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Solace II

Vardas Klasė Data

Uthman Wahaab, Solace II (2015), Rele Arts Foundation. Reprodukcija skirta informacinėms tikslams; teisės saugomos. Pamatykite šį paveikslą judančios šviesos dėking: piešinį, tikrąsias lakui po esančias spalvas, gryną pigmentą

Faktai

Autorius
Uthman Wahaab wahooart.com/lt/artists/uthman-wahaab/
Autoriaus datys
1983 –
Spalvotas
2015
Viešintas
Rele Arts Foundation wahooart.com/lt/museums/rele-arts-foundation-lagos/

Kontekste

Solace II — Uthman Wahaab

Kada tai buvo nupiesta?

  1. 1980
  2. 1990
  3. 2000
  4. 2010

Viršutinė eilutė: metai. Žemiau esanti eilutė: kiek metų menmeniui buvo kiekvieno laikotarpio pradžioje ir pabaigoje (gimimas – 0).

Paveikta menininkui būnant 32 metų. 1 iš 7 šio kūrinio autoriui datuotų darbų mūsų kataloge buvo sukurti anksčiau.

▲ šis kūrinys, 2015 kiekviena su data pavadinta paveikslėlio, dešimtmečiais

Palyginti su

Pasirinkite vieną viršuje esantį kūrinį: nurodykite du panašumų su šiuo kūriniu ir vieną skirtumą.

Daugiau šiam kūriniui priderančių darbų: wahooart.com/lt/art/similar/uthman-wahaab-solace-ii-DD2EE8-en/

Spalvos

Matuota iš vaizdo skaitmeniniu būdu

    Pagrindinė spalva

    Celadon #bcc3c8

    Kataloguota paletė

    • #BCC3C8
    • #2D2C2B
    • #605C5B
    • #8F8F93

    Šios spalvos visoje meno kūryjos paletėje Raskite kitus paveikslus pagal spalvą

    Pagrindinės spalvos pavadinimas
    Celadon
    Intensyvumas
    Monochromatic Kiek spalvų yra prisigamintų ir kokios jos yra ryškios – nuo vienos nuolydžios spalvos iki daugybės ryškių tonų.
    Kontrastas
    Statement Kiek spalvų skiriasi šviesos ir ryškumo dėkingai per visą paveikslą.
    Harmonija
    Discordant Palette Kaip spalvos dera tarpusavyje – nuo kontrastuojančių iki visiškai suvienytų.
    Ryškumas
    Balanced Bendras vaizdo šviesumas ar tamsumas, nuo gilių šešėlių iki ryškių šviesos dėliojų.
    Sodrumas
    Muted Spalvų gryrumas ir intensyvumas svyruoja nuo beveik pilkšų iki visiškai ryškių.

    Kur pasaulyje žiūrima į šį paveikslą?

    • 低于 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ir daugiau
    Šio paveikslėlio lankytojų duomenys yra per mažai, kad būtų galima suformuoti žemėlapį, todėl čia pateikiamos visos Uthman Wahaab darbai per pastaruosius dvylika mėnesių — iš viso 2 šalių. Iš kur gauti šie duomenys

    Dešimt pirmなusių šalių

    1. 1 Kinija 66,7%
    2. 2 Jungtinės Amerikos Valstijos 33,3%

    Žemėlapyje rasti tris tamsiausias šalis. Ar viena iš jų yra ta, kurioje yra muziejus, saugantis šį paveikslą? Įrašykite vieną priežastį, kodėl žmonės iš toli galėtų jį aplankyti.

    Populiariausi Uthman Wahaab kūriniai (žiūrėtos dalis: 4)

    1. 1 Solace in Self 2 (Fat Women Series), 2015 33,3%
    2. 2 Solace I (Fat Women Series), 2015 33,3%
    3. 3 Solace in Self 3 (Fat Women Series), 2015 33,3%
    4. — Solace II, 2015 šis paveikslas 0,0%

    Kartu šie darbai sudaro 99,9% visos dėmesės, skirtos šio paveikslėlio kūrybai per pastaruosius dvylika mėnesių. Kataloge yra 7 šio kūrybinio veikėjo darbų, iš kurių 3 buvo apžiūrėti bent vieną kartą. Šiam paveikslui kol kas belum buvo žiūrėta — jis uždaro sąrašą neturint įvertinimo. Viskas tas pats, mėnesį po mėnesio

    Sluokslai matuoja dėmesį, o ne kokybę. Pasirinkite viršuje esantį kūrinį ir šį: išvardykite vieną dalyką, kuris gali padaryti paveikslą garsų ne dėl to, kaip gerai jis tapytas.

    Draugas ir muziejus

    Autorius

    Uthman Wahaab

    Gimė Ilorin, Nigeria

    Utman Wahaab: Exploring Identity and Challenging Perspectives Through Diverse Artistic Mediums

    Nigerian multidisciplinary artist Utman Wahaab emerged in 1983 in Ilorin, Kwara State, Nigeria, fostering a creative spirit nurtured amidst the vibrant cultural landscape of Lagos. He pursued formal artistic education at the School of Art Design and Printing at Yaba College of Technology, laying the groundwork for his distinctive approach to visual storytelling. Wahaab’s artistic philosophy transcends conventional stylistic boundaries; he deliberately eschews established aesthetic conventions, prioritizing instead a pioneering exploration of language—a visual vocabulary that actively resists traditional representations. This commitment stems from a profound desire to document contemporary history while simultaneously unveiling hidden realities.

    His expansive skillset encompasses drawing, painting, graphic design, filmmaking, photography, sculpture, and installation, uniting these disciplines into a singular mission: to forge a new artistic idiom. Recognizing the importance of confronting complex societal issues—particularly those prevalent in Africa—Wahaab’s work delves into themes of identity, beauty, sexuality, and cultural influences shaped by technological advancements and social transformations. He firmly believes that engaging critically with the past is paramount for navigating the challenges posed by globalization and postcolonial legacies within the African context.

    The artist's dedication extends beyond artistic creation; he actively seeks to contribute positively to his community, harnessing the power of art as a catalyst for examining difficult political, economic, and social dynamics—often obscured or marginalized voices. Through his oeuvre, Wahaab offers a nuanced critique of societal narratives not only within Africa but also illuminates how global forces complicate the socio-cultural landscape across the continent. His artistic endeavors have garnered international recognition, showcased prominently in galleries throughout Africa and Europe. Currently represented by Sapar Contemporary in New York City, Utman Wahaab continues to push boundaries and redefine artistic expression.

    Notable Achievements: Internationally acclaimed exhibitions showcasing his work across continents.

    Influences: Drawing inspiration from diverse cultural traditions and philosophical perspectives.

    Mediums Employed: He skillfully utilizes a wide array of mediums including painting, sculpture, photography, film and graphic design.

    The Fat Women Series: A Bold Confrontation with Societal Norms

    Wahaab’s artistic trajectory gained significant momentum with the inception of “The Fat Women Series,” a project that powerfully confronts societal prejudices surrounding body image. This series utilizes photography and painting to challenge conventional representations of femininity, advocating for inclusivity and dismantling stereotypes rooted in unrealistic beauty standards. The deliberate choice of portraying overweight women is not merely aesthetic; it serves as a symbolic gesture—a defiant assertion against cultural biases that perpetuate shame and diminish the value of diverse bodies.

    Symbolism: Each artwork embodies a potent message about acceptance, resilience, and celebrating individuality.

    Technique: Wahaab’s meticulous attention to detail ensures that his paintings capture nuanced expressions of emotion and vulnerability.

    Exploring Visual Language – Rejecting Tradition for Authentic Representation

    Central to Wahaab's artistic vision is a resolute rejection of established artistic conventions. He consciously abandons formulas designed to mimic or imitate existing styles, prioritizing instead the development of a distinctive visual language—one that prioritizes honesty and veracity over stylistic imitation. This approach reflects a broader philosophical stance: recognizing that true artistic expression necessitates confronting preconceived notions about how images should convey meaning. By deliberately eschewing traditional methods of depiction, Wahaab strives to capture the essence of experience with uncompromising clarity.

    Contemporary Relevance & Artistic Legacy

    Utman Wahaab’s work resonates deeply within the context of contemporary artistic discourse and contributes significantly to ongoing conversations about social justice and cultural representation. His unwavering commitment to challenging dominant narratives—particularly those concerning identity and beauty—solidifies his position as a visionary artist who champions inclusivity and promotes critical engagement with societal complexities. As Sapar Contemporary continues to champion his artistic endeavors, Wahaab’s legacy ensures that his groundbreaking explorations of visual language will inspire future generations of artists to pursue authentic expression and confront uncomfortable truths.

    Muziejus

    Rele Arts Foundation

    Parodoma Lagos, Nigeria

    Rele Arts Foundation: A Pulse of Contemporary African Art

    Nestled in the vibrant heart of Lagos, Nigeria, the Rele Arts Foundation stands as a beacon illuminating the dynamic landscape of contemporary and traditional African art. More than just a gallery, it’s a carefully cultivated space—a cultural hub where established masters converse with emerging voices, and where the echoes of ancient traditions resonate within the framework of modern expression. Founded by Adenrele Sonariwo in 2010, Rele has rapidly become a pivotal force, not only within Nigeria but increasingly on the global stage, bridging continents and fostering a deeper appreciation for the rich artistic heritage of the continent.

    The foundation’s ethos is rooted in a commitment to providing opportunities for Nigerian artists – particularly those often overlooked by mainstream institutions. This dedication manifests powerfully through its Young Contemporaries program, a prestigious initiative offering mentorship, residencies, and exhibition platforms to a select group of rising talents. But Rele's impact extends far beyond this single program; it’s woven into the very fabric of the gallery itself, a carefully curated environment designed to showcase the breadth and depth of African creativity. The architecture reflects this philosophy – clean lines and minimalist design create a neutral backdrop that allows the artwork to command center stage, while strategic use of natural light enhances the colors and textures, inviting viewers to fully immerse themselves in each piece.

    A Tapestry of Tradition and Innovation

    Rele’s collection is a compelling dialogue between the past and present. Alongside a significant selection of traditional masks and sculptures – powerful embodiments of Nigerian cultural history and spiritual beliefs – you'll discover a diverse array of sculptural works, ranging from abstract explorations of form to evocative figurative representations. These pieces often grapple with themes of identity, social commentary, and environmental concerns, reflecting the complexities of contemporary African life. The gallery’s commitment to showcasing cutting-edge work from emerging Nigerian artists is particularly noteworthy; they are actively shaping the future of art in Africa, pushing boundaries and challenging conventions.

    Notable exhibitions have cemented Rele's reputation as a vital platform for artistic discourse. “The Atlantic Triangle,” curated by Alfons Hug in 2017, offered a powerful exploration of interconnectedness across continents, while "Her Story" provided a poignant lens through which to examine the experiences of women within African society. Perhaps most strikingly, Rele has partnered with Samsung on an ongoing initiative, “Tech Meets Art,” demonstrating a willingness to embrace innovation and explore the intersection of art and technology – a testament to its forward-thinking approach.

    Expanding Horizons: Los Angeles and Beyond

    In 2021, Rele Arts Foundation took a bold step, establishing a location in Los Angeles, California—a landmark achievement as it marked the first African gallery to call the city home. This expansion represents more than just geographical growth; it signifies a deliberate effort to connect African art with a global audience and foster cross-cultural exchange. The Los Angeles space mirrors the ethos of the Lagos gallery – prioritizing emerging talent and creating a welcoming environment for both local collectors and international visitors.

    A Unique Cultural Hub

    What truly distinguishes Rele Arts Foundation is its role as a vibrant cultural hub. It’s a place where artists, curators, critics, and enthusiasts converge to exchange ideas, celebrate creativity, and build connections. The foundation actively promotes dialogue and appreciation for the diverse artistic expressions of Africa, fostering a sense of community and belonging. Rele's influence extends beyond its physical spaces; it has become synonymous with contemporary African art, inspiring artists and collectors alike to embrace the continent’s rich creative legacy.

    Notable Artists at Rele

    Olumide Onadipe:

    A Nigerian artist blending traditional and contemporary techniques to tackle environmental themes and social commentary. His work offers a powerful reflection on the challenges facing Africa today.

    Kur skaityti daugiau

    Raskite internete

    QR kodas, vedantis į Solace II atsisiuntimo puslapį

    wahooart.com/lt/art/download/uthman-wahaab-solace-ii-DD2EE8-en/

    Citavimo šio kūrinio duomenys

    MLA
    Wahaab, Uthman. Solace II. 2015, Rele Arts Foundation. https://wahooart.com/lt/art/uthman-wahaab-solace-ii-DD2EE8-en/
    APA
    Wahaab, Uthman (2015). Solace II [Painting]. Rele Arts Foundation. https://wahooart.com/lt/art/uthman-wahaab-solace-ii-DD2EE8-en/
    Chicago
    Uthman Wahaab. Solace II. 2015. Rele Arts Foundation. https://wahooart.com/lt/art/uthman-wahaab-solace-ii-DD2EE8-en/
    Harvard
    Wahaab, Uthman (2015) Solace II. Rele Arts Foundation. Available at: https://wahooart.com/lt/art/uthman-wahaab-solace-ii-DD2EE8-en/

    Atidžiai pastebėkite

    Solace II — Uthman Wahaab

    Atidžusiai pastebėkite

    Atsakykite savo žodžiais. Čia nėra neteisingų atsakymų – yra tik atsakymai, kuriuos galite paaiškinti.

    1. Kas pirmiausia patraukia jūsų dėmesį ir kodėl?
    2. Kokie spalvos ar formos sukuria nuotaiką — ir kokia tai nuotaika?
    3. Kiek veidų pavyksta rasti? ____ (mūsų kataloge jų 1 — sutinkate?)
    4. Prisiminkite Solace I (Fat Women Series) (2015), apie kurią buvo rašyta anksčiau šiame vadove. Įvardinkite dvi bendras detales su šiuo kūriniu ir vieną skirtumą.
    5. Uthman Wahaab buvo apie 32 metų, kai šis kūrinys buvo sukurtas. Koks jo elementas primena būtent tokio amžiaus kūrinį?

    Jūsų atsakymas

    Parašykite trumpą pastraipę apie šį kūrinį. Naudokite informaciją iš ankstesnių šio vadovėjo dalių bei savo anksčiau pateiktus atsakymus.

    Klausimai ir atsakymai

    Ar galiu peržiūrėti „Solace II“ – Uthman Wahaab prieš užsakant?

    „Solace II“ Peržiūra interjere puslapio funkcija leidžia peržiūrėti kūrinį prieš užsakant.

    Kokia yra „Solace II“ – Uthman Wahaab kūrybos data?

    „Solace II“ – Uthman Wahaab kūrybos metai – 2015.

    Ar galiu pamatyti „Solace II“ – Uthman Wahaab rentgeno nuotrauką?

    Darbino „Solace II“ – Uthman Wahaab puslapio Rentgeninis vaizdas veją yra interaktyvus naršyklė, leidžiantis peržiūrėti vienu metu vieną iš vienylika optinių vaizdo sluoksnių, įskaitant rentgeno tipo vaizdą.