용지 크기

학생 작품 안내서

Unstoppable Burning

성명 학년/반 날짜

mohamad yusuf (ucup), Unstoppable Burning (2009), ILHAM Gallery. 참고용으로 복제됨; 모든 권리는 저작권자에게 있음.

상세 정보

작가
mohamad yusuf (ucup) wahooart.com/ko/artists/mohamad-yusuf-ucup/
작가 활동 시기
1975 – ?
채색됨
2009
원본 크기
120 x 240 cm
장소
ILHAM Gallery wahooart.com/ko/museums/ilham-gallery-kuala-lumpur/

문맥상

Unstoppable Burning — mohamad yusuf (ucup)

크기 정보

원작의 크기는 120 × 240 cm (높이 × 너비)이며, 여기에는 평균 신장의 성인과 나란히 배치하여 크기를 비교할 수 있습니다.

제작 연도

  1. 1970
  2. 1980
  3. 1990
  4. 2000

음영 처리됨: mohamad yusuf (ucup)의 생애 (1975–?) ▲ 이 작품, 2009

컬러 팔레트

이미지 기반 측정값

    주요 색상

    Espresso #44414a

    컬렉션된 팔레트

    • #44414A
    • #FBFBFB
    • #C2BEC0
    • #807E84
    팔레트
    Neutrals 작품에서 주를 이루는 색상군.
    주요 색상
    Espresso
    강도
    Monochromatic 단일한 차분한 색조부터 다채롭고 밝은 색조에 이르기까지, 색상의 채도와 다양성을 나타냅니다.
    대비
    Statement 작품 전체에 걸쳐 색상의 명도와 채도가 얼마나 차이 나는지를 나타냅니다.
    조화
    Strong Color Unity 색채가 서로 충돌하는지 혹은 완벽하게 조화를 이루는지 등, 색채의 어우러짐 정도.
    밝기
    Brilliant 깊은 그림자부터 밝은 하이라이트까지, 작품 전체의 전반적인 명암 정도.
    채도
    Muted 회색에 가까운 색조부터 매우 선명한 색조까지, 얼마나 순수하고 강렬한 색채를 지녔는지 확인해 보세요.

    작품 소개

    Unstoppable Burning — mohamad yusuf (ucup)

    b. 1975, Indonesia; based in YogyakartaA founding member of the Indonesian artist- activist collective, Taring Padi (Fangs of the Rice Plant), the artist ad the collective have always focused on issues of social justice, with a particular emphasis on marginalised communities. In Tak Kunjung Padam (Unstoppable Burning), the artist captures the struggles facing the victims of the Porong mudslide disaster in East Java, with slogans demanding justice and basic rights for its victims.

    아티스트와 미술관

    작가

    mohamad yusuf (ucup)

    출생지 Lumajang, Indonesia

    A Voice for Indonesia's Soul

    Born in the Indonesian landscape of Lumajang in 1975, Muhammad ‘Ucup’ Yusuf has emerged as a profound architect of socio-political consciousness. His artistic journey, rooted in the formal training received at ISI Yogyakarta in 1995, transcends the boundaries of mere aesthetics to become a vital medium for activism and cultural reflection. Based in the vibrant art hub of Yogyakarta, Yusuf does not merely paint; he engages in a continuous dialogue with the struggles, memories, and identities of his homeland. His work serves as a bridge between the ancient wisdom of Javanese philosophy and the pressing, often turbulent, realities of contemporary Indonesian life.

    The essence of Yusuf’s creative vision is deeply anchored in the cyclical worldview and ethical frameworks of Javanese thought. This philosophical foundation allows him to navigate complex themes of justice, resistance, and ecological awareness with a unique spiritual depth. He views art as an educational instrument—a way to document the forces of the present so that a more harmonious future might be envisioned. Through his eyes, the canvas becomes a space for analyzing personal struggles against the broader backdrop of community needs, fostering a sense of empathy and tolerance among all who witness his narratives.

    The Art of Resistance and Collective Action

    Yusuf’s practice is famously multifaceted, defying the limitations of a single medium. While he is a master of painting, his repertoire expands into the realms of comics, murals, puppets, performance art, and even music. This versatility is not merely a display of technical skill but a strategic choice to reach diverse audiences and penetrate various layers of society. In 1998, alongside a group of fellow activists, he co-founded the LBK Taring Padi (Fangs of the Rice Plant) collective. This movement became a cornerstone of Indonesian contemporary art, utilizing graphic expression as a potent tool for social change and a voice for marginalized communities.

    One of his most poignant contributions to the visual lexicon of protest is seen in works such as Tak Kunjung Padam (Unstoppable Burning). In this piece, Yusuf captures the harrowing struggles of those affected by the Porong mudslide disaster in East Java, utilizing powerful slogans to demand basic rights and justice. His ability to weave specific historical tragedies into a broader tapestry of human rights advocacy has solidified his reputation as an artist-activist whose work is inseparable from the pulse of the people.

    Legacy and Global Recognition

    The impact of Yusuf’s work extends far beyond the borders of Indonesia, earning him significant acclaim within the international art community. His ability to translate local socio-political struggles into universal themes of human dignity has led to his works being featured in prestigious institutions across the globe. From the Singapore Art Museum and the Fukuoka Contemporary Art Museum to the National Gallery of Victoria and the Queensland Art Gallery, his presence in these collections underscores the global relevance of his message.

    Throughout his career, Yusuf has achieved milestones that mark him as a significant figure in Asian Modern and Contemporary art. His notable achievements include:

    Awarded “Best Painting” at the prestigious “Reflection of...” exhibition at ISI Yogyakarta in 1998.

    Finalist status for the Graphic Triennale V in Indonesia in 2012, recognizing his mastery of graphic arts.

    Creation of monumental murals, such as those at Museum Palace Yogyakarta in 2009, which serve as enduring chronicles of Indonesian cultural heritage.

    International auction recognition, with works reaching significant valuations at major houses like Christie's London, reflecting the enduring market and critical interest in his oeuvre.

    Ultimately, the work of Muhammad ‘Ucup’ Yusuf remains a testament to the power of art as sustenance for humankind. It is a continuous, breathing documentation of current forces, designed to inspire hope and catalyze positive change in an ever-evolving world.

    박물관

    ILHAM Gallery

    전시 장소 Kuala Lumpur, Malaysia

    A Sanctuary of Contemporary Vision: The Ilham Gallery Experience

    In the beating heart of Kuala Lumpur, where the urban pulse of Malaysia meets a profound stillness of creative thought, stands the Ilham Gallery. It is not merely a repository for art, but a luminous sanctuary designed to provoke dialogue and ignite the imagination. As one approaches this architectural jewel, the transition from the bustling streets of the city to the refined elegance of the gallery space feels like stepping into a curated dream. The gallery serves as a vital cultural beacon, offering a sophisticated stage where contemporary narratives are woven through light, shadow, and texture, making it an essential destination for the discerning collector and the wandering aesthete alike.

    The architecture of the Ilham Gallery is a masterclass in modern minimalism, acting as a silent protagonist in the exhibition experience. The structure itself embodies a seamless marriage of form and function, characterized by clean lines and expansive, light-filled volumes that allow the artwork to breathe. For interior designers and lovers of spatial harmony, the gallery provides a profound lesson in how environment influences perception. The deliberate use of open spaces and thoughtful circulation ensures that each exhibition feels like an intimate encounter, while the grand scale of the atrium offers moments of breathtaking awe. It is a space where the boundary between the built environment and the artistic expression becomes beautifully blurred.

    At the core of the Ilham Gallery’s identity is its commitment to showcasing the vanguard of contemporary art, both within Malaysia and across the global landscape. The collection highlights are characterized by their diversity, ranging from large-scale installations that command the room to delicate, evocative works on paper that demand a quiet, focused gaze. The gallery frequently hosts notable exhibitions that challenge conventional boundaries, bringing together multidisciplinary artists who explore themes of identity, ecology, and the human condition. This curation strategy ensures that the gallery remains at the forefront of the international art dialogue, offering a rotating tapestry of visual experiences that are as intellectually stimulating as they are aesthetically pleasing.

    What truly distinguishes Ilham Gallery is its role as a living, breathing ecosystem for creativity. It transcends the traditional museum model by fostering a sense of community through curated programs, talks, and workshops that invite the public to engage deeply with the works on display. For those seeking inspiration for high-end residential or commercial interiors, the gallery serves as a premier source of contemporary trends and aesthetic movements. It is a place where history is not just remembered but actively being written through the lens of modern mastery, making every visit an opportunity to witness the evolution of our shared visual language.

    자세히 보기

    온라인에서 더 보기

    Unstoppable Burning 다운로드 페이지로 연결되는 QR 코드

    wahooart.com/ko/art/download/mohamad-yusuf-ucup-unstoppable-burning-DD2GA4-en/

    이 작품 인용하기

    MLA
    (ucup), mohamad yusuf. Unstoppable Burning. 2009, ILHAM Gallery. https://wahooart.com/ko/art/mohamad-yusuf-ucup-unstoppable-burning-DD2GA4-en/
    APA
    (ucup), mohamad yusuf (2009). Unstoppable Burning [Painting]. ILHAM Gallery. https://wahooart.com/ko/art/mohamad-yusuf-ucup-unstoppable-burning-DD2GA4-en/
    Chicago
    mohamad yusuf (ucup). Unstoppable Burning. 2009. ILHAM Gallery. https://wahooart.com/ko/art/mohamad-yusuf-ucup-unstoppable-burning-DD2GA4-en/
    Harvard
    (ucup), mohamad yusuf (2009) Unstoppable Burning. ILHAM Gallery. Available at: https://wahooart.com/ko/art/mohamad-yusuf-ucup-unstoppable-burning-DD2GA4-en/

    상세히 보기

    Unstoppable Burning — mohamad yusuf (ucup)

    자세히 들여다보기

    자신의 언어로 답변해 주세요. 정답은 없습니다. 오직 스스로 설명할 수 있는 답변이 있을 뿐입니다.

    1. 가장 먼저 눈길을 사로잡는 것은 무엇이며, 그 이유는 무엇인가요?
    2. 어떤 색상이나 형태가 분위기를 조성하며, 그 분위기는 무엇인가요?
    3. mohamad yusuf (ucup) 작가는 이 작품을 제작할 당시 약 34세였습니다. 작품의 어떤 부분에서 그 시기 작가의 특징이 느껴지나요?
    4. 작가는 당신이 무엇을 느끼길 원했을까요?
    5. 이 작품에 대해 작가에게 단 하나의 질문을 할 수 있다면, 무엇을 물어보고 싶으신가요?

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