Basawan, 1560 – 1600

Basawan 회화: 가장 유명한 작품 13선, 순위별 보기

Basawan의 가장 유명한 작품은 뉴욕의 메트로폴리탄 미술관에 있는 Mihrdukht aims her arrow at the ring (1570)입니다. The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560)와 The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560)를 더해, 누구나 알 법한 세 가지 작품이 완성됩니다. Basawan의 작품 13점이 카탈로그에 등록되어 있습니다. 아래의 13점은 전 세계에서 가장 주목받는 작품들로, 각 작품의 제작 연도, 소장 박물관 및 예술적 가치를 함께 보여줍니다.

각 작품의 검색, 방문 및 주문 수를 결합한 인기 점수를 기준으로 순위를 매깁니다. 11월 2026 업데이트됨. 이 페이지의 모든 명작은 원하시는 크기로 박물관 품질의 수작업 유화 복제화 또는 파인 아트 프린트로 주문하실 수 있습니다.

Basawan의 초상화
Basawan · 1560 – 1600
생몰 연도
1560 – 1600, Uttar Pradesh
카탈로그 작품 목록
13
가장 유명한
Mihrdukht aims her arrow at the ring (1570)
최다 소장처
클리블랜드 미술관

가장 유명한 Basawan 작품 10선

Mihrdukht aims her arrow at the ring (1570) 의 Basawan
1

Mihrdukht aims her arrow at the ring

1570 · Tempera · 메트로폴리탄 미술관, 뉴욕

The air holds its breath as Mihrdukht leans over the balcony, her focus narrowing to a single, slender point. She aims her arrow at the ring, a gesture that freezes the very pulse of the court. Below her, the world unfolds in layers of architectural precision and organic life. Attendants and observers gather in the shadows of the structure, their eyes drawn upward to the woman and her task. The…

수작업 유화 복제화 시작가 $406 28 × 36 cm 원작과 동일한 크기 $484 52 × 68 cm 원작 사이즈로 주문하기 →

Basawan 작가의 작품 11~13

Basawan의 작품 감상하기

이 페이지에 있는 작품을 가장 많이 소장하고 있는 6개의 미술관

소장 미술관 도시 Basawan의 작품 이 목록의 작품들
클리블랜드 미술관, 클리블랜드클리블랜드 미술관 클리블랜드 8 The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night, The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night
메트로폴리탄 미술관, 뉴욕메트로폴리탄 미술관 뉴욕 1 Mihrdukht aims her arrow at the ring
빅토리아 앤 알버트 박물관, 런던빅토리아 앤 알버트 박물관 런던 1 Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer
시카고 미술관, 시카고시카고 미술관 시카고 1 The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, page from a manuscript of the Akbarnama
샌디에이고 미술관, 샌디에이고샌디에이고 미술관 샌디에이고 1 The Virgin and Child
하버드 미술관, 캠브리지하버드 미술관 캠브리지 1 A Mughal and a Rajput Converse at Dusk

Basawan의 연대별 대표작

  1. 1570s
    Mihrdukht aims her arrow at the ring (1570) 의 Basawan
    13개 중 1위

    Mihrdukht aims her arrow at the ring

    연령대 10 – 19 · 메트로폴리탄 미술관

    The air holds its breath as Mihrdukht leans over the balcony, her focus narrowing to a single, slender point. She aims her arrow at the ring, a gesture…

  2. 1580s
  3. 1590s

Basawan의 작품에 관한 질문

Basawan의 가장 유명한 작품은 무엇인가요?정답 보기

Mihrdukht aims her arrow at the ring (1570), 메트로폴리탄 미술관, 뉴욕. 다음은 The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560)와(과) The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560)입니다.

Mihrdukht aims her arrow at the ring이(가) 그려졌을 때 Basawan의 나이는 몇 살이었나요?정답 보기

10세: Mihrdukht aims her arrow at the ring은(는) 1570년 작품이며, Basawan은(는) 1560년에 태어났습니다.

Basawan의 대표작 Top 10은 무엇인가요?정답 보기

Mihrdukht aims her arrow at the ring, The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night, The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night, A feast for Babur hosted by his half-brother Jahangir Mirza in Ghazni in May 1505, from a Babur-nama (Memoirs of Babur), Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer, The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, page from a manuscript of the Akbarnama, The Virgin and Child, The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318) 및 Page from Tales of a Parrot (Tuti-nama): text page. 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.

Basawan 작가의 작품은 몇 점인가요?정답 보기

Basawan의 작품 13점을 1570년부터 1596년 사이의 연대로 분류하여 목록에 담았습니다.

Basawan의 가장 유명한 작품들은 어디에서 볼 수 있나요?정답 보기

대부분의 작품은 클리블랜드 미술관 (클리블랜드), 메트로폴리탄 미술관 (뉴욕) 및 빅토리아 앤 알버트 박물관 (런던)에 소장되어 있습니다. 위 표에 각 박물관 목록이 나열되어 있습니다.

Basawan의 가장 유명한 작품들은 언제 그려졌나요?정답 보기

1590s 기간 동안: 이 페이지의 총 13점의 작품 중 4점이 해당 시기의 작품이며, 그중 Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer점이 포함되어 있습니다.

Basawan의 초기 및 후기 대표작은 무엇인가요?정답 보기

이 페이지의 가장 오래된 작품은 Mihrdukht aims her arrow at the ring (1570), 가장 최근 작품은 The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318) (1596)입니다.

클리블랜드 미술관에서 어떤 Basawan의 작품을 볼 수 있나요?정답 보기

The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night 및 The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night은(는) 클리블랜드 미술관, 클리블랜드이(가) 소장한 이 페이지의 작품 8점 중 일부입니다.

Basawan의 작품 복제본을 구매할 수 있나요?정답 보기

네, 이 페이지에 있는 모든 작품은 해당 작품의 상세 페이지에서 원하시는 크기로 박물관 품질의 수작업 유화 복제본 또는 파인 아트 프린트로 주문하실 수 있습니다.

Basawan 소개

Basawan: The Pioneer of Mughal Portraiture

Basawan (flourished 1580–1600), a name whispered with reverence in Indian art history, stands as one of the foremost figures of the Mughal miniature tradition. Though shrouded in obscurity—details about his life remain scant—his legacy endures through his breathtaking depictions of human subjects within the monumental Akbarnama, cementing his place as an innovator who elevated portraiture to unprecedented heights. Born in New Delhi during a period of significant cultural exchange between Persia and India, Basawan’s artistic journey began amidst the opulent courts of Akbar the Great. His formative years were spent under the tutelage of Abd al-Samad, a renowned artist whose influence profoundly shaped Basawan's stylistic sensibilities. This mentorship instilled within him a meticulous observation of human anatomy and expression—a hallmark that distinguishes his work from contemporaries.
  • Akbarnama Influence: Basawan’s contribution to the Akbarnama is arguably his most celebrated achievement. Unlike previous chronicles, Akbar commissioned a series of portraits capturing not merely royal figures but also individuals representing diverse social strata – scholars, musicians, and artisans. This bold decision signaled a departure from conventional artistic practices and established Basawan as a trailblazer in portraying human character with remarkable realism.
  • Color Palette & Technique: Basawan’s mastery lay primarily in his exceptional color palette and technique. Utilizing opaque watercolor pigments combined with gold leaf—a practice considered revolutionary at the time—he achieved luminous hues and textural depth that captivated viewers. His meticulous layering of colors created an illusionistic effect, mirroring the subtleties of light and shadow and conveying a profound sense of atmosphere.
  • Family Legacy: Basawan’s artistic lineage continued through his son Manohar Das, who carried on the family tradition as a court painter. Today, the Das family maintains a thriving manufacturing business specializing in handcrafted carpets—a tangible connection to their ancestral heritage and a testament to the enduring influence of Basawan's artistic vision.

Exploring His Artistic Output: Beyond Akbarnama Illustrations

While the Akbarnama undoubtedly represents Basawan’s magnum opus, evidence suggests he engaged in diverse artistic endeavors extending beyond royal commissions. Fragments of manuscripts depicting scenes from Hindu mythology—particularly those featuring Tara Kalan—offer glimpses into his versatility and willingness to explore different thematic concerns. These works demonstrate a keen understanding of symbolism and narrative complexity, reflecting the broader intellectual currents of the Mughal era.
  • Notable Works: Among Basawan’s surviving paintings are depictions of angels (Peri) riding composite camels—a striking visual representation of Islamic cosmology—and portraits capturing the dignity and solemnity of royal figures.

Connections to Western Artistic Traditions

Basawan's artistic development coincided with the arrival of Jesuit missionaries in India, bringing with them European paintings that profoundly impacted Mughal artists. This exposure fostered a dialogue between Eastern and Western aesthetics—a pivotal moment in Indian art history—and Basawan’s oeuvre bears subtle traces of this influence. His meticulous attention to detail and his masterful use of perspective foreshadowed developments occurring across the ocean, marking him as an artist attuned to global artistic trends.

Historical Significance: A Reflection of Mughal Patronage

Basawan's success is inextricably linked to Akbar’s enlightened patronage—a royal commitment to fostering artistic excellence and promoting cultural enrichment. Akbar recognized Basawan’s talent and entrusted him with monumental commissions, securing his place as one of the most influential artists of his time. His work serves as a poignant reminder of the transformative power of royal support in shaping artistic innovation and preserving cultural heritage for posterity.