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David Campbell

Vardas Klasė Data

Fisher, Flavius James, David Campbell (1800), Library of Virginia. Viešasis domenas Pamatykite šį paveikslą judančios šviesos dėking: piešinį, tikrąsias lakui po esančias spalvas, gryną pigmentą

Faktai

Autorius
Fisher, Flavius James wahooart.com/lt/artists/fisher-flavius-james/
Autoriaus datys
1833 – 1905
Spalvotas
1800
Viešintas
Library of Virginia wahooart.com/lt/museums/library-of-virginia-richmond/

Kontekste

David Campbell — Fisher, Flavius James

Kada tai buvo nupiesta?

  1. 1800
  2. 1810
  3. 1820
  4. 1830
  5. 1840
  6. 1850
  7. 1860
  8. 1870
  9. 1880
  10. 1890
  11. 1900

Viršuje esanti eilutė: metai. Žemiau esanti eilutė: kiek metų menmeniui buvo kiekvieno laikotarpio pradžioje ir pabaigoje — 0 gimimo metu, 72 mirtės metu.

Šviesoplėvis: Fisher, Flavius James gyvenimas (1833–1905) ▲ šis kūrinys, 1800 kiekviena su data pavadinta paveikslėlio, dešimtmečiais

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Spalvos

Matuota iš vaizdo skaitmeniniu būdu

    Pagrindinė spalva

    Espresso #49442b

    Kataloguota paletė

    • #49442B
    • #1F1C14
    • #D1B386
    • #78633E

    Šios spalvos visoje meno kūryjos paletėje Raskite kitus paveikslus pagal spalvą

    Pagrindinės spalvos pavadinimas
    Espresso
    Intensyvumas
    Monochromatic Kiek spalvų yra prisigamintų ir kokios jos yra ryškios – nuo vienos nuolydžios spalvos iki daugybės ryškių tonų.
    Kontrastas
    Gentle Kiek spalvų skiriasi šviesos ir ryškumo dėkingai per visą paveikslą.
    Harmonija
    Strong Color Unity Kaip spalvos dera tarpusavyje – nuo kontrastuojančių iki visiškai suvienytų.
    Ryškumas
    Deep_shadow Bendras vaizdo šviesumas ar tamsumas, nuo gilių šešėlių iki ryškių šviesos dėliojų.
    Sodrumas
    Subtle Color Spalvų gryrumas ir intensyvumas svyruoja nuo beveik pilkšų iki visiškai ryškių.

    Kur pasaulyje žiūrima į šį paveikslą?

    • 低于 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ir daugiau
    Šio paveikslėlio lankytojų duomenys yra per mažai, kad būtų galima suformuoti žemėlapį, todėl čia pateikiamos visos Fisher, Flavius James darbai per pastaruosius dvylika mėnesių — iš viso 1 šalių. Iš kur gauti šie duomenys

    Dešimt pirmなusių šalių

    1. 1 Olandija 100,0%100 visits

    Žemėlapyje rasti tris tamsiausias šalis. Ar viena iš jų yra ta, kurioje yra muziejus, saugantis šį paveikslą? Įrašykite vieną priežastį, kodėl žmonės iš toli galėtų jį aplankyti.

    Populiariausi Fisher, Flavius James kūriniai (žiūrėtos dalis: 2)

    1. 1 James Lawson Kemper, 1876 100,0%100 visits
    2. — David Campbell, 1800 šis paveikslas 0,0%0 visits

    Kartu šie darbai sudaro 100,0% visos dėmesės, skirtos šio paveikslėlio kūrybai per pastaruosius dvylika mėnesių. Kataloge yra 3 šio kūrybinio veikėjo darbų, iš kurių 1 buvo apžiūrėti bent vieną kartą. Šiam paveikslui kol kas belum buvo žiūrėta — jis uždaro sąrašą neturint įvertinimo. Viskas tas pats, mėnesį po mėnesio

    Sluokslai matuoja dėmesį, o ne kokybę. Pasirinkite viršuje esantį kūrinį ir šį: išvardykite vieną dalyką, kuris gali padaryti paveikslą garsų ne dėl to, kaip gerai jis tapytas.

    Draugas ir muziejus

    Autorius

    Fisher, Flavius James

    Gimė Wythe County, United States

    Flavius James Fisher: A Life in Art

    Born: February 9, 1833, Wythe County, United States

    Died: May 8, 1905

    Origin: AllPaintingsStore

    Flavius Josephus Fisher was an American painter whose career spanned several decades and encompassed portraiture and landscape painting. Born in Wythe County, Virginia, his family relocated to McMinn County, Tennessee, when he was a young boy. Early recognition of his artistic talent led him to the prestigious Pennsylvania Academy of Fine Arts, laying the groundwork for a life dedicated to art.

    Early Life and Artistic Training

    Early Education: Fisher received his initial education in Pennsylvania before attending the Pennsylvania Academy of Fine Arts.

    Formal Studies: His time at the Academy provided him with a solid foundation in artistic techniques and principles.

    European Sojourn: In 1859, Fisher traveled to Germany to further refine his skills, becoming one of the first Americans admitted to the Berliner Kunstakademie under Julius Friedrich Anton Schrader. He also studied in Düsseldorf, London, and Paris, supporting himself through commissions from European patrons.

    Friendships: During his time in Berlin, he cultivated a close friendship with sculptor Edward Virginius Valentine, whom he aided after contracting smallpox. In gratitude, Fisher presented Valentine with a crayon portrait of Edgar Allan Poe.

    Artistic Style and Notable Works

    Subject Matter: Fisher’s work primarily focused on landscape and portrait paintings, capturing both the likenesses of notable figures like Gilbert C. Walker and scenes from the American countryside.

    Technique: He favored oil on canvas as his primary medium, demonstrating a keen attention to detail and utilizing vibrant colors in his compositions.

    Influence of Movements: While rooted in traditional techniques, Fisher’s style showed influences from both Impressionism and Expressionism, evident in his use of light and shadow to create depth and dimensionality.

    Notable Works: Examples include portraits commissioned by the Virginia state government and landscapes depicting scenes from Tennessee, North Carolina, and Virginia. Hog Island Picnic of the Hyena Club (1868) is a notable work memorializing a social gathering.

    Legacy and Influence

    Impact on Subsequent Artists: Fisher’s emphasis on color and detail significantly influenced later generations of painters, including Mark Rothko (Marcus Rothkowitz), whose abstract expressionist works demonstrate an appreciation for vibrant hues and nuanced forms.

    Museum Holdings: His paintings are featured in prominent institutions such as the Smithsonian American Art Museum, the Indianapolis Museum of Art, and various collections within Virginia’s state art collection.

    Recognition: Fisher's ability to accurately capture likenesses with minimal sittings was widely recognized during his lifetime, contributing to his reputation as a skilled portraitist.

    Later Years and Continued Artistic Pursuits

    Return to the United States: After the American Civil War, Fisher returned to the United States and established studios in New York, Lynchburg, Virginia, and Washington, D.C.

    Washington Residency: His long residency at the Corcoran Gallery of Art in Washington provided him with a stable base for commissions and artistic exploration.

    Continued Commissions: He continued to receive commissions from prominent figures throughout his career, including Senator John Warwick Daniel.

    Final Years: Fisher died on May 8, 1905, leaving behind a legacy of vibrant landscapes and compelling portraits that continue to be appreciated today. His widow organized an exhibition of his work in Washington shortly after his death.

    Muziejus

    Library of Virginia

    Parodoma Richmond, United States of America

    A Sanctuary of Virginia’s Soul: The Library of Richmond

    Nestled within the historic heart of Richmond, Virginia, the Library stands not merely as a repository of books and documents, but as a vibrant, breathing chronicle of the Commonwealth's enduring identity. More than just walls safeguarding aged parchment and delicate photographs, it is an immersive experience—a testament to the countless stories that have shaped Virginia’s trajectory, from its nascent colonial days through the tumultuous echoes of the Civil War and into the dynamic present. Stepping inside feels akin to entering a sanctuary of knowledge, where sunlight streams through expansive windows illuminating meticulously preserved manuscripts and rare editions, while the building itself whispers tales of architectural evolution and unwavering commitment to preserving the past for future generations.

    The Library’s design is a thoughtful dialogue between tradition and innovation. A deliberate blend of classic architectural elements—grand columns, soaring ceilings, and intricate detailing—harmoniously intertwines with more contemporary design choices, reflecting Virginia's own journey: a deep respect for its heritage interwoven with an embrace of progress. The structure isn’t simply aesthetically pleasing; it embodies the spirit of a state constantly looking back while simultaneously forging ahead. The careful consideration given to light and space within the building creates an atmosphere conducive to both scholarly research and quiet contemplation, fostering a genuine connection between visitors and the vast wealth of knowledge contained within.

    Delving into Virginia’s Narrative: A Collection Unveiled

    The Library's collection is remarkably comprehensive, a sprawling tapestry woven from countless threads of Virginia history. For those tracing their family lineage or meticulously researching specific historical events, the sheer volume of original manuscripts—letters penned by colonial governors, intimate diaries detailing life on the frontier, and official government records charting the course of legislation—is truly astounding. The Library’s holdings regarding the Civil War are particularly poignant, offering deeply personal glimpses into a nation fractured and families torn apart through the eyes of those who lived through it – correspondence revealing anxieties, battlefield reports documenting harrowing experiences, and firsthand accounts of daily life under occupation. Beyond these grand narratives, however, lies a remarkable strength: the Library excels at illuminating everyday lives. Photographic archives, spanning centuries, reveal the evolving face of Virginia’s cities and landscapes—capturing moments of both triumphant celebration and profound hardship. Rare books offer not only literary insights but also invaluable clues about printing practices, binding techniques, and the cultural values reflected in their creation.

    A crucial element of the Library's mission is its dedication to uncovering untold stories. The Virginia Untold project stands as a shining example, meticulously documenting the lives of enslaved and free African Americans—a vital counter-narrative that challenges traditional historical accounts and provides a more complete understanding of Virginia’s past. This commitment to inclusivity extends beyond this single initiative, ensuring that diverse voices are represented within the Commonwealth's collective memory. The Library doesn’t simply present history; it actively reinterprets it, challenging conventional wisdom and fostering a nuanced appreciation for the complexities of Virginia’s journey.

    Beyond the Archives: A Living Cultural Hub

    The Library of Virginia is far from a static archive; it thrives as a dynamic cultural hub. Regular exhibitions—carefully curated experiences designed to engage visitors on an emotional level—offer compelling glimpses into significant historical events and influential figures. These aren’t merely displays of artifacts; they are thoughtfully constructed narratives that invite exploration and reflection. Educational programs cater to audiences of all ages, fostering a deeper appreciation for history among residents and tourists alike. The Library actively engages with the community through strategic partnerships with local schools, libraries, and historical societies, solidifying its role as a vital resource for learning and discovery.

    Furthermore, the annual Virginia Literary Awards celebrate the state’s vibrant literary scene, recognizing outstanding authors and books that illuminate Virginia's culture and heritage. The Library’s commitment to fostering intellectual curiosity extends far beyond its walls, making it an indispensable institution for anyone seeking to understand the rich tapestry of Virginia’s past—and its enduring legacy. The annual events, like the celebration of emancipation day in 1905, are a testament to this dedication.

    Notable Artistic Connections & Future Exhibitions

    Considering Richmond's artistic heritage, it is fitting to note connections to artists such as John Elder, whose evocative landscapes and poignant Civil War scenes resonate deeply with the Library’s collection. The Library also holds works by Bessie Moore, a captivating 1899 pencil portrait showcasing academic style & delicate detail – an example of the rich artistic talent nurtured within Virginia. Looking ahead, the Library plans to host exhibitions exploring themes such as “Richmond During the Civil War,” featuring newly digitized letters and photographs, and “The Rise of Richmond’s Black Community,” drawing on Virginia Untold resources to illuminate this vital chapter in the city's history. These initiatives promise to further enrich the visitor experience and solidify the Library’s position as a leading center for historical research and cultural engagement.

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    QR kodas, vedantis į David Campbell atsisiuntimo puslapį

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    Citavimo šio kūrinio duomenys

    MLA
    James, Fisher, Flavius. David Campbell. 1800, Library of Virginia. https://wahooart.com/lt/art/fisher-flavius-james-david-campbell-D7GD3Y-en/
    APA
    James, Fisher, Flavius (1800). David Campbell [Painting]. Library of Virginia. https://wahooart.com/lt/art/fisher-flavius-james-david-campbell-D7GD3Y-en/
    Chicago
    Fisher, Flavius James. David Campbell. 1800. Library of Virginia. https://wahooart.com/lt/art/fisher-flavius-james-david-campbell-D7GD3Y-en/
    Harvard
    James, Fisher, Flavius (1800) David Campbell. Library of Virginia. Available at: https://wahooart.com/lt/art/fisher-flavius-james-david-campbell-D7GD3Y-en/

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