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Passing Through

Vardas ir pavardė Klasė Data

joyce marquess carey, Passing Through (1993), San Jose Museum of Quilts - Textiles. Reprodukcija skirta informacinėms tikslams; teisės priklauso teisėsобладаiciui.

Pagrindinė informacija

Autorius
joyce marquess carey wahooart.com/lt/artists/joyce-marquess-carey/
Autoriaus datys
1936 – ?
Spalvotas
1993
Viešintas
San Jose Museum of Quilts - Textiles wahooart.com/lt/museums/san-jose-museum-of-quilts-textiles-san-jose/

Kontekste

Passing Through — joyce marquess carey

Kada tai buvo nupiesta?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990

Šviesoplėvis: joyce marquess carey gyvenimas (1936–?) ▲ šis kūrinys, 1993

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Spalvų paletė

Matuota iš vaizdo

    Pagrindinė spalva

    Steel Blue #495b92

    Išsaugota paletė

    • #495B92
    • #E1E0E1
    • #802638
    • #ADA7BC
    Paletė
    Neutrals Dominiruojanti spalvų grupė paveikslėlyje.
    Pagrindinė spalva
    Steel Blue
    Intensyvumas
    Balanced Kiek spalvų yra prisigamintų ir kokios jos yra ryškios – nuo vienos nuolydžios spalvos iki daugybės ryškių tonų.
    Kontrastas
    Statement Kiek spalvų skiriasi šviesos ir ryškumo dėkingai per visą paveikslą.
    Harmonija
    Softly Mixed Palette Kaip spalvos dera tarpusavyje – nuo kontrastuojančių iki visiškai suvienytų.
    Ryškumas
    Brilliant Bendras vaizdo šviesumas ar tamsumas, nuo gilių šešėlių iki ryškių šviesos dėliojų.
    Sodrumas
    Subtle Color Spalvų gryrumas ir intensyvumas svyruoja nuo beveik pilkšų iki visiškai ryškių.

    Virus ir muziejus

    Autorius

    joyce marquess carey

    Gimė Racine, United States of America

    Joyce Marquess Carey: A Weaver of Light and Texture

    Born in Racine, Wisconsin, in 1936, Joyce Marquess Carey is a singular American artist whose work has captivated audiences with its vibrant satin textures and intricate patterns. More than simply textile art, her creations represent a profound exploration of color, light, and the tactile experience – inviting viewers to step into a world where fabric becomes a luminous landscape. From humble beginnings, Carey’s artistic journey has been marked by recognition within prestigious institutions like the Smithsonian American Art Museum and the Renwick Gallery, solidifying her place as a significant figure in contemporary fiber art.

    Carey's early life instilled a deep appreciation for craftsmanship and visual beauty. Growing up in Wisconsin provided a grounding in traditional techniques, while her artistic pursuits led her to study textile design and painting. This dual focus ultimately converged into her signature style – a masterful fusion of meticulous hand-painting with the inherent qualities of luxurious fabrics like satin. Her work isn’t merely decorative; it's an immersive experience, demanding close attention to detail and revealing layers of complexity upon closer inspection.

    The Evolution of a Textile Visionary

    Carey’s artistic development wasn’t immediate. Initially drawn to painting, she found herself increasingly fascinated by the possibilities offered by textiles. The challenge of translating two-dimensional imagery onto three-dimensional fabric presented an irresistible puzzle – one that demanded both technical skill and creative vision. This period saw her experimenting with various techniques, mastering the art of layering paint directly onto satin, creating a unique surface sheen and depth.

    A pivotal moment in Carey’s career came with her association with the San Jose Museum of Quilts & Textiles, where she gained valuable exposure and refined her artistic approach. This connection further cemented her commitment to exploring the expressive potential of textiles as a fine art medium. Her work began to resonate with critics and collectors alike, attracting attention for its innovative use of color, texture, and pattern.

    Notable Works and Artistic Techniques

    Carey’s most celebrated works, such as “Flying Colors,” exemplify her distinctive style. These pieces are characterized by their bold color palettes, intricate geometric patterns, and the remarkable sheen achieved through direct application of paint to satin. The process is incredibly demanding, requiring painstaking precision and a deep understanding of both painting and textile techniques. Carey’s hands are not merely applying paint; they are sculpting light and texture onto the fabric surface.

    Her work frequently draws inspiration from nature – particularly landscapes and skies – translating these elements into vibrant, abstract compositions. The layering of colors creates an illusion of depth and movement, evoking a sense of atmosphere and emotion. Carey’s meticulous attention to detail is evident in every stitch and brushstroke, resulting in works that are both visually stunning and intellectually stimulating.

    Recognition and Legacy

    Joyce Marquess Carey's artistic achievements have been formally recognized through exhibitions at the Racine Art Museum and inclusion in collections of renowned institutions like the Smithsonian American Art Museum and the Renwick Gallery. Her work has also been documented extensively, including a fascinating oral history interview conducted by Glenn Adamson for the Archives of American Art’s Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America – a testament to her significant contribution to the field.

    Beyond her individual accomplishments, Carey's work has had a lasting impact on contemporary textile art. She demonstrated that textiles could transcend their traditional roles as functional objects and become powerful vehicles for artistic expression. Her innovative techniques and bold aesthetic continue to inspire artists today, solidifying her legacy as a visionary pioneer in the world of fiber art. Her pieces are not just admired; they’re experienced – offering a rich tapestry of color, texture, and emotion that lingers long after viewing.

    Muziejus

    San Jose Museum of Quilts - Textiles

    Parodoma vietoje San Jose, United States of America

    A Tapestry of Human Narrative: The San Jose Museum of Quilts & Textiles

    In the vibrant heart of San Jose’s SoFA Arts District, where creativity pulses through the streets, lies a sanctuary dedicated to one of humanity's most intimate and enduring art forms. The

    San Jose Museum of Quilts & Textiles

    stands as a singular testament to the power of fiber arts—a medium that, while often overshadowed by the grand scale of oil paintings or marble sculptures, possesses a profound ability to articulate the textures of human existence. Founded in 1977 as the American Museum of Quilts and Related Arts, this pioneering institution was the first of its kind in the United States to elevate the craft of quilting and textile production to the status of legitimate visual art. It is a place where the needle and thread serve as instruments of storytelling, weaving together the threads of personal memory and global heritage.

    To wander through the museum’s collection is to embark on a sensory journey across centuries and continents. The holdings are a breathtaking mosaic of over 1,500 objects that bridge the gap between domestic devotion and avant-garde experimentation. Visitors may find themselves captivated by the rhythmic geometry of historical masterpieces, such as the

    Silk Log Cabin Quilt

    by Marie T. Wageman Pechmann, where every interlocking square acts as a heartbeat of mid-nineteenth-century history. The collection breathes with the vitality of both the old and the new, showcasing meticulously crafted ethnic textiles that serve as repositories of cultural identity alongside groundbreaking contemporary works. From the intricate, nature-inspired motifs of Jane A. Sassaman’s

    Brocade Quilt

    to the vibrant, seasonal landscapes found in Karmen Gallo Stren’s

    Celebration of Autumn

    , the museum celebrates a spectrum of technique that ranges from traditional hand-stitching to modern machine strip quilting.

    What truly distinguishes this institution is its role as a living laboratory for artistic dialogue. Beyond the static beauty of its permanent galleries, the museum fosters a dynamic community through its

    Artist in Residence Program

    , which has provided a platform for creators since 2016 to push the boundaries of fiber experimentation. This commitment to growth is mirrored in its scholarly depth; with a research library containing over 500 specialized volumes, the museum serves as a vital cornerstone for historians and textile enthusiasts alike. For the interior designer seeking inspiration in texture and form, or the collector drawn to the intersection of craft and fine art, the San Jose Museum of Quilts & Textiles offers more than just an exhibition; it offers an immersive exploration of the tactile soul of art, proving that the most profound stories are often those woven into the very fabric of our lives.

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    QR kodas, vedantis į Passing Through atsisiuntimo puslapį

    wahooart.com/lt/art/download/joyce-marquess-carey-passing-through-D8EL4V-en/

    Citavimo šio kūrinio duomenys

    MLA
    carey, joyce marquess. Passing Through. 1993, San Jose Museum of Quilts - Textiles. https://wahooart.com/lt/art/joyce-marquess-carey-passing-through-D8EL4V-en/
    APA
    carey, joyce marquess (1993). Passing Through [Painting]. San Jose Museum of Quilts - Textiles. https://wahooart.com/lt/art/joyce-marquess-carey-passing-through-D8EL4V-en/
    Chicago
    joyce marquess carey. Passing Through. 1993. San Jose Museum of Quilts - Textiles. https://wahooart.com/lt/art/joyce-marquess-carey-passing-through-D8EL4V-en/
    Harvard
    carey, joyce marquess (1993) Passing Through. San Jose Museum of Quilts - Textiles. Available at: https://wahooart.com/lt/art/joyce-marquess-carey-passing-through-D8EL4V-en/

    Atidžiai pastebėkite

    Passing Through — joyce marquess carey

    Atidžusiai pažvelkite

    Atsakykite savo žodžiais. Čia nėra neteisingų atsakymų – yra tik atsakymai, kuriuos galite paaiškinti.

    1. Kas pirmiausia patraukia jūsų dėmesį ir kodėl?
    2. Kokie spalvos ar formos sukuria nuotaiką — ir kokia tai nuotaika?
    3. Prisiminkite Flying Colors (1986), apie kurią buvo rašyta anksčiau šiame vadove. Įvardinkite dvi bendras detales su šiuo kūriniu ir vieną skirtumą.
    4. joyce marquess carey buvo apie 57 metų, kai šis kūrinys buvo sukurtas. Koks jo elementas primena būtent tokio amžiaus kūrinį?
    5. Kokius jausmus autorius galėjo norėti jus suėdinti?

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