Wel periode vertegenwoordigt de kunst van Tilman Riemenschneider het beste?
In welke stad werkte Tilman Riemenschneider voornamelijk en vestigde hij zijn carrière?
Wel materiaal was Tilman Riemenschneider het meest bekend met het uitoefenen van zijn kunst?
Wat leidde tot een periode van neergang in Tilman Riemenschneider's carrière?

één U kiest de afmeting

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twee We schilderen en sturen een preview

Een foto van het voltooide canvas ter goedkeuring voordat het wordt verzonden.

drie Geleverd, gecertificeerd

Opgerold, opgespannen of ingelijst, verzekerd, met een echtheidscertificaat.

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