Peter Edwards의 가장 유명한 작품은 Cambridge의 Paintings Owned by Colleges에 있는 Professor Peter Mathias (b.1928), Master of Downing College (1987–1995) (1990)입니다. Principal Struther Arnott (b.1934) (1994)와 Sir Christopher Zeeman (b.1925), Principal (1988–1995) (1993)를 더해, 누구나 알 법한 세 가지 작품이 완성됩니다. Peter Edwards의 작품 33점이 카탈로그에 등록되어 있습니다. 아래의 33점은 전 세계에서 가장 주목받는 작품들로, 각 작품의 제작 연도, 소장 박물관 및 예술적 가치를 함께 보여줍니다.
각 작품의 검색, 방문 및 주문 수를 결합한 인기 점수를 기준으로 순위를 매깁니다. 10월 2026 업데이트됨.
The painting Kazuo Ishiguro by Peter Douglas Edwards is a remarkable piece of art that showcases the artist's skill in capturing the essence of his subject. Created in…
The Peter Douglas Edwards painting, Bobby Charlton, is a captivating portrait that showcases the artist's skill and attention to detail. Created in 1991, this oil on canvas piece…
이 걸작들 사이에서 가장 자주 등장하는 네 가지 주제와 각 주제를 가장 잘 나타내는 대표작들.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관
| 소장 미술관 | 도시 | Peter Edwards의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 Llyfrgell Genedlaethol Cymru / The National Library of Wales |
애베리스토이쓰 | 4 | Young Woman on the Bridge at Llangollen, John Jones, Griff Rhys Jones (b.1953) |
 Aberystwyth University School of Art Museum And Galleries |
Aberystwyth | 2 | Study for a Portrait of Derec Llwyd Morgan (b.1943), Derec Llwyd Morgan (b.1943), Vice Chancellor (1994–2004) |
 Paintings Owned by Colleges |
Cambridge | 1 | Professor Peter Mathias (b.1928), Master of Downing College (1987–1995) |
 콜리지 그ertford |
옥스퍼드 | 1 | Sir Christopher Zeeman (b.1925), Principal (1988–1995) |
 Shrewsbury Shirehall |
Shropshire | 1 | John Robert Stratford Dugdale (1923–1994), Lord Lieutenant of Shropshire (1975–1994) |
 st George's Hospital |
London | 1 | Sir William Asscher, MD, FRCP |
 Birkbeck |
London | 1 | Baroness Blackstone, Master (1987–1997) |
 버밍엄 대학교 |
버밍엄 | 1 | Roger Burman (b.1940), Pro Chancellor (1994–2001) |
Professor Peter Mathias (b.1928), Master of Downing College (1987–1995) (1990), Paintings Owned by Colleges, Cambridge. 다음은 Principal Struther Arnott (b.1934) (1994)와(과) Sir Christopher Zeeman (b.1925), Principal (1988–1995) (1993)입니다.
35세: Professor Peter Mathias (b.1928), Master of Downing College (1987–1995)은(는) 1990년 작품이며, Peter Edwards은(는) 1955년에 태어났습니다.
Professor Peter Mathias (b.1928), Master of Downing College (1987–1995), Principal Struther Arnott (b.1934), Sir Christopher Zeeman (b.1925), Principal (1988–1995), Young Woman on the Bridge at Llangollen, John Elfed Jones (b.1933), President of University of Wales Lampeter, St David's University College (1992–1998), Ruth Lambert, Neville the Cockler, Connah's Quay, Hughie Higgins and His Buoy, Fisherman 및 Somhairle MacGill Eain (1911–1996) (Sorley Maclean). 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.
Peter Edwards의 작품 33점을 1989년부터 2009년 사이의 연대로 분류하여 목록에 담았습니다.
대부분의 작품은 Llyfrgell Genedlaethol Cymru / The National Library of Wales (애베리스토이쓰), Aberystwyth University School of Art Museum And Galleries (Aberystwyth) 및 Paintings Owned by Colleges (Cambridge)에 소장되어 있습니다. 위 표에 각 박물관 목록이 나열되어 있습니다.
1990s 기간 동안: 이 페이지의 총 33점의 작품 중 16점이 해당 시기의 작품이며, 그중 Professor Peter Mathias (b.1928), Master of Downing College (1987–1995)점이 포함되어 있습니다.
이 페이지의 가장 오래된 작품은 John Robert Stratford Dugdale (1923–1994), Lord Lieutenant of Shropshire (1975–1994) (1989), 가장 최근 작품은 Sir Peter Middleton (b.1934), Chancellor of the University of Sheffield (since 1999) (2009)입니다.
이 페이지의 총 33점의 작품 중 Portrait (5), Elderly man (2) 및 British art (2)
이 페이지의 작품들이 보여주듯, Contemporary realism
Young Woman on the Bridge at Llangollen, John Jones 및 Griff Rhys Jones (b.1953)은(는) Llyfrgell Genedlaethol Cymru / The National Library of Wales, 애베리스토이쓰이(가) 소장한 이 페이지의 작품 4점 중 일부입니다.
In the realm of contemporary British portraiture, few artists possess the ability to bridge the gap between mere physical likeness and profound psychological depth as masterfully as Peter Douglas Edwards. Born on November 20, 1955, Edwards has spent his career refining a visual language that speaks to the very essence of his subjects. His journey into the heart of human expression began with formal studies at Shrewsbury School and Cheltenham Art College, where he laid the technical foundations that would later support his more experimental and emotive explorations. To look upon an Edwards portrait is not simply to see a face, but to encounter a narrative—a carefully constructed moment of intimacy captured through vibrant color palettes and a signature use of textured, impasto brushstrokes.
The early trajectory of his career was marked by immediate and significant recognition within the prestigious circles of the British art establishment. His debut in the Royal Academy Summer Exhibition in 1980 served as a herald for his talent, particularly when his self-portrait caught the eye of the esteemed collector Sir Brinsley Ford. This early validation paved the way for a series of commissions that would define his legacy. Perhaps most notably, Edwards became an artist deeply entwined with the literary landscape of his era. His 1986 portrait of The Liverpool Poets, acquired by the National Portrait Gallery, demonstrated his unique capacity to translate the rhythmic spirit and cultural weight of poetry into the static medium of oil on canvas.
Edwards’ relationship with the National Portrait Gallery remains one of the most fruitful collaborations in modern portraiture. Working alongside Robin Gibson, the gallery's Chief Curator of the 20th Century Collection, Edwards embarked on an ambitious artistic odyssey. This partnership culminated in the landmark 1990 exhibition, “Contemporary Poets,” a monumental undertaking featuring seventeen large-scale canvases that depicted twenty influential poets alongside their own verses. Through this project, Edwards did more than paint individuals; he synthesized artistic vision with literary understanding, creating a multidisciplinary experience that celebrated the symbiotic relationship between the written and the visual word.
Beyond the world of letters, Edwards has been entrusted with the task of immortalizing some of the most iconic figures of British culture. His 1991 portrait of football legend Sir Bobby Charlton, unveiled by Bobby Moore to commemorate the 25th anniversary of England's World Cup victory, stands as a testament to his ability to capture national icons with both nuance and sensitivity. This talent for portraying greatness extends to diverse fields, from the cinematic and literary heights of Kazuo Ishiguro to the athletic prowess of Ryan Giggs. Each subject is treated not as a celebrity, but as a human being, often rendered with a subdued palette or a focused light that invites the viewer into a state of quiet contemplation.
The technical evolution of Peter Douglas Edwards is characterized by a sophisticated command over light, shadow, and texture. While many of his works utilize bold, energetic brushwork to create dimension, he is equally capable of profound subtlety. In his portrait of Kazuo Ishiguro, for instance, the artist employs a more restrained approach, using soft transitions and a focused composition to mirror the introspective nature of the Nobel laureate. This versatility allows him to navigate between the impasto textures found in works like 'Hughie Higgins, Boatyard Owner'—where rich blues and browns create a tactile, weathered atmosphere—and the more delicate, psychological studies that define his most celebrated gallery pieces.
The pinnacle of his critical acclaim arrived in 1994, when he was honored with the prestigious BP Portrait Award for his work Portrait of an Artist's Model. This achievement not only solidified his standing among his peers but also opened doors to further high-profile commissions that would shape the landscape of modern British figurative art. Today, the works of Peter Douglas Edwards reside in some of the world's most significant institutions, including:
Through a lifetime of dedicated observation, Edwards has proven that the portrait is never merely a record of appearance, but a profound exploration of identity, memory, and the enduring human spirit.
