용지

학생 작품 가이드

Translated Vase

5 parts 1 The artwork2 In context3 About this artwork4 Artist and museum5 Look closely

성명 학급 날짜
yee, sookyung, Translated Vase (2009), Korean Art Museum Association. 참고용으로 복제됨; 모든 권리는 저작권자에게 있음.

주요 정보

작가
yee, sookyung wahooart.com/ko/artists/yee-sookyung/
작가 정보
1963 – ?
채색됨
2009
매체
Gold Leaf
원본 크기
80 x 170 cm
운동성
Contemporary Art
시대
Contemporary
개최 장소
Korean Art Museum Association wahooart.com/ko/museums/korean-art-museum-association-seoul_ko/

In context

Translated Vase — yee, sookyung

How big is it?

The original measures 80 × 170 cm (height × width), drawn here beside an adult of average height.

이 작품은 언제 제작되었나요?

  1. 1960
  2. 1970
  3. 1980
  4. 1990
  5. 2000

Shaded: yee, sookyung의 생애 (1963–?) ▲ 이 작품, 2009

비교 작품

위의 작품 중 하나를 선택하세요: 이 작품과 공통된 점 두 가지와 차이점 한 가지를 말해 보세요.

이 작품과 함께 감상하기 좋은 다른 작품들: wahooart.com/ko/art/similar/yee-sookyung-translated-vase-D42MAW-en/

색상

이미지에서 측정됨

    주요 색상

    Espresso #3b4a24

    등록된 팔레트

    • #3B4A24
    • #C7C4BC
    • #5C6766
    • #929794
    주요 색상명
    Espresso
    채도
    Balanced 단일한 차분한 색조부터 다채롭고 밝은 색조에 이르기까지, 색상의 채도와 다양성이 어떠한지 나타냅니다.
    대비
    Bold 작품 전체에 걸쳐 색상의 명도와 채도가 얼마나 차이 나는지 보여줍니다.
    조화
    Strong Color Unity 색상들이 서로 충돌하는지 혹은 완벽하게 조화를 이루는지 등, 색채의 어우러짐 정도.
    밝기
    Balanced 깊은 그림자부터 밝은 하이라이트까지, 작품 전체의 전반적인 명암 정도.
    채도
    Subtle Color 회색에 가까운 색조부터 매우 선명한 색조까지, 얼마나 순수하고 강렬한 색채를 지녔는지 확인해 보세요.

    작품 정보

    Translated Vase — yee, sookyung

    Notes on this work

    Written for this guide from published sources. The catalogue record itself is on the first part of this guide.

    Artistic style
    Contemporary sculpture and installation
    Notable elements or techniques
    Gold leaf, shattered porcelain transformation
    Subject or theme
    Fragility, memory, rupture, and redemption

    The Alchemy of Fragility: Rediscovering Sookyung Yee’s Translated Vase

    In the quiet intersection of destruction and rebirth lies the profound work of Sookyung Yee, a contemporary visionary whose practice transcends the boundaries of traditional sculpture. Her celebrated series, Translated Vase, serves as a breathtaking meditation on the concept of rupture and the possibility of redemption. At first glance, the viewer is met with a scene that feels both surreal and deeply grounded—a lush, verdant field where various vessels are scattered like forgotten memories. Yet, upon closer inspection, these are not merely decorative objects; they are the survivors of a beautiful catastrophe. Through her meticulous process, Yee takes the shattered remnants of Korean ceramics and reascent them into a new, unified whole, creating a visual language that speaks to the resilience of the human spirit.

    The technique employed in Translated Vase is nothing short of alchemical. Drawing inspiration from the ancient tradition of kintsugi—the Japanese art of repairing broken pottery with precious metals—Yee elevates the act of mending to a high art form. She gathers discarded, fractured porcelain and carefully reassembles the shards, filling the jagged gaps with shimmering gold leaf. This deliberate use of gold does not attempt to hide the scars of the past; rather, it illuminates them. The contrast between the delicate, often translucent porcelain and the opulent, radiant gold creates a rhythmic tension that draws the eye across the composition. Each piece becomes a testament to the idea that beauty is not found in perfection, but in the courageous embrace of one's own history and imperfections.

    Beyond its physical brilliance, the artwork carries a heavy emotional resonance that makes it an essential piece for collectors and designers seeking depth in their spaces. The symbolism of the "translated" vessel suggests a metamorphosis—a movement from a state of brokenness to a state of heightened existence. For the interior designer, this work offers a sophisticated focal point that balances organic textures with luxurious accents, making it equally at home in a minimalist modern gallery or a richly layered classical study. It invites conversation about memory, heritage, and the cyclical nature of life. To possess a reproduction of such a piece is to invite a sense of contemplative peace into a room, reminding all who gaze upon it that even the most fractured parts of our world can be transformed into something luminous and whole.

    아티스트와 미술관

    Translated Vase — yee, sookyung

    작가

    yee, sookyung

    Born in Seoul, South Korea

    The Alchemy of Fragments: The Art of Yeesookyung

    In the delicate intersection where destruction meets rebirth, the work of Yeesookyung resides. Born in Seoul, South Korea, in 1963, the artist has cultivated a visual language that speaks to the profound resilience of the human spirit. Her practice is not merely one of sculpture, but of a deep, meditative alchemy—a process of taking what has been shattered, discarded, or rendered obsolete and breathing into it a new, luminous life. To encounter her work is to witness a silent dialogue between the brokenness of history and the enduring promise of beauty.

    Yeesookyung’s artistic journey began within the rigorous academic traditions of Seoul National University, where she studied Western painting in the late 1980s. This foundational period provided her with a mastery of form and color, yet her creative soul remained tethered to the cultural textures of Korea. During her formative years, the influence of the Minjung movement—a socially conscious art movement in Korea that critiqued systemic inequality—left an indelible mark on her consciousness. This early exposure to art as a vehicle for social reflection and collective healing would later evolve into her unique sculptural philosophy, where the personal act of repairing ceramics becomes a metaphor for repairing the societal and psychological ruptures of the past.

    박물관

    Korean Art Museum Association

    On show in Seoul, South Korea

    A Living Tapestry of Korean Heritage

    In the vibrant heart of Seoul, the

    Korean Art Museum Association (KAMA)

    serves as much more than a mere repository for artifacts; it is a profound testament to the enduring spirit of South Korea’s artistic legacy. Acting as a dynamic bridge between the ancient and the contemporary, KAMA orchestrates a vast network of over one hundred diverse museums, ranging from grand public institutions to the most intimate private collections. To step into the world of KAMA is to embark on a journey through time, where the whispers of the past meet the bold, experimental voices of the present. The association does not simply collect art; it nurties a living discourse, ensuring that the cultural heartbeat of the nation resonates with both domestic enthusiasts and global connoisseurs alike.

    The collection curated under the KAMA umbrella is a breathtaking mosaic of Korean identity, showcasing a mastery of form that has evolved over millennia. Visitors may find themselves mesmerized by the spiritual gravity of monumental Buddhist sculptures, which evoke a sense of deep, meditative contemplation. In contrast, the delicate elegance of Joseon porcelain offers a study in refined simplicity and unparalleled craftsmanship, embodying the aesthetic values of purity and natural grace.

    더 읽어보기

    온라인에서 확인하기

    Translated Vase 다운로드 페이지로 연결되는 QR 코드

    wahooart.com/ko/art/download/yee-sookyung-translated-vase-D42MAW-en/

    이 작품 인용하기

    MLA
    sookyung, yee,. Translated Vase. 2009, Korean Art Museum Association. https://wahooart.com/ko/art/yee-sookyung-translated-vase-D42MAW-en/
    APA
    sookyung, yee, (2009). Translated Vase [Painting]. Korean Art Museum Association. https://wahooart.com/ko/art/yee-sookyung-translated-vase-D42MAW-en/
    Chicago
    yee, sookyung. Translated Vase. 2009. Korean Art Museum Association. https://wahooart.com/ko/art/yee-sookyung-translated-vase-D42MAW-en/
    Harvard
    sookyung, yee, (2009) Translated Vase. Korean Art Museum Association. Available at: https://wahooart.com/ko/art/yee-sookyung-translated-vase-D42MAW-en/

    Look closely

    Translated Vase — yee, sookyung

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: vases, green field, lush grass. Do you agree? What would you add, or take away?
    4. Look back at Portable Temple (2008), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. yee, sookyung was about 46 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.