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Flesh Kimono

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jon eric riis, Flesh Kimono, The Chung Young Yang Embroidery Museum. Reprodukcija skirta informacinėms tikslams; teisės priklauso teisėsобладаiciui.

Pagrindinė informacija

Autorius
jon eric riis wahooart.com/lt/artists/jon-eric-riis/
Autoriaus datys
1968 – ?
Viešintas
The Chung Young Yang Embroidery Museum wahooart.com/lt/museums/the-chung-young-yang-embroidery-museum-seoul/

Kontekste

Flesh Kimono — jon eric riis

Kada šis kūrinys galėjo būti nupieštas?

  1. 1960

Šviesoplėvis: jon eric riis gyvenimas (1968–?)

Šio įrašo metinė data nėra tiksliai nurodyta — remdamiesi atlikėjo gyvenimo metais ir kūrinio stiliumi, kokį dešimtmetį numatytumėte?

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Daugiau šiam kūriniui priderančių darbų: wahooart.com/lt/art/similar/jon-eric-riis-flesh-kimono-DD2JE3-en/

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    Rosy Brown #a49190

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    Paletė
    Dark Dominiruojanti spalvų grupė paveikslėlyje.
    Pagrindinė spalva
    Rosy Brown
    Intensyvumas
    Balanced Kiek spalvų yra prisigamintų ir kokios jos yra ryškios – nuo vienos nuolydžios spalvos iki daugybės ryškių tonų.
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    Apie šį kūrinį

    Flesh Kimono — jon eric riis

    Jon Riis is a tapestry artist exploring the history of human civilization. Amazingly, all her diverse patterns, intricate forms, and rich colors are handmade by weaving threads. Painterly realism and refined design elements are interwoven through insight, intuition and technique into cultural history. Riis finds her subject matter from diverse cultural products and sophisticatedly reinterprets them in her artwork. The red tapestry in a kimono shape represents man’s muscle. Garments cover parts of the human body and provide an expression of personal taste and style. In contrast, this work discloses that humans have an internal structure in common. For the artist, what’s inside one man is not very different from all other men.

    Virus ir muziejus

    Autorius

    jon eric riis

    Gimė New York City, United States of America

    The Weaver of Human Narratives

    Jon Eric Riis stands as a transformative figure in the realm of contemporary textile art, an artist who has successfully elevated the ancient, often overlooked craft of hand-woven tapestry to the heights of fine art. Emerging from the vibrant artistic landscape of the United States, Riis has spent decades refining a practice that transcends mere decoration. His work is not simply about the interlacing of threads, but rather a profound exploration of materiality, pattern, and symbolic resonance. Through his meticulous use of silk, metallic threads, and even embellishments like pearls and glass beads, he creates undulating surfaces that demand both visual and emotional engagement from the viewer.

    The essence of Riis’s artistry lies in his ability to weave together the threads of human history, culture, and identity. His subject matter is vast and deeply philosophical, drawing inspiration from diverse cultural products to reinterpret complex themes such as race, religion, war, beauty, and spirituality. He possesses a unique capacity to take archetypal forms—such as the kimono or the robe—and imbue them with critical social commentary. In his hands, a garment is never just a piece of clothing; it is a vessel for exploring the shared internal structures of humanity, revealing that beneath our outward expressions of personal taste and status, we possess a common fundamental essence.

    Technique as Metamorphosis

    To witness a Riis tapestry is to observe a masterclass in technical prowess and painterly realism. His process is one of extreme patience and precision, where every thread is placed with intentionality to achieve remarkable tonal subtlety. He often utilizes silk chiffon and linen to create ethereal qualities that capture light and movement, mirroring the delicate balance between life and death. This mastery extends beyond the loom itself; Riis frequently incorporates hand-stitched elements such as freshwater pearls, coral, and gemstones, adding a sculptural dimension to his woven works.

    This dedication to texture allows him to explore themes of metamorphosis and resilience. In pieces like 'Insect Icon Tapestry', the stylized figures rendered in muted ochre and indigo serve as meditations on the cycles of nature and the strength found in transformation. Similarly, his work 'Flesh Kimono' utilizes the concept of layered textiles to delve into themes of vulnerability. By manipulating the weight and translucency of different fibers, he creates a tactile language that speaks to the complexities of the human condition, making the physical sensation of the art inseparable from its conceptual meaning.

    Legacy and Recognition

    The historical significance of Jon Eric Riis’s contribution to the textile arts is reflected in the prestigious institutions that house his work. His tapestries are not merely found in private collections but are celebrated within the permanent collections of some of the world's most esteemed museums, including:

    The Art Institute of Chicago

    The Smithsonian American Art Museum (Renwick Gallery)

    The American Craft Museum in New York

    Throughout his illustrious career, Riis has been the recipient of numerous accolades that underscore his importance to the contemporary art world. His achievements include a National Endowment for the Arts grant, a prestigious Fulbright Grant, and an Honorary Award at the 10th International Triennial of Tapestry in Poland. By challenging the traditional perception of tapestry as a luxury item for the elite and repositioning it as a medium for provocative social discourse, Jon Eric Riis has ensured that the ancient art of weaving remains a vital, breathing component of modern artistic expression.

    Muziejus

    The Chung Young Yang Embroidery Museum

    Parodoma Seoul, South Korea

    A Sanctuary Woven in Silk

    Nestled within the serene campus of Sookmyung Women’s University in Seoul, the Chung Young Yang Embroidery Museum stands as a profound testament to the delicate endurance of human artistry. Founded in 2004 by the visionary Dr. Young Yang Chung, this institution is far more than a mere repository for textiles; it is a living dialogue between the past and the present. Through her lifelong dedication as a textile historian and master embroiderer, Dr. Chung has transformed what was once often dismissed as "minor art" into a celebrated medium of cultural storytelling. Here, every thread serves as a vessel for history, carrying the weight of ancient traditions from Korea, China, and Japan into the modern consciousness. To step inside is to enter a world where the ephemeral nature of thread meets the permanence of heritage, offering a rare glimpse into the soul of East Asian needlework.

    The Artistry of the Needle

    To wander through the museum's galleries is to witness a breathtaking display of meticulous craftsmanship that transcends the boundaries of mere decoration. The collection is anchored by exquisite pieces that showcase the opulence of East Asian courtly life, most notably the imperial robes from China, where layers of silk and vibrant natural dyes create a shimmering spectacle of power and prestige. These garments are not simply clothing; they are wearable masterpieces, imbued with deep symbolism and an almost architectural complexity.

    Visitors are often captivated by the Seokguram Grotto Series, a collection of embroidered panels that masterfully translates the monumental, carved-stone bodhisattvas of Korea’s famous cave grotto into the soft, tactile language of embroidery. In these works, the artist achieves the impossible: capturing the weight and gravity of granite through the lightness of silk. The museum also celebrates the essence of Chasu—the Korean art of cultivating beauty in every corner of daily life—through intricate patterns that reflect agricultural cycles, spiritual beliefs, and familial bonds. For the collector, these pieces represent a pinnacle of technical achievement, where each stitch is a whisper of stories passed down through generations.

    Architecture and Contemplation

    The physical space of the museum is an intentional extension of its collection, embodying a harmonious blend of traditional Korean design and contemporary elegance. The architecture features subtle curves reminiscent of classic Korean rooflines and utilizes natural materials that ground the visitor in the local landscape. Large, expansive windows allow natural light to flood the galleries, acting as a dynamic element that changes with the passing hours, illuminating the fine silk fibers and revealing the hidden depths of each stitch.

    This thoughtful design creates an atmosphere of quiet contemplation, making it an essential destination for those who seek inspiration in the marriage of materiality and space. For interior designers and art lovers alike, the museum offers a masterclass in how texture, light, and history can coalesce to create a profound sensory experience. It stands as a unique cultural gem, bridging the gap between ancient craftsmanship and modern aesthetic sensibility, ensuring that the legacy of Korean embroidery continues to inspire new generations of creators.

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    QR kodas, vedantis į Flesh Kimono atsisiuntimo puslapį

    wahooart.com/lt/art/download/jon-eric-riis-flesh-kimono-DD2JE3-en/

    Citavimo šio kūrinio duomenys

    MLA
    riis, jon eric. Flesh Kimono. n.d., The Chung Young Yang Embroidery Museum. https://wahooart.com/lt/art/jon-eric-riis-flesh-kimono-DD2JE3-en/
    APA
    riis, jon eric (n.d.). Flesh Kimono [Painting]. The Chung Young Yang Embroidery Museum. https://wahooart.com/lt/art/jon-eric-riis-flesh-kimono-DD2JE3-en/
    Chicago
    jon eric riis. Flesh Kimono. n.d. The Chung Young Yang Embroidery Museum. https://wahooart.com/lt/art/jon-eric-riis-flesh-kimono-DD2JE3-en/
    Harvard
    riis, jon eric (n.d.) Flesh Kimono. The Chung Young Yang Embroidery Museum. Available at: https://wahooart.com/lt/art/jon-eric-riis-flesh-kimono-DD2JE3-en/

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    Flesh Kimono — jon eric riis

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