Untitled (1995)은(는) Tiit Raid의 가장 유명한 작품입니다. Untitled (1996)와 Untitled (2007)는 세계적으로 가장 잘 알려진 다음 두 작품입니다. 우리 카탈로그에 수록된 Tiit Raid의 작품 3점 중, 컬렉터와 미술관 관람객들이 가장 많이 찾는 3점을 선정하여 제작 연도, 소장 미술관 및 작품에 담긴 이야기와 함께 소개합니다.
각 작품의 검색, 방문 및 주문 수를 결합한 인기 점수를 기준으로 순위를 매깁니다. 11월 2026 업데이트됨.
13년 동안의 Tiit Raid의 회화, 1995년부터 2007년까지의 여정을 대표작을 통해 연도별로 만나보세요.
Untitled (1995). 다음은 Untitled (1996)와(과) Untitled (2007)입니다.
55세: Untitled은(는) 1995년 작품이며, Tiit Raid은(는) 1940년에 태어났습니다.
Tiit Raid의 작품 3점을 1995년부터 2007년 사이의 연대로 분류하여 목록에 담았습니다.
이 페이지의 가장 오래된 작품은 Untitled (1995), 가장 최근 작품은 Untitled (2007)입니다.
Tiit Raid did not merely paint; he "made images." This distinction, a phrase he used to describe a career spanning over seven decades, began as a childhood impulse in the fifth grade. By the time he reached the University of Minnesota to earn both his BFA and MFA, the impulse had solidified into a disciplined practice of observation. His life was defined by the steady application of oil to canvas, a process that continued through decades of academic instruction and private creation.
The work is rooted in a specific way of seeing. He found a philosophy in the words of Winslow Homer, specifically the idea that the sun rises and sets without needing human notice, yet the life chosen by the artist provides full hours of enjoyment. This sense of presence is felt in the way he approached the canvas—not as a destination, but as a continuous progression of visual inquiry.
From 1967 to 2002, the halls of UW-Eau Claire served as the backdrop for his professional life. As an art professor and oil painting instructor, Raid shaped the technical foundations of many students. His influence extended beyond the classroom, moving into the community through commissions and permanent installations. His presence in the region is marked by several specific locations:
His teaching style emphasized the process over the final product. He focused on the dialogue between the artist and the medium, a method that left a lasting impression on those he mentored. Even long after his formal retirement, the connections formed in his oil painting classes remained, as former students continued to reflect on the conversations held during those early lessons.
The final chapter of his career was marked by a look backward. A retrospective at the James W. Hansen Gallery at the Pablo Center brought together approximately 50 paintings and drawings, spanning the years from 1956 to 2022. This collection offered a rare view of his evolution, showing the trajectory of a man who had been making images since his youth. The exhibition served as a comprehensive record of a life lived through the lens of visual expression, concluding a long tenure in the Eau Claire art community.
