로비스 코린트의 가장 유명한 작품은 도살장에서 (1893)입니다. Wilhelmine with a Ball (1915)와 Portrait of the Painter Paul Eugène Gorge (1908)를 더해, 누구나 알 법한 세 가지 작품이 완성됩니다. 로비스 코린트의 작품 501점이 카탈로그에 등록되어 있습니다. 아래의 100점은 전 세계에서 가장 주목받는 작품들로, 각 작품의 제작 연도, 소장 박물관 및 예술적 가치를 함께 보여줍니다.
각 작품의 검색, 방문 및 주문 수를 결합한 인기 점수를 기준으로 순위를 매깁니다. 10월 2026 업데이트됨. 이 페이지의 모든 명작은 원하시는 크기로 박물관 품질의 수작업 유화 복제화 또는 파인 아트 프린트로 주문하실 수 있습니다.
로비스 코린트의 “도살집(In the Slaughter House)”은 1893년, 격렬하고 생생한 에너지로 가득 찬 작품입니다. 이 그림은 단순한 도축장의 풍경을 넘어선, 인간 노동과 산업 사회의 어두운 현실에 대한 깊이 있는 성찰을 담고 있습니다. 코린트는 인상주의와 표현주의 사이를 넘나드는 독특한 화풍으로, 육중하고 역동적인 붓놀림을 통해 관람자를 그림 속 혼잡스러운 공간 안으로 끌어들입니다. 중앙에는 여러 명의 노동자가 거대한 고기를 들어 올리는 모습이 그려져 있는데, 이는 육체적 노력이 요구되는 작업의 본질을 상징적으로 보여줍니다.
Lovis Corinth’s “Wilhelmine with a Ball,” painted in 1915, stands as a poignant emblem of early 20th-century expressionism – an artistic movement driven by a fervent desire to convey inner psychological states rather than merely mirroring external reality. More than just a depiction of a young girl seated elegantly in a chair, the painting delves into themes of vulnerability and introspection, capturing a moment suspended between youthful innocence and the…
Lovis Corinth’s “Portrait of the Painter Paul Eugène Gorge,” completed in 1908, transcends mere representation; it embodies a pivotal moment in German Expressionism and offers a profound glimpse into Corinth’s artistic vision. Housed within the Staatsgalerie Moderner Kunst in Munich, this oil on canvas painting isn't simply a likeness of another artist—it’s a carefully constructed meditation on identity, creativity, and the complexities of human experience.
This reproduction captures the essence of Corinth’s artistic vision, faithfully recreating the painting’s textural richness and emotive depth. Ideal for enhancing any interior space or serving as a source of inspiration for collectors seeking artwork that speaks to the human condition.
Reclining Female Nude – A Study in Expressionist Sensuality The painting “Reclining Female Nude,” created by Lovis Corinth in 1907, stands as a cornerstone of Expressionism’s exploration of the human psyche. More than just a depiction of nudity—though undeniably sensual—it delves into themes of vulnerability, desire, and the confrontation with primal instincts. Corinth's masterful technique employs bold brushstrokes and vibrant color palettes to convey not merely what is seen but…
Lovis Corinth’s “Portrait of Georg Brandes” stands as a cornerstone of German Expressionism, capturing not merely likeness but profound psychological insight. Painted in 1925, this monumental canvas – measuring 92 x 70 cm and currently residing at the Koninklijk Museum voor Schone Kunsten in Antwerp – transcends mere representation; it’s an immersive experience into Brandes' inner world and Corinth’s masterful artistic vision.
Lovis Corinth's "Last Self Portrait," painted in 1925, isn’t merely a depiction of an individual; it’s a profound meditation on identity, mortality, and the very nature of self-awareness. Created during a period of intense personal struggle for the artist – marked by the loss of his beloved wife – the painting vibrates with a palpable sense of melancholy and introspection. Corinth, a master of capturing raw emotion through bold brushwork…
Lovis Corinth's "The Singer Frieda Halbe," painted in 1905, is a captivating portrait that exemplifies the artist’s transition from late Impressionism towards early Expressionism. Measuring 120 x 90 cm and currently residing at the Österreichische Galerie Belvedere in Vienna, Austria, this oil on canvas piece offers a compelling window into the artistic sensibilities of the era and showcases Corinth's remarkable ability to capture both physical likeness and emotional depth.
In the evocative portrait Cesare Borgia (Arthur Kraft), created in 1914, we encounter a moment where history and raw emotion collide through the masterful hand of Lovis Corinth. This vertical oil painting transcends mere likeness, offering instead a theatrical and deeply psychological study of a man ensconced in the grandeur of traditional attire. The subject, captured with an intense presence, sits upon a chair that seems almost secondary to the…
A man stares directly through the canvas, his gaze steady and unyielding. He is encased in metallic armor, the silvery surfaces catching a sharp light that descends from the upper left. This light carves deep shadows into the folds of his skin and the contours of the breastplate, creating a sense of immense physical volume. The armor is not a smooth, polished surface but a landscape of heavy impasto, where…
Lovis Corinth’s “Homeric Laughter,” painted in 1909, isn't merely a depiction of a gathering; it’s an invitation into a vibrant tableau of human connection and the intoxicating pleasure…
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Lovis Corinth's 1902 portrait, “Portrait of Frau Schreiber,” is more than a simple likeness; it’s a carefully constructed tableau of observation and emotion. Housed within the Staatliche Kunstsammlungen…
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A face emerges from a void of deep blacks. The light strikes the forehead and the bridge of the nose, carving the features out of a heavy, grayscale…
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Large Self Portrait at the Walchensee: A Reflection of Resilience and Artistic Vision Lovis Corinth’s “Large Self Portrait at the Walchensee,” completed in 1924, transcends mere representation; it…
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The canvas presents Paradise, a work that emerges from the hand of Lovis Corinth. This piece captures a specific moment in time, dating to about 1911. The brushstrokes…
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Lovis Corinth’s 1893 painting, "Fishermen’s Cemetery at Nidden," isn't merely a depiction of a coastal scene; it’s an immersion into a mood – a poignant blend of melancholy,…
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To stand before this portrait of Gerhart Hauptmann is to step into a moment suspended between profound thought and the tangible reality of an artist’s studio. Lovis Corinth,…
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In this 1899 portrait, we find ourselves in a private, contemplative space with Hans Rosenhagen. The subject is captured in a medium close-up, his form emerging from a…
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In this 1899 oil on canvas, we encounter Dr. Ferdinand Mainzer at a moment of quiet, perhaps even slightly supercilious, repose. He is positioned in a three-quarter view,…
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Albert Kaumann sits in a three-quarter length pose, his gaze fixed steadily upon the viewer. He is rendered from the waist up, clad in a heavy, dark olive-toned…
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There is a profound stillness in this 1886 oil portrait of Anny Schaumberg. Seated amidst a verdant, soft-focus landscape, the young girl holds a doll close to her,…
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The painting is a portrait of a woman seated in a chair with her head positioned downward. She wears a large hat that covers most of her face,…
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A solitary male figure occupies the center of this 1886 oil on canvas, positioned against a dark, indistinct background. The subject is rendered in a full-length view, his…
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The painting presents a collection of botanical elements arranged within various vessels upon a table. A larger vase holds several stems, positioned alongside smaller containers that hold different…
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Study for the Painting "Die Totenklage" by Lovis Corinth, executed in 1908, represents a preparatory phase for a larger composition. This expressive, gestural oil painting on canvas captures…
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A single male figure emerges from a neutral, abstract void. The face is a landscape of heavy impasto, where the oil paint is applied with a sculptural thickness…
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Lovis Corinth's "On the Balcony in Bordighera," painted in 1912, isn’t merely a depiction of a seaside vista; it’s a profound exploration of human connection and the quiet…
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The portrait titled Black Shadows is an oil on canvas work by Lovis Corinth. Created in 1903, the painting captures a single moment of stillness. The subject of…
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In the quiet intensity of Lovis Corinth’s Portrait of Eduard, Count Keyserling, one does not simply encounter a likeness; one meets a soul. Painted around 1900, this masterpiece…
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![Höllenfragment [Hell, fragment] (1911) 의 로비스 코린트](/media/artworks/images-thumb/16/6d/166daa347284dfc504c0e2ed75bdf098.jpg)
In the quiet intimacy of Grandmother and Granddaughter, painted in 1919, we are invited into a private moment that transcends the boundaries of time. This evocative portrait, captured…
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The painting Portrait of Frau Luther depicts a woman seated in a chair, dressed in an outfit that includes a blue dress with a pattern matching her large…
내 공간에 소장하기 →이 걸작들 사이에서 가장 자주 등장하는 네 가지 주제와 각 주제를 가장 잘 나타내는 대표작들.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관
| 소장 미술관 | 도시 | 로비스 코린트의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 Berlinische Galerie |
베를린 | 10 | Portrait of the Painter Fritz Rumpf, Angelica with Dragon, Portrait of a Man |
 함부르크 미술관 |
함부르크 | 15 | Self-portrait in armor, Male Portrait, Porträt Albert Kaumann |
 알테 나치오날갈레리 |
베를린 | 20 | Cesare Borgia (Arthur Kraft), Hans Rosenhagen, Magdalena Weeping |
 니더작센 주립 박물관 |
하노버 | 17 | Italian Woman in a Yellow Chair, Standing Nude, Grandmother and Granddaughter |
 드레스덴 주립 미술 컬렉션 |
드레스덴 | 8 | Study for the Painting "Die Totenklage", Group of Women (Friends, large version), Draft for Orpheus |
 오스트리아 미술관 베르텔레데 |
비엔나 | 11 | Reclining Female Nude, The Singer Frieda Halbe, Still Life with Chrysanthemums and Amaryllis |
 Lenbachhaus |
뮌헨 | 15 | Portrait of a Woman with hat, Hymn to Michelangelo |
 바이에른 주립 회화 컬렉션 |
뮌헨 | 5 | Homeric Laughter, First Version, Large Self Portrait at the Walchensee |
A face emerges from a void of deep blacks. The light strikes the forehead and the bridge of the nose, carving the features out of a heavy, grayscale…
There is a profound stillness in this 1886 oil portrait of Anny Schaumberg. Seated amidst a verdant, soft-focus landscape, the young girl holds a doll close to her,…
로비스 코린트의 “도살집(In the Slaughter House)”은 1893년, 격렬하고 생생한 에너지로 가득 찬 작품입니다. 이 그림은 단순한 도축장의 풍경을 넘어선, 인간 노동과 산업 사회의 어두운 현실에 대한 깊이 있는…
Lovis Corinth’s “Portrait of the Painter Paul Eugène Gorge,” completed in 1908, transcends mere representation; it embodies a pivotal moment in German Expressionism and offers a profound glimpse…
Lovis Corinth’s “Wilhelmine with a Ball,” painted in 1915, stands as a poignant emblem of early 20th-century expressionism – an artistic movement driven by a fervent desire to…
Lovis Corinth’s “Portrait of Georg Brandes” stands as a cornerstone of German Expressionism, capturing not merely likeness but profound psychological insight. Painted in 1925, this monumental canvas –…
도살장에서 (1893). 다음은 Wilhelmine with a Ball (1915)와(과) Portrait of the Painter Paul Eugène Gorge (1908)입니다.
35세: 도살장에서은(는) 1893년 작품이며, 로비스 코린트은(는) 1858년에 태어났습니다.
도살장에서, Wilhelmine with a Ball, Portrait of the Painter Paul Eugène Gorge, Self Portrait with a Glass, Reclining Female Nude, Portrait of Georg Brandes, Last Self Portrait, The Singer Frieda Halbe, Cesare Borgia (Arthur Kraft) 및 Self-portrait in armor. 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.
로비스 코린트의 작품 501점을 1879년부터 1925년 사이의 연대로 분류하여 목록에 담았습니다.
대부분의 작품은 Berlinische Galerie (베를린), 함부르크 미술관 (함부르크) 및 알테 나치오날갈레리 (베를린)에 소장되어 있습니다. 위 표에 각 박물관 목록이 나열되어 있습니다.
1910s 기간 동안: 이 페이지의 총 100점의 작품 중 42점이 해당 시기의 작품이며, 그중 Wilhelmine with a Ball점이 포함되어 있습니다.
이 페이지의 가장 오래된 작품은 Male Portrait (1879), 가장 최근 작품은 Portrait of Georg Brandes (1925)입니다.
이 페이지의 총 100점의 작품 중 Man (11), Portrait (7) 및 Woman (6)
Oil On Canvas: 이 페이지의 총 100점 중 24점
이 페이지의 작품들이 보여주듯, Expressionism 및 Impressionism
Portrait of the Painter Fritz Rumpf, Angelica with Dragon 및 Portrait of a Man은(는) Berlinische Galerie, 베를린이(가) 소장한 이 페이지의 작품 8점 중 일부입니다.
네, 이 페이지에 있는 모든 작품은 해당 작품의 상세 페이지에서 원하시는 크기로 박물관 품질의 수작업 유화 복제본 또는 파인 아트 프린트로 주문하실 수 있습니다.
