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No. 17

Vardas ir pavardė Klasė Data

paul allen reed, No. 17 (1964), Oklahoma City Museum of Art. Reprodukcija skirta informacinėms tikslams; teisės priklauso teisėsобладаiciui.

Pagrindinė informacija

Autorius
paul allen reed wahooart.com/lt/artists/paul-allen-reed/
Autoriaus datys
1919 – 2015
Spalvotas
1964
Mediumas
Acrylic On Canvas
Originalus dydis
170 x 170 cm
Judėjimas
Color Field Painting Huge areas of flat, soft colour meant to be felt rather than read as a picture of anything.
Laikotarpis
Modern
Viešintas
Oklahoma City Museum of Art wahooart.com/lt/museums/oklahoma-city-museum-of-art-oklahoma-city/
Artistic style
Color field painting
Notable elements or techniques
Blue circles with green dots, diluted acrylic
Subject or theme
Abstract color and form

Kontekste

No. 17 — paul allen reed

Koks yra jo dydis?

Originalūs matmenys yra 170 × 170 cm (aukštis × plotis), čia pateikta šalia vidutinio ūgio suaugusiojo.

Kada tai buvo nupiesta?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990
  10. 2000
  11. 2010

Šviesoplėvis: paul allen reed gyvenimas (1919–2015) ▲ šis kūrinys, 1964

Palyginti su kitais kūriniais

  • Step, 1968 wahooart.com/lt/art/paul-allen-reed-step-D7WVWT-en/
  • Coherence, 1966 wahooart.com/lt/art/paul-allen-reed-coherence-D38T2U-en/

Pasirinkite vieną viršuje esantį kūrinį: nurodykite du panašumų su šiuo kūriniu ir vieną skirtumą.

Daugiau šiam kūriniui priderančių darbų: wahooart.com/lt/art/similar/paul-allen-reed-no-17-D7WVX2-en/

Spalvų paletė

Matuota iš vaizdo

    Pagrindinė spalva

    Phthalo Green #2a2b27

    Išsaugota paletė

    • #2A2B27
    • #F99303
    • #6D91DB
    • #5C82D4
    Paletė
    Sunset Dominiruojanti spalvų grupė paveikslėlyje.
    Pagrindinė spalva
    Phthalo Green
    Intensyvumas
    Vivid Kiek spalvų yra prisigamintų ir kokios jos yra ryškios – nuo vienos nuolydžios spalvos iki daugybės ryškių tonų.
    Kontrastas
    Gentle Kiek spalvų skiriasi šviesos ir ryškumo dėkingai per visą paveikslą.
    Harmonija
    Balanced Harmony Kaip spalvos dera tarpusavyje – nuo kontrastuojančių iki visiškai suvienytų.
    Ryškumas
    Brilliant Bendras vaizdo šviesumas ar tamsumas, nuo gilių šešėlių iki ryškių šviesos dėliojų.
    Sodrumas
    Vivid Color Spalvų gryrumas ir intensyvumas svyruoja nuo beveik pilkšų iki visiškai ryškių.

    Apie šį kūrinį

    No. 17 — paul allen reed

    A Symphony of Color and Form

    In the vast landscape of mid-century abstraction, few works capture the rhythmic pulse of light and shadow as intimately as Paul Allen Reed’s No. 17. Created in 1964, this masterpiece serves as a profound testament to the artist's mastery over the Washington Color School movement. At first glance, the viewer is met with a striking nocturnal atmosphere, where a deep, velvety black background provides a stage for a celestial dance of blue and yellow. The composition is not merely a collection of shapes but a carefully orchestrated visual melody, where scattered blue circles—some punctuated by delicate green accents—float like luminous orbs in an infinite void. This interplay between the dark expanse and the vibrant, saturated pigments creates a sense of depth that pulls the observer into a meditative state.

    The technique employed in No. 17 reflects Reed’s pioneering spirit within the realm of color field painting. Eschewing traditional heavy textures, Reed utilized diluted acrylic paints applied directly to the canvas, a method that allowed for a luminous, almost translucent quality. This approach enables the colors to bleed and interact with a soft, ethereal edge, making the blue circles appear as though they are glowing from within rather than sitting atop the surface. The precision of the circular forms contrasted against the fluid, atmospheric application of color demonstrates a sophisticated control over both spontaneity and structure, a hallmark of his contribution to American abstraction.

    Historical Resonance and Emotional Depth

    To understand No. 17 is to understand the historical significance of the Washington Color School. As a contemporary of some of the most influential figures in post-war art, Reed sought to redefine how color could function as the primary subject of a painting, independent of representational form. In this work, there is no hidden narrative or literal subject; instead, the "subject" is the emotional resonance of the colors themselves. The tension between the cool, tranquil blues and the sharp, energetic yellows evokes a feeling of cosmic wonder, reminiscent of looking through a telescope into a distant nebula. It is an exploration of pure perception, inviting the viewer to experience the weight, temperature, and vibration of color.

    For the discerning collector or interior designer, this painting offers more than just aesthetic beauty; it provides a focal point of profound intellectual and emotional gravity. The large-scale 170 x 170 cm format ensures that the work commands any space it inhabits, making it an ideal centerpiece for modern, minimalist, or contemporary luxury interiors. A high-quality reproduction of this piece allows one to bring the transformative power of Reed’s vision into a private sanctuary, offering a window into a world where color and light reign supreme. Whether placed in a quiet study or a grand gallery, No. 17 continues to inspire awe, serving as a timeless reminder of the beauty found in the balance of light and darkness.

    Virus ir muziejus

    Autorius

    paul allen reed

    Gimė Washington, United States of America

    a pioneer of color field painting

    paul allen reed, an american artist, left an indelible mark on the art world with his contributions to the washington color school and color field painting. born in 1919 in washington, d.c., reed's artistic journey began at the corcoran school of art, where he honed his skills alongside other notable artists.

    artistic contributions

    reed's work is characterized by its bold exploration of color and form, often using diluted acrylic paint directly on canvas. this innovative approach not only defined his style but also influenced a generation of artists. his paintings are now part of major museum collections, including the national gallery of art and the smithsonian american art museum.

    key works:

    untitled (1960), a seminal piece showcasing reed's use of vibrant, unblended colors.

    study for "event" (1962), demonstrating his experimentation with form and color interaction.

    museums featuring his work:

    national gallery of art

    smithsonian american art museum

    art movement:

    washington color school

    color field painting

    legacy and influence

    as the last living member of the washington color school at the time of his passing in 2015, reed's legacy extends beyond his own body of work. his influence can be seen in numerous artists who have followed in his footsteps, experimenting with color and form. recommended reading: - paul allen reed on AllPaintingsStore - greatest most famous paintings of all time featuring works by artists influenced by color field painting view more artworks: - sam gilliam: day tripper (acrylic on canvas) - arshile gorky: waterfall

    Muziejus

    Oklahoma City Museum of Art

    Parodoma vietoje Oklahoma City, United States of America

    A Beacon of Artistic Vision: The Oklahoma City Museum of Art

    Nestled within the vibrant heart of downtown Oklahoma City, the Oklahoma City Museum of Art (OKCMOA) stands as more than just a repository for artistic treasures; it’s an immersive experience, a dynamic hub where art breathes life into the city and invites visitors on a journey through centuries of creative expression. From its humble beginnings as a grassroots initiative in the early 20th century to its current status as a nationally recognized institution, OKCMOA's story is one of unwavering dedication, visionary leadership, and a profound commitment to making art accessible to all. The museum’s architecture itself—a striking testament to modern design—seamlessly integrates with the collection, creating an environment that both celebrates and enhances the power of artistic vision.

    At the heart of OKCMOA's compelling narrative lies its extraordinary collection, a carefully curated tapestry woven from diverse threads of American and international art. The museum’s strength resides particularly in its powerful representation of postwar abstraction, showcasing the revolutionary works of artists who redefined the boundaries of artistic expression following World War II. These pieces—often characterized by their non-representational forms, bold colors, and evocative textures—invite contemplation and challenge conventional notions of beauty. Beyond this pivotal period, visitors will discover a rich array of American art spanning from classic realism to the energetic experimentation of modernism, alongside an impressive international collection that offers a global perspective on artistic traditions. A truly unforgettable centerpiece is the museum’s unparalleled assemblage of Dale Chihuly glass art, culminating in the breathtaking Eleanor Blake Kirkpatrick Memorial Tower—a swirling cascade of vibrant colors and organic shapes that dominates the atrium and serves as a mesmerizing focal point.

    Architectural Harmony: The Donald W. Reynolds Visual Arts Center

    The building itself is an integral part of the OKCMOA experience, a masterpiece of modern design conceived by architect Rand Elliott. The Donald W. Reynolds Visual Arts Center isn’t merely a structure housing art; it responds to it, providing a neutral yet stimulating backdrop that enhances the viewing experience. A distinctive glass façade floods the interior with natural light, creating an inviting atmosphere and highlighting the brilliance of the artworks within. This thoughtful design philosophy extends beyond aesthetics, prioritizing accessibility and flow to ensure visitors can easily navigate the galleries and fully immerse themselves in the world of art. The building’s open layout encourages exploration, while its strategic use of space creates a sense of both grandeur and intimacy – a perfect balance for appreciating the diverse range of artistic expressions on display.

    A Living Museum: Exhibitions and Community Engagement

    OKCMOA is far more than a static collection; it’s a vibrant, evolving institution dedicated to fostering engagement with the arts. The museum consistently enriches its offerings through rotating exhibitions that bring fresh perspectives and showcase both established and emerging artists. Beyond visual art, OKCMOA actively cultivates a thriving cultural scene, hosting film screenings—featuring independent, foreign, and classic cinema—lectures by renowned scholars, and special events designed to appeal to diverse interests. These programs are thoughtfully curated to engage visitors of all ages and backgrounds, fostering a deeper appreciation for the arts and encouraging creative exploration. The museum’s commitment to education is evident in its numerous workshops and outreach initiatives, ensuring that art remains accessible and relevant within the community it serves.

    A Legacy of Innovation and Community Impact

    What truly sets OKCMOA apart is its unique blend of artistic excellence, architectural innovation, and an unwavering dedication to public engagement. Its central location within downtown Oklahoma City makes it a convenient destination for both tourists and locals alike, surrounded by other cultural attractions and vibrant urban amenities. The museum’s diverse collections cater to a wide range of tastes, ensuring that every visitor will discover something to inspire and captivate them. From the iconic Dale Chihuly Tower to the profound impact of its collection of American and international art, OKCMOA stands as a testament to the power of art to enrich lives and strengthen communities – a true beacon of creativity in the heart of the American landscape.

    Additional Resources

    Website:

    https://www.okcmoa.com/

    Wikipedia:

    https://en.wikipedia.org/wiki/Oklahoma_City_Museum_of_Art

    Kur skaityti daugiau

    Raskite internete

    QR kodas, vedantis į No. 17 atsisiuntimo puslapį

    wahooart.com/lt/art/download/paul-allen-reed-no-17-D7WVX2-en/

    Citavimo šio kūrinio duomenys

    MLA
    reed, paul allen. No. 17. 1964, Oklahoma City Museum of Art. https://wahooart.com/lt/art/paul-allen-reed-no-17-D7WVX2-en/
    APA
    reed, paul allen (1964). No. 17 [Painting]. Oklahoma City Museum of Art. https://wahooart.com/lt/art/paul-allen-reed-no-17-D7WVX2-en/
    Chicago
    paul allen reed. No. 17. 1964. Oklahoma City Museum of Art. https://wahooart.com/lt/art/paul-allen-reed-no-17-D7WVX2-en/
    Harvard
    reed, paul allen (1964) No. 17. Oklahoma City Museum of Art. Available at: https://wahooart.com/lt/art/paul-allen-reed-no-17-D7WVX2-en/

    Atidžiai pastebėkite

    No. 17 — paul allen reed

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    Atsakykite savo žodžiais. Čia nėra neteisingų atsakymų – yra tik atsakymai, kuriuos galite paaiškinti.

    1. Kas pirmiausia patraukia jūsų dėmesį ir kodėl?
    2. Kokie spalvos ar formos sukuria nuotaiką — ir kokia tai nuotaika?
    3. Mūsų kataloge šis kūrinys priskirtas prie: abstract, color field, geometric. Ar sutinkate? Ką pridėtumėte arba pašalintumėte?
    4. Prisiminkite Step (1968), apie kurią buvo rašyta anksčiau šiame vadove. Įvardinkite dvi bendras detales su šiuo kūriniu ir vieną skirtumą.
    5. Color Field Painting: Huge areas of flat, soft colour meant to be felt rather than read as a picture of anything. Kur tai galima pastebėti šiame darbe?

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