Peter Petersen을(를) 유명하게 만든 작품은 Postmester Christian Ludvig Pind (1835)이며, 오슬로에 위치한 National Museum of Art, Architecture and Design에 전시되어 있습니다. Peter Petersen의 작품 2점 중 가장 많은 사랑을 받은 2점을 소개합니다. 각 작품은 제작 연도, 소장 미술관 및 작품의 특징과 함께 제공됩니다.
각 작품의 검색, 방문 및 주문 수를 결합한 인기 점수를 기준으로 순위를 매깁니다. 11월 2026 업데이트됨. 이 페이지의 모든 명작은 원하시는 크기로 박물관 품질의 수작업 유화 복제화 또는 파인 아트 프린트로 주문하실 수 있습니다.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 1개의 미술관
| 소장 미술관 | 도시 | Peter Petersen의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 National Museum of Art, Architecture and Design |
오슬로 | 2 | Postmester Christian Ludvig Pind, Cathrine Pind, f. Schive |
이 페이지에 있는 Peter Petersen의 모든 연도별 명작은 1835년 작품입니다. 여기에서 확인해 보세요.
Postmester Christian Ludvig Pind (1835)
41세: Postmester Christian Ludvig Pind은(는) 1835년 작품이며, Peter Petersen은(는) 1794년에 태어났습니다.
Peter Petersen의 작품 2점이 카탈로그에 등록되어 있습니다.
대부분의 작품은 National Museum of Art, Architecture and Design (오슬로)에 소장되어 있습니다. 위 표에 각 박물관 목록이 나열되어 있습니다.
1835 기간 동안: 이 페이지의 총 2점의 작품 중 2점이 해당 시기의 작품이며, 그중 Postmester Christian Ludvig Pind점이 포함되어 있습니다.
Postmester Christian Ludvig Pind 및 Cathrine Pind, f. Schive은(는) National Museum of Art, Architecture and Design, 오슬로이(가) 소장한 이 페이지의 작품 2점 중 일부입니다.
네, 이 페이지에 있는 모든 작품은 해당 작품의 상세 페이지에서 원하시는 크기로 박물관 품질의 수작업 유화 복제본 또는 파인 아트 프린트로 주문하실 수 있습니다.
Born on 14 August 1794, in Fåberg Municipality, Peter Petersen began his life surrounded by the practicalities of trade and manual skill. He likely spent his early years assisting his father, Frederik Petersen, in a workshop where the demands of craft painting were a daily reality. There is a quiet history found in his early displays, such as when he presented two varnished trays at Den kongelige Tegneskole in 1818. These pieces were not mere decorations but trials for carriage varnish, showing a young man testing the limits of his technical precision.
His path eventually led him away from the family workshop toward formal training. Through the generosity of wealthy citizens in Drammen, he was able to study at the art academy in Copenhagen. This period of education brought him into contact with the influential atmosphere of the Danish art scene. He may have even sat in the plaster class of C. W. and Eckersberg in 1824, a time when he was busy creating copies after artists like Carlo Colci to refine his own hand.
By 1825, Petersen had established himself as a painter capable of capturing the likenesses of those living in the Drammen, Tønsberg, and Sandefjord districts. His work was often intimate, focusing on small formats and bust portraits that required a steady, meticulous touch. He did not seek to overwhelm with scale, but rather to provide a detailed rendering of his subjects. This approach sat closely with the Danish Biedermeier style, which favored a sense of domestic calm and careful observation.
His commissions were often personal. Some of his known works include:
While much of his fame rests on these portraits, he also applied his skills to landscapes and the reproduction of altarpieces. He remained a figure connected to his family's trade, performing fine painting work for his brother, Christian Petersen, who had taken over their father's workshop in Drammen.
Petersen spent the majority of his life as a resident of Drammen, with only a brief departure between 1834 and 1835. His presence in the region was marked by this steady, reliable output of portraiture that documented the faces of his community during the mid-19th century. He passed away on 1 June 1858, leaving behind a body of work that remains a window into the social fabric of his time.