John Simpson, 1782 – 1847

John Simpson 회화: 가장 유명한 작품 20선, 순위별 보기

John Simpson의 가장 유명한 작품은 런던의 로열 호스피탈 첼시에 있는 The Duke of Wellington (1769–1852)입니다. Clarkson Frederick Stanfield (1829)와 D. Maria II, Queen of Portugal (1819-1853) (1837)를 더해, 누구나 알 법한 세 가지 작품이 완성됩니다. John Simpson의 작품 22점이 카탈로그에 등록되어 있습니다. 아래의 20점은 전 세계에서 가장 주목받는 작품들로, 각 작품의 제작 연도, 소장 박물관 및 예술적 가치를 함께 보여줍니다.

각 작품의 검색, 방문 및 주문 수를 결합한 인기 점수를 기준으로 순위를 매깁니다. 11월 2026 업데이트됨. 이 페이지의 모든 명작은 원하시는 크기로 박물관 품질의 수작업 유화 복제화 또는 파인 아트 프린트로 주문하실 수 있습니다.

John Simpson의 초상화
John Simpson · 1782 – 1847
생몰 연도
1782 – 1847, London
카탈로그 작품 목록
22
가장 유명한
The Duke of Wellington (1769–1852)
최다 소장처
National Portrait Gallery

가장 유명한 John Simpson 작품 10선

The Duke of Wellington (1769–1852) 의 John Simpson
1

The Duke of Wellington (1769–1852)

Oil On Canvas · 로열 호스피탈 첼시, 런던

To gaze upon this depiction of the Duke of Wellington is to encounter not merely a likeness, but an embodiment of British martial spirit and enduring historical gravity. John Simpson has captured a moment steeped in ceremony and authority. The subject stands with an undeniable bearing, clad in formal attire that speaks volumes of his station—a man whose life was inextricably linked to the grand sweep of military history. His…

수작업 유화 복제화 시작가 $181 26 × 38 cm
Clarkson Frederick Stanfield (1829) 의 John Simpson
2

Clarkson Frederick Stanfield

1829 · Oil · National Portrait Gallery, 런던

A somber dignity settles over the figure in this 1829 oil portrait. He sits in a quiet, bust-length pose, his body angled slightly toward the right while his gaze drifts toward the same unseen horizon. The lighting is dramatic, a heavy chiaroscuro that spills from the upper left to catch the ridge of his brow and the bridge of his nose. This directional light carves his features out of a…

수작업 유화 복제화 시작가 $181 29 × 35 cm 원작과 동일한 크기 $299 64 × 77 cm 원작 사이즈로 주문하기 →
D. Maria II, Queen of Portugal (1819-1853) (1837) 의 John Simpson
3

D. Maria II, Queen of Portugal (1819-1853)

1837 · Oil On Canvas · Imperial Museum of Brazil, Petrópolis

The air in the chamber feels heavy with the scent of old velvet and the quiet weight of authority. Queen Maria II sits poised, her figure centered within an ornate, gilded throne that seems to grow from the very shadows of the room. The light catches the shimmering white of her satin gown, turning the fabric into a luminous landscape of folds and soft highlights. A vibrant sash, striped with…

수작업 유화 복제화 시작가 $181 28 × 36 cm
Retrato de D. Pedro, Duque de Bragança (1834) 의 John Simpson
4

Retrato de D. Pedro, Duque de Bragança

1834 · Oil On Canvas

This formal and dignified 19th-century portrait depicts D. Pedro, Duque de Bragança in a three-quarter length composition. The subject is positioned slightly off-center, creating a sense of dynamic presence within the frame. He is dressed in an ornate military uniform, which is heavily adorned with medals, stars, and gold embroidery. A vibrant red and green ceremonial sash cuts across the dark tones of the attire, complemented by the bright white…

수작업 유화 복제화 시작가 $181 28 × 36 cm 원작과 동일한 크기 $551 102 × 130 cm 원작 사이즈로 주문하기 →
Portrait of the Duke of Terceira (1832) 의 John Simpson
5

Portrait of the Duke of Terceira

John Simpson executed the Portrait of the Duke of Terceira about 1832. The sitter is António José Severim de Noronha, 1st Duke of Terceira, a prominent Portuguese military officer and statesman. His life was defined by significant political and military engagement during the nineteenth century.

수작업 유화 복제화 시작가 $181 29 × 35 cm 원작과 동일한 크기 $301 64 × 77 cm 원작 사이즈로 주문하기 →
Prince Auguste de Beauharnais, Duke of Leuchtenberg (1834) 의 John Simpson
6

Prince Auguste de Beauharnais, Duke of Leuchtenberg

1834 · Oil On Canvas

The portrait titled Prince Auguste de Beauharnais, Duke of Leuchtenberg is a work by the artist John Simpson. The canvas captures Auguste Charles Eugène Napoléon de Beauharnais in a moment of formal stillness. He was a man of significant lineage, serving as the first prince consort of Maria II of Portugal. His presence in this work carries the weight of his many titles, including the 2nd Duke of Leuchtenberg and…

수작업 유화 복제화 시작가 $181 28 × 36 cm
Captain Peter Heywood (1773–1831) (1822) 의 John Simpson
7

Captain Peter Heywood (1773–1831)

1822 · Oil On Canvas · 국립 해양 박물관, 런던

The man stares directly through the darkness, his gaze steady and unyielding. He sits enveloped in the heavy, dark atmosphere of the early 19th century, his presence defined by the sharp contrast of his military attire against an indistinct, shadowy background. A dark blue coat clings to his shoulders, weighted by the glint of gold epaulettes that signal his rank and the gravity of his station. His white shirt rises…

수작업 유화 복제화 시작가 $181 29 × 35 cm 원작과 동일한 크기 $299 64 × 76 cm 원작 사이즈로 주문하기 →
William IV (1765–1837) (1830) 의 John Simpson
8

William IV (1765–1837)

1830 · Oil On Canvas

In this 1830 portrait, we find ourselves in the presence of William IV, a man whose likeness was captured during a period of significant transition in British history. The subject is positioned centrally, commanding the space with a quiet, regal authority. He is draped in formal attire that speaks to his high station, holding a scepter that serves as a direct symbol of his sovereign power. Behind him, a heavy…

수작업 유화 복제화 시작가 $181 25 × 39 cm
Head of a Man ( Ira Frederick Aldridge) (1827) 의 John Simpson
9

Head of a Man ( Ira Frederick Aldridge)

1827 · Oil

The gaze of the subject meets the viewer through the layers of history in Head of a Man ( Ira Frederick Aldridge). This portrait, painted by John Simpson, captures a moment of profound stillness. The man stares into the distance, his thoughts seemingly drifting far beyond the edges of the frame. He wears a red robe that catches the light, a striking contrast against his dark skin. Around him, the…

수작업 유화 복제화 시작가 $181 28 × 36 cm
Sir John Fleming Leicester (1762–1827), 1st Lord de Tabley, in Peer's Robes (1826) 의 John Simpson
10

Sir John Fleming Leicester (1762–1827), 1st Lord de Tabley, in Peer's Robes

1826 · Oil On Canvas

In this large-scale portrait, we encounter Sir John Fleming Leicester, 1st Lord de Tabley, captured in a moment of profound dignity. He is depicted in his peer's robes, a garment that carries the weight of his status and the recent elevation to the peerage in 1826. The subject is positioned with his back partially turned toward us, a choice that creates a sense of looking into a private, ceremonial space.…

수작업 유화 복제화 시작가 $181 24 × 42 cm

John Simpson 작가의 작품 11~20

John Simpson 작가가 가장 많이 그린 주제

이 걸작들 사이에서 가장 자주 등장하는 네 가지 주제와 각 주제를 가장 잘 나타내는 대표작들.

John Simpson의 작품 감상하기

이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관

소장 미술관 도시 John Simpson의 작품 이 목록의 작품들
National Portrait Gallery, 런던National Portrait Gallery 런던 3 Clarkson Frederick Stanfield, Frederick Marryat (engraved 1826), Sir Herbert Taylor
국립 해양 박물관, 런던국립 해양 박물관 런던 2 Captain Peter Heywood (1773–1831), Clarkson Stanfield (1793–1867)
로열 호스피탈 첼시, 런던로열 호스피탈 첼시 런던 1 The Duke of Wellington (1769–1852)
Imperial Museum of Brazil, PetrópolisImperial Museum of Brazil Petrópolis 1 D. Maria II, Queen of Portugal (1819-1853)
소아레스 도스 레이스 국립 미술관, 포르투소아레스 도스 레이스 국립 미술관 포르투 1 Portrait of the Duke of Terceira
Leeds Civic Hall, LeedsLeeds Civic Hall Leeds 1 George Goodman, Mayor (1836)
스코틀랜드 국립 초상화 갤러리, Edinburgh스코틀랜드 국립 초상화 갤러리 Edinburgh 1 Sir Charles Napier (1786–1860), Admiral
English Heritage, 런던English Heritage 런던 1 Arthur Wellesley (1769–1852), 1st Duke of Wellington, KG

John Simpson의 연대별 대표작

  1. 1820s
    Clarkson Frederick Stanfield (1829) 의 John Simpson
    순위 2 / 20

    Clarkson Frederick Stanfield

    연령대 38 – 47 · National Portrait Gallery

    A somber dignity settles over the figure in this 1829 oil portrait. He sits in a quiet, bust-length pose, his body angled slightly toward the right while his…

  2. 1830s
    D. Maria II, Queen of Portugal (1819-1853) (1837) 의 John Simpson
    20명 중 3위

    D. Maria II, Queen of Portugal (1819-1853)

    연령대 48 – 57 · Imperial Museum of Brazil

    The air in the chamber feels heavy with the scent of old velvet and the quiet weight of authority. Queen Maria II sits poised, her figure centered within…

  3. 1840s
    Sir Charles Napier (1786–1860), Admiral (1841) 의 John Simpson
    20개 중 15위

    Sir Charles Napier (1786–1860), Admiral

    연령대 58 – 65 · 스코틀랜드 국립 초상화 갤러리

    The portrait depicts Sir Charles Napier, an admiral who lived from 1786 to 1860. He is positioned in a three-quarter view, wearing a black coat accented with gold…

John Simpson의 작품에 관한 질문

John Simpson의 가장 유명한 작품은 무엇인가요?정답 보기

The Duke of Wellington (1769–1852), 로열 호스피탈 첼시, 런던. 다음은 Clarkson Frederick Stanfield (1829)와(과) D. Maria II, Queen of Portugal (1819-1853) (1837)입니다.

John Simpson의 대표작 Top 10은 무엇인가요?정답 보기

The Duke of Wellington (1769–1852), Clarkson Frederick Stanfield, D. Maria II, Queen of Portugal (1819-1853), Retrato de D. Pedro, Duque de Bragança, Portrait of the Duke of Terceira, Prince Auguste de Beauharnais, Duke of Leuchtenberg, Captain Peter Heywood (1773–1831), William IV (1765–1837), Head of a Man ( Ira Frederick Aldridge) 및 Sir John Fleming Leicester (1762–1827), 1st Lord de Tabley, in Peer's Robes. 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.

John Simpson 작가의 작품은 몇 점인가요?정답 보기

John Simpson의 작품 22점을 1822년부터 1841년 사이의 연대로 분류하여 목록에 담았습니다.

John Simpson의 가장 유명한 작품들은 어디에서 볼 수 있나요?정답 보기

대부분의 작품은 National Portrait Gallery (런던), 국립 해양 박물관 (런던) 및 로열 호스피탈 첼시 (런던)에 소장되어 있습니다. 위 표에 각 박물관 목록이 나열되어 있습니다.

John Simpson의 가장 유명한 작품들은 언제 그려졌나요?정답 보기

1830s 기간 동안: 이 페이지의 총 20점의 작품 중 9점이 해당 시기의 작품이며, 그중 D. Maria II, Queen of Portugal (1819-1853)점이 포함되어 있습니다.

John Simpson의 초기 및 후기 대표작은 무엇인가요?정답 보기

이 페이지의 가장 오래된 작품은 Captain Peter Heywood (1773–1831) (1822), 가장 최근 작품은 Sir Charles Napier (1786–1860), Admiral (1841)입니다.

John Simpson이(가) 가장 자주 그린 작품은 무엇인가요?정답 보기

이 페이지의 총 20점의 작품 중 Man (13), Dark background (5) 및 Portrait (4)

John Simpson 작가가 가장 많이 사용한 재료는 무엇인가요?정답 보기

Oil On Canvas: 이 페이지의 총 20점 중 10점

National Portrait Gallery에서 어떤 John Simpson의 작품을 볼 수 있나요?정답 보기

Clarkson Frederick Stanfield, Frederick Marryat (engraved 1826) 및 Sir Herbert Taylor은(는) National Portrait Gallery, 런던이(가) 소장한 이 페이지의 작품 3점 중 일부입니다.

John Simpson의 작품 복제본을 구매할 수 있나요?정답 보기

네, 이 페이지에 있는 모든 작품은 해당 작품의 상세 페이지에서 원하시는 크기로 박물관 품질의 수작업 유화 복제본 또는 파인 아트 프린트로 주문하실 수 있습니다.

John Simpson 소개

John Simpson: A Life in Portraiture

Early Life and Training

  • Born in London in 1782, John Simpson embarked on a career as a portrait painter during a vibrant period of British art.
  • He received his foundational training at the prestigious Royal Academy, honing his skills and establishing himself within the artistic community.
  • Crucially, Simpson spent several years as an assistant to Sir Thomas Lawrence, PRA – a leading portraitist of the era. This mentorship profoundly shaped his style and approach to capturing likenesses.

Artistic Development and Style

  • Simpson’s early work reflects the influence of Sir Thomas Lawrence, characterized by a refined technique and attention to detail. He quickly gained recognition for his ability to create flattering and accurate portraits.
  • He exhibited regularly at the Royal Academy from 1807 until his death, demonstrating consistent productivity and engagement with the art world.
  • While primarily a portraitist, Simpson’s work occasionally ventured beyond conventional society portraiture, hinting at a broader artistic sensibility.

Major Achievements and Commissions

  • Royal Patronage: In 1834, Simpson received a significant commission to travel to Portugal and paint portraits in Lisbon.
  • His success led to an appointment as Painter to the Queen of Portugal, solidifying his reputation on the international stage.
  • Notable Sitters: Simpson painted numerous prominent figures, including William IV and many other notable individuals of his time. His portraits provide valuable visual records of British society during the 19th century.

‘The Captive Slave’ and Rediscovery

  • A Turning Point: Simpson's painting, ‘The Captive Slave,’ created a significant shift in his artistic legacy. It remained largely unseen for nearly 180 years.
  • Acquisition and Recognition: The Art Institute of Chicago acquired the work in 2008, bringing it to public attention.
  • Abolitionist Significance: ‘The Captive Slave’ is now recognized as a powerful statement against slavery. It demonstrates Simpson's capacity for venturing beyond conventional portraiture and engaging with important social issues.

Legacy and Historical Significance

  • Despite some contemporary criticism suggesting his work lacked “instinct and penetration,” John Simpson established a successful career as a respected portrait painter.
  • Family of Artists: He had two sons who also pursued artistic careers – Charles, who died young, and Philip, who found success with small domestic subjects.
  • Enduring Impact: The rediscovery of ‘The Captive Slave’ has elevated Simpson's status, highlighting his talent and the painting’s importance as a symbol of the abolitionist movement. He is now recognized not only for his technical skill but also for his contribution to social commentary through art.