At the Tobacco Shop of the Great Victor (1804)은(는) Timoléon의 가장 유명한 작품으로, 파리의 카르나발레 박물관에 소장되어 있습니다. 우리 카탈로그에 수록된 Timoléon의 작품 1점 중, 컬렉터와 미술관 관람객들이 가장 많이 찾는 1점을 선정하여 제작 연도, 소장 미술관 및 작품에 담긴 이야기와 함께 소개합니다.
각 작품의 검색, 방문 및 주문 수를 결합한 인기 점수를 기준으로 순위를 매깁니다. 11월 2026 업데이트됨.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 1개의 미술관
| 소장 미술관 | 도시 | Timoléon의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 카르나발레 박물관 |
파리 | 1 | At the Tobacco Shop of the Great Victor |
이 페이지에 있는 모든 Timoléon의 명작은 1804년에 제작되었습니다. 유명한 순서대로 소개합니다.
At the Tobacco Shop of the Great Victor (1804)
Timoléon의 작품 1점이 카탈로그에 등록되어 있습니다.
대부분의 작품은 카르나발레 박물관 (파리)에 소장되어 있습니다. 위 표에 각 박물관 목록이 나열되어 있습니다.
In the quietude of Cornod, France, the foundations of a specific kind of visual storytelling are laid. Born in 1831, Timoléon Marie Lobrichon enters a France caught between the gears of industrial progress and a deep longing for the simplicity of the past. He moves from the Jura department to the rigorous halls of the Académie des Beaux Arts in Paris. Under the guidance of François-Édouard Picot, he masters the classical techniques that would later provide the structure for his most sentimental subjects. He does not merely paint figures; he constructs narratives of innocence.
His brush finds its true purpose in the fleeting expressions of youth. There is a specific tension in his work between the formal training of the Academy and the soft, emotional warmth he applies to his subjects. He captures the quiet drama of a child lost in a book or the wide-eyed wonder of siblings peering through a shop window. These are not static portraits. They are moments of unadulterated emotion frozen in oil.
The Parisian art world responds to this ability to weave character into composition. From 1859 until his death, Timoléon is a constant presence at the Salon de Paris. His work travels far beyond the borders of France, finding audiences in Germany, Australia, and the United States. His versatility allows him to move between the high art of the Salon and the satirical edges of magazines like Le Gaulois and Le Hanneton.
His professional trajectory is marked by specific honors and diverse subject matter:
His repertoire extends beyond the sentimental scenes of children. He produces landscapes, historical scenes, and humorous picture stories such as Histoire de Mr. Tuberculus (1856) and Histoire de Mr. Grenouillet (1856). This range demonstrates a technical flexibility that supports both the satirical caricaturist and the serious painter.
By the time he reaches the end of his life in 1914, Timoléon has established himself as a master of genre painting. His works, such as La Vitrine du Magasin de Jouets, become widely known through engravings by Goupil & Cie, allowing his imagery to enter the homes of the masses. He leaves behind a body of work that prioritizes the emotional truth of a moment over the mere anatomical precision of a subject. His vision remains fixed on the small, significant dramas of daily life.