Peter Greenham을(를) 유명하게 만든 작품은 Peregrine Nicholas Eliot, 10th Earl of St Germans (b. 1941) (1990)이며, Antony House에 전시되어 있습니다. Tremayne Carew Pole (b. 1974) (1988)와 Johnny Carew Pole (b. 1975) (1988)가 컬렉터와 미술관 관람객들의 마음을 그 뒤로 잇고 있습니다. Peter Greenham의 작품 5점 중 가장 많은 사랑을 받은 5점을 소개합니다. 각 작품은 제작 연도, 소장 미술관 및 작품의 특징과 함께 제공됩니다.
각 작품의 검색, 방문 및 주문 수를 결합한 인기 점수를 기준으로 순위를 매깁니다. 10월 2026 업데이트됨.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 1개의 미술관
| 소장 미술관 | 도시 | Peter Greenham의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 Antony House |
5 | Peregrine Nicholas Eliot, 10th Earl of St Germans (b. 1941), Tremayne Carew Pole (b. 1974), Johnny Carew Pole (b. 1975) |
Peter Greenham의 걸작들은 1988년부터 1990년까지 단 3년의 기간에 걸쳐 있으며, 각 연도별 최고의 작품들을 소개합니다.
Peregrine Nicholas Eliot, 10th Earl of St Germans (b. 1941) (1990), Antony House. 다음은 Tremayne Carew Pole (b. 1974) (1988)와(과) Johnny Carew Pole (b. 1975) (1988)입니다.
81세: Peregrine Nicholas Eliot, 10th Earl of St Germans (b. 1941)은(는) 1990년 작품이며, Peter Greenham은(는) 1909년에 태어났습니다.
Peter Greenham의 작품 5점을 1988년부터 1990년 사이의 연대로 분류하여 목록에 담았습니다.
대부분의 작품은 Antony House에 소장되어 있습니다. 위 표에 각 박물관 목록이 나열되어 있습니다.
1988 기간 동안: 이 페이지의 총 5점의 작품 중 4점이 해당 시기의 작품이며, 그중 Tremayne Carew Pole (b. 1974)점이 포함되어 있습니다.
이 페이지의 가장 오래된 작품은 Tremayne Carew Pole (b. 1974) (1988), 가장 최근 작품은 Peregrine Nicholas Eliot, 10th Earl of St Germans (b. 1941) (1990)입니다.
Peregrine Nicholas Eliot, 10th Earl of St Germans (b. 1941), Tremayne Carew Pole (b. 1974) 및 Johnny Carew Pole (b. 1975)은(는) Antony House이(가) 소장한 이 페이지의 작품 5점 중 일부입니다.
Born in Streatham, London, on 9 September 1909, Peter Greenham entered a world that would eventually see him become a significant figure in British art. He was not alone in his creative inclinations, for he was the brother of the artist Robert Duckworth Greenham. This familial connection suggests an environment where the visual language of art was a shared understanding. Before he dedicated himself fully to the brush, his path led him through the halls of Oxford University, where he applied his intellect to the study of English at Magdalen College.
The transition from the study of words to the study of form was a profound shift in his development. Between 1935 and 1939, Greenham sought formal training at the Byam Shaw School of Art. It was during these formative years that his technical skill began to take shape under the guidance of Francis Ernest Jackson. This period of study provided the essential foundation for a life spent observing the nuances of the human subject and the complexities of light and shadow.
His ascent within the British art establishment was marked by steady recognition and a deep commitment to the instruction of others. In 1960, he was elected a member of the Royal Academy, a distinction that reflected his growing influence as a portraitist. This prestige continued to grow as he moved through the ranks of the institution, eventually being named a Senior RA on 31 December 1984. Beyond his own studio practice, he held a position of great responsibility as the Keeper of the Royal Academy Schools from 1964 to 1985, where he helped shape the development of many young artists of the post-war generation.
His leadership extended to the Royal Society of British Artists, where he served as President. He was a man of many interests, and his intellect found expression not only through his brush but also through his pen, as he became a prolific writer on the subject of art. His ability to observe the human character was perhaps most famously demonstrated when he was commissioned by the Welsh Guards to paint H M the Queen in 1962.
To encounter the legacy of Peter Greenham is to wander through the most significant repositories of British art. His presence is felt within the halls of the Royal Academy and the Tate, where his hand remains part of the institutional memory of the nation. Those seeking his portraiture might find his likenesses held by the National Portrait Gallery in London, a place where the faces of history are preserved. His reach extends to the Government Art Collection, ensuring his vision remains part of the public record.
The breadth of his influence is further evidenced by the various museums that have seen fit to house his canvases. The Ashmolean Museum and the British Museum both hold his works, placing his art alongside the great treasures of human achievement. In the Guildhall Art Gallery, his paintings find a home, while the Arts Council Collection ensures his contributions are kept for future study. His work also resides within the collections of the National Trust, where it remains part of the private and public histories of the land.