용지

학생 작품 가이드

Nocturnal

성명 학급 날짜

fernando de la mora salcedo, Nocturnal (1994), Museum of the Arts of the University of Guadalajara. 참고용으로 복제됨; 모든 권리는 저작권자에게 있음.

주요 정보

작가
fernando de la mora salcedo wahooart.com/ko/artists/fernando-de-la-mora-salcedo/
작가 정보
1958 – ?
채색됨
1994
원본 크기
100 x 70 cm
개최 장소
Museum of the Arts of the University of Guadalajara wahooart.com/ko/museums/museum-of-the-arts-of-the-university-of-guadalajara-guadalajara/

In context

Nocturnal — fernando de la mora salcedo

How big is it?

The original measures 100 × 70 cm (height × width), drawn here beside an adult of average height.

이 작품은 언제 제작되었나요?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990

Shaded: fernando de la mora salcedo의 생애 (1958–?) ▲ 이 작품, 1994

색상

이미지에서 측정됨

    주요 색상

    Espresso #462f30

    등록된 팔레트

    • #462F30
    • #26272A
    • #E59D6B
    • #6B3633
    주요 색상명
    Espresso
    채도
    Monochromatic 단일한 차분한 색조부터 다채롭고 밝은 색조에 이르기까지, 색상의 채도와 다양성이 어떠한지 나타냅니다.
    대비
    Gentle 작품 전체에 걸쳐 색상의 명도와 채도가 얼마나 차이 나는지 보여줍니다.
    조화
    Strong Color Unity 색상들이 서로 충돌하는지 혹은 완벽하게 조화를 이루는지 등, 색채의 어우러짐 정도.
    밝기
    Deep_shadow 깊은 그림자부터 밝은 하이라이트까지, 작품 전체의 전반적인 명암 정도.
    채도
    Subtle Color 회색에 가까운 색조부터 매우 선명한 색조까지, 얼마나 순수하고 강렬한 색채를 지녔는지 확인해 보세요.

    작품 정보

    Nocturnal — fernando de la mora salcedo

    The piece depicts an upper body figure in the foreground, following the rules of classical portrait painting. The torso is separated from the background as a result of the effects of light that appear on the shoulders, while the light intensifies towards the face, in an accentuated chiaroscurothat brings to mind a setting evocative of baroque tenebrism. The thin-faced man with sharp features is wearing attire typical of a high social class. A folded handkerchief sticks out of the jacket’s pocket and offers a touch of color to the predominant dark shades.The individual’s scruffy appearance reflects a drama of an existential character that the author stresses with gestural resources, drawing attention to the posture of the hand clenched over the chest, the disheveled hair and the gloomy expression on his face. In line with his body language, the author makes the untidy appearance of the suit evident, the wrinkled shirt due to excessive use, and the poorly knotted tie, creating an ensemble that depicts an atmosphere of agonizing loneliness.

    아티스트와 미술관

    작가

    fernando de la mora salcedo

    Born in Mexico City, Mexico

    A Voice of Passion and Precision

    Born in the vibrant heart of Mexico City on June 7, 1958, Fernando de la Mora Salcedo has carved a legacy that transcends the boundaries of traditional performance, establishing himself as a profound force in the world of operatic music. His journey is one of remarkable dedication, beginning with his formative studies at the National Conservatory of Mexico. Under the meticulous guidance of esteemed maestros such as Leticia Velázquez and Rosa Rimoch, Salcedo developed a foundational mastery of vocal technique that would later become the hallmark of his international career. This rigorous early education instilled in him not only the technical precision required for the demanding Italian and French repertoires but also a deep-seated emotional intelligence that allows him to inhabit the most complex characters on the operatic stage.

    The trajectory of Salcedo’s professional life took a triumphant turn in 1986 with his debut in Jalapa, where his performance in Madame Butterfly signaled the arrival of a significant new tenor. This moment marked the beginning of an illustrious ascent through the most prestigious opera houses in the world. His presence has graced the legendary stages of the Metropolitan Opera House in New York, La Scala in Milan, and the Vienna State Opera, among many others including the Opéra Bastille in Paris and Covent Garden in London. Such a widespread presence across Europe and North America is a testament to his ability to resonate with diverse audiences through a shared language of musical excellence.

    Artistry and Collaborative Excellence

    What distinguishes Salcedo as an artist is his profound ability to convey the emotional depth inherent in the classical canon. His artistry is characterized by a meticulous attention to detail, where every nuance of phrasing and every breath is calculated to serve the dramatic narrative. This commitment to excellence has led him into collaborations with some of the most distinguished conductors of the modern era, including Zubin Mehta, Riccardo Muti, Lorin Maazel, and Richard Bonynge. These partnerships have allowed him to explore the intricate textures of operatic scores, pushing the limits of his vocal versatility and solidifying his reputation as a performer of immense intellectual and emotional depth.

    Beyond the live stage, Salcedo has left an indelible mark on the recorded history of classical music. His extensive discography, which boasts over 20 recordings primarily released on Telarc Records, serves as a permanent archive of his breathtaking artistry. These recordings offer more than just musical documentation; they are windows into his unique interpretations of celebrated works, capturing the essence of his vocal prowess for scholars and enthusiasts alike. Through these media, his voice continues to reach beyond the concert hall, ensuring that his contribution to the operatic tradition remains a living, breathing part of the global musical heritage.

    박물관

    Museum of the Arts of the University of Guadalajara

    On show in Guadalajara, Mexico

    A Sanctuary of Expression: The Soul of Guadalajara

    In the beating heart of Guadalajara’s historic center, where the echoes of colonial grandeur meet the vibrant pulse of modern Mexican life, lies a sanctuary for the senses known as the Museum of the Arts of the University of Guadalajara, or MUSA. To step through its doors is to enter a dialogue between eras. The museum itself is housed in an elegant neoclassical structure, originally built in 1914 as part of the university’s rectory, and this architectural dignity provides a profound stage for the raw, emotive power of the works within. For the art lover or the discerning collector, MUSA offers more than just a gallery visit; it offers an immersion into the very identity of Jalisco and the broader Mexican spirit.

    The museum’s most breathtaking encounter awaits those who find themselves within the Enrique Díaz de León Auditorium suite. Here, the walls and ceilings cease to be mere structural elements and instead become living chronicles of human struggle and triumph. The legendary muralist José Clemente Orozco left an indelible mark on this space with two colossal frescoes completed between 1935 and 1937. In

    The Creator and Rebel

    , the domed ceiling erupts with a cosmic, expressionistic energy, while

    The People and Their False Leaders

    blankets the wall behind the podium with a biting, social realism. Orozco’s mastery of dramatic chiaroscuro and his aggressive, textured brushstrokes capture the tumultuous essence of the Mexican Revolution, making these murals not just historical artifacts, but visceral experiences that command the room's entire atmosphere.

    Beyond the monumental shadows of Orozco, MUSA reveals a kaleidoscopic collection that speaks to the evolution of contemporary thought. The museum serves as a vital bridge between tradition and innovation, showcasing a diverse array of works ranging from vibrant canvases by local Jalisco masters to avant-garde installations that challenge our perception of form and materiality. For interior designers seeking inspiration, the museum’s rotating exhibitions offer a masterclass in color theory, texture, and thematic depth, often exploring indigenous Mexican traditions alongside global contemporary movements. This constant state of renewal ensures that the museum remains a living organism, perpetually redefining itself through new artistic voices.

    What truly distinguishes MUSA is its role as a cultural cornerstone that remains deeply accessible to the community it serves. It is a place where academic rigor meets public passion, fostering an environment where students, tourists, and art enthusiasts can converge. Whether one is drawn by the historical weight of its neoclassical halls, the profound social commentary etched into its frescoes, or the cutting-edge dialogue of its modern galleries, MUSA stands as an essential destination. It is a testament to the enduring power of art to document our past, reflect our present, and inspire the limitless possibilities of our future.

    더 읽어보기

    온라인에서 확인하기

    Nocturnal 다운로드 페이지로 연결되는 QR 코드

    wahooart.com/ko/art/download/fernando-de-la-mora-salcedo-nocturnal-D744MC-en/

    이 작품 인용하기

    MLA
    salcedo, fernando de la mora. Nocturnal. 1994, Museum of the Arts of the University of Guadalajara. https://wahooart.com/ko/art/fernando-de-la-mora-salcedo-nocturnal-D744MC-en/
    APA
    salcedo, fernando de la mora (1994). Nocturnal [Painting]. Museum of the Arts of the University of Guadalajara. https://wahooart.com/ko/art/fernando-de-la-mora-salcedo-nocturnal-D744MC-en/
    Chicago
    fernando de la mora salcedo. Nocturnal. 1994. Museum of the Arts of the University of Guadalajara. https://wahooart.com/ko/art/fernando-de-la-mora-salcedo-nocturnal-D744MC-en/
    Harvard
    salcedo, fernando de la mora (1994) Nocturnal. Museum of the Arts of the University of Guadalajara. Available at: https://wahooart.com/ko/art/fernando-de-la-mora-salcedo-nocturnal-D744MC-en/

    Look closely

    Nocturnal — fernando de la mora salcedo

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. fernando de la mora salcedo was about 36 when this was made. What in it looks like the work of an artist at that stage?
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.