용지

학생 작품 안내서

Self Portrait, Facing Right

성명 반 날짜

에곤 실레, Self Portrait, Facing Right (1907). 퍼블릭 도메인 빛의 움직임에 따라 변화하는 이 캔버스를 감상해 보세요: 드로잉과 바니시 아래 드러나는 진정한 색채, 그리고 안료 본연의 질감을.

주요 정보

작가
에곤 실레 wahooart.com/ko/artists/egon-silre_ko/
작가 활동 시기
1890 – 1918
채색됨
1907
원본 크기
32 x 31 cm
운동성
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
제작 시기
근대 미술

문맥상

Self Portrait, Facing Right — 에곤 실레

크기는 어느 정도인가요?

원작의 크기는 32 × 31 cm (높이 × 너비)이며, 여기에는 평균 신장의 성인과 나란히 배치하여 크기를 비교할 수 있습니다.

이 작품은 언제 제작되었나요?

  1. 1890
  2. 1900
  3. 1910

윗줄: 연도. 아랫줄: 각 기간의 시작과 끝 시점에서의 작가 연령 — 출생 시 0세, 사망 시 28세.

작가가 17세 때 그린 작품입니다. 이 예술가는 28의 나이로 생을 마감했습니다. 4의 작품이 저희 카탈로그에 등록된 이 작가의 연대별 작품 327점 중 이 작품보다 앞선 시기에 제작되었습니다.

음영 처리됨: 에곤 실레의 생애 (1890–1918) ▲ 이 작품, 1907 연대별로 정리된 모든 회화 작품들

비교 작품

위의 작품 중 하나를 선택해 보세요: 이 작품과 공통된 점 두 가지와 차이점 한 가지를 찾아보세요.

이 작품과 함께 배치하기 좋은 다른 작품들: wahooart.com/ko/art/similar/egon-schiele-self-portrait-facing-right-6WHKLZ-en/

색상

이미지 기반 측정값

    주요 색상

    프탈로 그린 #1e1514

    등록된 팔레트

    • #1E1514
    • #B78C79
    • #665358
    • #352A2D

    아티스트의 전체 팔레트에 담긴 이 색상들 색상별로 다른 작품 찾아보기

    주요 색상명
    프탈로 그린
    채도
    단색조의 단일한 차분한 색조부터 다채롭고 밝은 색조에 이르기까지, 색상의 채도와 다양성을 나타냅니다.
    대비
    은은한 작품 전체에 걸쳐 색상의 명도와 채도가 얼마나 차이 나는지를 나타냅니다.
    조화
    부드럽게 어우러진 색조 색채가 서로 충돌하는지 혹은 완벽하게 조화를 이루는지 등, 색채의 어우러짐 정도.
    밝기
    가장 어두운 명도 영역 깊은 그림자부터 밝은 하이라이트까지, 작품 전체의 전반적인 명암 정도.
    채도
    채도가 낮은 회색에 가까운 색조부터 매우 선명한 색조까지, 얼마나 순수하고 강렬한 색채를 지녔는지 확인해 보세요.

    이 작품은 세계 어디에서 감상되고 있을까요?

    • 1% 미만
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% 이상
    이 작품 하나만으로는 기록된 방문객 수가 너무 적어 지도로 나타내기 어려우므로, 지난 12개월 동안 에곤 실레의 모든 작품을 표시했습니다 — 총 61개국입니다. 데이터 출처

    주요 10개국

    1. 1 중국 45.1%
    2. 2 미국 7.8%
    3. 3 홍콩 6.6%
    4. 4 싱가포르 5.5%
    5. 5 러시아 3.8%
    6. 6 이탈리아 2.7%
    7. 7 스페인 2.6%
    8. 8 리투아니아 2.3%
    9. 9 독일 2.3%
    10. 10 프랑스 2.3%
    11. · 51 기타 국가 19.0%

    지도에서 가장 어두운 세 나라를 찾아보세요. 이 작품을 소장하고 있는 미술관이 그중 한 곳에 있나요? 멀리 떨어진 사람들이 이 작품을 감상하게 되는 이유를 한 가지 적어보세요.

    에곤 실레의 가장 많이 본 작품 20선

    1. 1 자화상 II (죽음과 인간), 1911 5.8%
    2. 2 가족 (Gajok), 1917 3.7%
    3. 3 두 아이를 둔 어머니, 1917 3.0%
    4. 4 월리의 초상화, 1912 2.5%
    5. 5 강가의 집 (또는 오래된 집 I), 1915 1.8%
    6. 6 죽음과 연인, 1915 1.5%
    7. 7 Black-Haired Girl with Lifted Skirt, 1911 1.4%
    8. 8 네 그루의 나무, 1917 1.3%
    9. 9 실레 게르티 실레 1.3%
    10. 10 Self-Portrait in Yellow Vest, 1914, 1914 1.2%
    11. 11 Lovemaking, 1915 1.1%
    12. 12 모아 (Moa), 1911 1.1%
    13. 13 Two Women Embracing, 1915 1.1%
    14. 14 세인트 세바스찬 초상화 포스터, 1914 1.1%
    15. 15 Autumn Trees, 1911 1.0%
    16. 16 Sunflower, 1909 1.0%
    17. 17 Crouching Woman with Green Headscarf, 1914 0.9%
    18. 18 Kneeling Female in Orange-Red Dress, 1910 0.9%
    19. 19 셀프 포트레이트, 1912 0.8%
    20. 256 Self Portrait, Facing Right, 1907 이 회화 작품 0.1%

    이 작품들은 지난 12개월 동안 이 작가의 회화가 받은 전체 관심도의 32.6%를 차지합니다. 카탈로그에는 이 작가의 작품 635점이 수록되어 있으며, 그중 447점은 최소 한 번 이상 조회되었습니다. 이 작품은 해당 분야에서 256위를 차지하고 있으며, 전체 관심도의 0.1%를 점유하고 있습니다. 월별로 동일하게 집계됩니다

    막대의 길이는 품질이 아닌 주목도를 나타냅니다. 상단에 있는 작품과 이 작품을 선택해 주세요: 그림의 완성도 외에 해당 작품을 유명하게 만들 수 있는 요소 한 가지를 말씀해 주세요.

    작품 상세 정보

    Self Portrait, Facing Right — 에곤 실레

    Self Portrait, Facing Right: An Intimate Glimpse into Egon Schiele's Soul

    Egon Schiele’s Self Portrait, Facing Right, created in 1907, is a poignant and revealing work that encapsulates the artist’s burgeoning Expressionist style. Measuring 32 x 31 cm and rendered in oil on canvas, this self-portrait offers an intimate glimpse into the psyche of a young man grappling with complex emotions during a pivotal moment in his artistic development.

    The Portrait's Composition and Technique

    The portrait depicts Schiele himself, positioned facing right. His gaze is direct yet contemplative, drawing the viewer into a silent dialogue. The composition is strikingly simple; the subject fills most of the frame, eliminating extraneous details and focusing attention solely on his face and upper torso. This deliberate framing intensifies the sense of intimacy and vulnerability. Schiele’s technique in this piece demonstrates a move away from traditional academic realism towards the expressive distortions characteristic of Expressionism. The brushstrokes are visible and energetic, contributing to a raw and immediate feel. He employs a limited color palette dominated by dark blues, purples, and browns, punctuated by warmer tones in the skin. This restricted range enhances the somber mood and emphasizes the play of light and shadow.

    The Significance of Light and Shadow

    Light plays a crucial role in shaping the emotional impact of Self Portrait, Facing Right. The dark background serves to isolate and highlight Schiele’s face, creating a dramatic chiaroscuro effect – a technique utilizing strong contrasts between light and dark to model forms and create depth. This deliberate use of light not only emphasizes the subject's features but also contributes to an atmosphere of introspection and melancholy. It echoes the influence of earlier masters while simultaneously forging a distinctly modern aesthetic. The way Schiele manipulates light underscores his desire to convey psychological truth rather than mere visual representation.

    Historical Context and Expressionist Influences

    Created in 1907, this self-portrait emerged during a period of significant artistic upheaval. Vienna at the turn of the century was a hotbed of intellectual and cultural innovation, but also social unrest. Schiele’s work reflects this complex environment. He was deeply influenced by Gustav Klimt, his mentor at the Vienna School of Arts and Crafts, yet he quickly developed his own distinct style that pushed beyond Klimt's decorative aesthetic towards a more raw and psychologically probing exploration of human emotion. Self Portrait, Facing Right exemplifies this shift, foreshadowing the intense emotionality and psychological depth that would characterize Schiele’s later works. It stands as an early but powerful statement of his commitment to Expressionism – a movement dedicated to conveying subjective feelings and experiences through distorted forms and exaggerated colors.

    Beyond This Portrait: Exploring Schiele's Oeuvre

    Self Portrait, Facing Right is just one facet of Egon Schiele’s prolific output. His artistic legacy includes numerous other significant works that explore themes of sexuality, identity, and mortality with unflinching honesty. Notable examples include:

    Prophets (also known as Double Self Portrait): A powerful exploration of duality and spiritual searching housed at the Staatsgalerie Stuttgart in Germany.

    Portrait of Leopold Czihaczek: Another striking example of his Expressionist style, showcasing his ability to capture psychological complexity through portraiture.

    Boating: Demonstrates Schiele’s skill in depicting everyday scenes with emotional depth and a sense of underlying unease.

    Self Portrait, Facing Right remains a compelling testament to Egon Schiele's artistic genius – a window into the soul of an artist grappling with profound questions about life, identity, and the human condition.

    아티스트와 미술관

    작가

    에곤 실레

    출생지 빈, 오스트리아 크로아티아

    Egon Schiele: Austrian Expressionist Painter

    Egon Schiele’s life was a poignant chronicle of artistic passion intertwined with personal tragedy, etching itself into the annals of Viennese Modernism as one of its most unsettling and influential voices. Born in Tulln an der Donau, Austria-Hungary on June 12, 1890—a region steeped in baroque grandeur yet shadowed by encroaching industrialization—Schiele’s early years were marked by profound illness and loss, shaping his artistic sensibility from the outset. His father, Adolf Schiele, was a stationmaster whose own struggles with syphilis cast a pall over the family's wellbeing, leaving Egon orphaned at just fourteen – an experience that would fuel his lifelong preoccupation with mortality and decay. Raised initially by his mother and subsequently under the guardianship of his uncle Leopold Czihaczek—a man known for his rigid moral standards—Schiele’s childhood lacked conventional stability but nurtured within him a spirit of defiant independence, propelling him toward artistic exploration despite societal pressures.

    Early Artistic Inclination: From a young age, Schiele demonstrated an extraordinary aptitude for drawing and painting, though these pursuits were met with disapproval from his father who viewed them as distractions from more pragmatic endeavors.

    Formal Training & Dissatisfaction: He enrolled at the Kunstgewerbeschule in Vienna, seeking formal artistic training—however, he quickly became disillusioned with its conservative approach and abandoned it altogether, prioritizing self-discovery over academic conventions.

    The Klimt Influence: Recognizing Gustav Klimt’s stylistic brilliance and embracing his mentorship, Schiele absorbed Klimt's influence during these formative years, adopting a decorative style infused with symbolism and eroticism—a divergence that would ultimately propel him toward forging his own distinctive artistic path.

    Vienna Secession & Artistic Breakthrough

    Schiele’s decision to leave the Akademie der bildenden Künste solidified his commitment to artistic autonomy, aligning him with a cohort of avant-garde artists who challenged Viennese bourgeois sensibilities and championed radical innovation. He cofounded the Neues Wiener Kunstgruppe (New Viennese Art Group) in 1909—a collective dedicated to exploring psychological themes and rejecting traditional aesthetic norms—marking a pivotal moment in his artistic evolution. His early canvases—often unsettling portraits and self-portraits—were imbued with an arresting honesty and emotional intensity, featuring distorted figures and conveying palpable vulnerability—reflecting the profound impact of personal trauma on his creative process. These paintings weren’t merely representations of physical form but explorations of the inner landscape—the anxieties, desires, and fears that haunted the human psyche—demonstrating Schiele's unwavering conviction in confronting uncomfortable truths through art.

    Symbolism & Expressionism: Schiele embraced Symbolist principles alongside Expressionist techniques—resulting in a distinctive visual language characterized by elongated figures, contorted poses, and expressive lines that conveyed psychological tension.

    The Klimt Connection: His admiration for Klimt’s decorative style served as a catalyst for stylistic experimentation—further enriching his artistic repertoire with influences from Art Nouveau and bolstering his conviction in pursuing unconventional aesthetic visions.

    Exploring Sexuality & Mortality

    Schiele's oeuvre is profoundly shaped by his preoccupation with themes of sexuality, death, anxiety, and isolation—subjects he tackled with uncompromising courage and psychological acuity. His self-portraits stand as poignant meditations on identity and vulnerability—revealing a remarkable level of introspection and confronting existential questions head-on. Beyond self-portraiture, Schiele created numerous portraits capturing the likenesses of others with unsettling realism—penetrating beneath superficial appearances to expose inner turmoil and emotional complexities. Recurring motifs like The Physalis plant—symbolizing death and transience with its delicate, papery husk—underscored his artistic preoccupation with mortality—a theme that permeated his canvases and resonated deeply within his creative vision.

    Psychological Depth: Schiele’s art distinguishes itself through its profound psychological depth—capturing the nuances of human emotion and confronting existential anxieties with unflinching honesty.

    Formal Innovation: He achieved stylistic breakthroughs by experimenting with elongated figures, contorted poses, and expressive lines—creating visual compositions that conveyed emotional intensity and challenged conventional artistic conventions.

    Legacy & Recognition

    Despite facing censorship and legal challenges—including a brief imprisonment for allegedly corrupting minors with his art—Schiele garnered recognition within Vienna’s avant-garde circles—establishing himself as one of the most provocative artists of his era. His uncompromising artistic vision resonated powerfully with audiences—inspiring subsequent generations of artists who embraced psychological exploration and defied societal norms. Schiele's paintings—now housed in prominent museum collections worldwide—continue to captivate viewers today—affirming his enduring legacy as a pivotal figure in early 20th-century art—a testament to the transformative power of confronting existential dilemmas with courage, conviction, and unwavering artistic integrity. His contribution to Viennese Modernism remains unparalleled—solidifying his place among the most influential artists of his time.

    더 읽어보기

    온라인에서 확인하기

    Self Portrait, Facing Right 다운로드 페이지로 연결되는 QR 코드

    wahooart.com/ko/art/download/egon-schiele-self-portrait-facing-right-6WHKLZ-en/

    이 작품 인용하기

    MLA
    실레, 에곤. Self Portrait, Facing Right. 1907, https://wahooart.com/ko/art/egon-schiele-self-portrait-facing-right-6WHKLZ-en/
    APA
    실레, 에곤 (1907). Self Portrait, Facing Right [Painting]. https://wahooart.com/ko/art/egon-schiele-self-portrait-facing-right-6WHKLZ-en/
    Chicago
    에곤 실레. Self Portrait, Facing Right. 1907. https://wahooart.com/ko/art/egon-schiele-self-portrait-facing-right-6WHKLZ-en/
    Harvard
    실레, 에곤 (1907) Self Portrait, Facing Right. Available at: https://wahooart.com/ko/art/egon-schiele-self-portrait-facing-right-6WHKLZ-en/

    자세히 보기

    Self Portrait, Facing Right — 에곤 실레

    자세히 보기

    자신의 언어로 답변해 주세요. 정답은 없습니다. 오직 스스로 설명할 수 있는 답변이 있을 뿐입니다.

    1. 가장 먼저 눈길을 사로잡는 것은 무엇이며, 그 이유는 무엇인가요?
    2. 어떤 색상이나 형태가 분위기를 조성하며, 그 분위기는 무엇인가요?
    3. 몇 명의 얼굴을 찾을 수 있나요? ____ (저희 카탈로그에는 1명으로 기록되어 있습니다. 여러분도 동의하시나요?)
    4. 이 가이드 앞부분에서 보았던 자화상 II (죽음과 인간) (1911)를 다시 한번 떠올려 보세요. 이 작품과 공통점 두 가지와 차이점 한 가지를 찾아보세요.
    5. Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. 이 작품의 어느 부분에서 그 특징을 찾아볼 수 있을까요?

    답변 내용

    이 작품에 대해 짧은 글을 작성해 보세요. 앞서 안내된 정보와 위에서 답변한 내용을 활용하시기 바랍니다.

    질의응답

    "Self Portrait, Facing Right"의 색감은 강렬한 편인가요, 아니면 부드러운 편인가요?

    에곤 실레의 "Self Portrait, Facing Right"에 사용된 색상들은 단색조의 강도를 띱니다.

    "Self Portrait, Facing Right"에서 매체와 움직임은 어떻게 결합되어 있나요?

    "Self Portrait, Facing Right"에서 캔버스에 유채 기법은 Expressionism 사조와 만납니다.

    "Self Portrait, Facing Right"의 작가는 누구이며 어떤 화풍인가요?

    에곤 실레은(는) Expressionism 운동의 흐름 속에서 "Self Portrait, Facing Right"을(를) 제작했습니다.